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| Thread | Thread Starter | Forum | Replies | Last Post |
| "live" recording with no audience | noamraz | Remote Possibilities in Acoustic Music & Location Recording | 6 | 15th July 2007 11:39 PM |
| looking for stereo pre (under $500) for recording live jazz | colors | Remote Possibilities in Acoustic Music & Location Recording | 9 | 8th November 2006 10:42 PM |
| Stereo mic for a live recording into an mbox | fuzzface777 | Remote Possibilities in Acoustic Music & Location Recording | 3 | 16th December 2005 09:25 PM |
| Recording an audience | petsematary | Remote Possibilities in Acoustic Music & Location Recording | 25 | 16th May 2005 09:17 PM |
| Audience recording | TinderArts | Remote Possibilities in Acoustic Music & Location Recording | 4 | 15th May 2003 12:30 AM |
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18th June 2007, 09:01 PM
| #1 |
| Gear interested Join Date: Nov 2006
Posts: 11
|  Good stereo mic for recording the audience during live recording? Good stereo mic for recording the audience during live recording? will use the alesis hd24 from mixing desk but need something to capture the cheering (well I hope there will be some) |
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18th June 2007, 10:43 PM
| #2 |
| Lives for gear  Join Date: Jul 2004 Location: Orygun
Posts: 6,053
| I think you want an M-S set up for this - that way you can point the null of the cardioid and the figure-8 at the stage and get some isolation. -tINY |
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20th June 2007, 02:37 PM
| #3 |
| Gear Head  Join Date: Jan 2006 Location: Indiana
Posts: 71
| what's your budget? there really are a variety of options at almost every price level... You've got money coming out of your ears - Neumann SM 69, schoeps MSTC 64 U You've got more money than me - AKG c34, 422, 426 You need to pay your rent and buy a mic - Studio Projects LSD2, rode nt4 Your flat broke - Audio technica at822 or at825 also any decent pair of SDC can be used in a variety of stereo configs to achieve decent results. |
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20th June 2007, 02:59 PM
| #4 |
| Lives for gear  Join Date: Sep 2005 Location: Music City, USA
Posts: 1,354
| We use shotguns on stage pointing out. They don't have to be expensive when they're just recording a bunch of drunken idiots hooting and clapping, right?
__________________ Authorized dealer for Avenson, Nevaton and Violet Microphones Come visit us at http://www.bigpurpledog.com |
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22nd June 2007, 01:53 AM
| #5 |
| Gear interested  Join Date: Jun 2007
Posts: 13
| my #1 stereo mic for broadcast and recording, as well as in ear monitors- a Shure VP88. I LOVE this mic. I have used this on just about every aplication. When I do live recording, from the FOH area on tours, I use it as well. Actually get good results. And I'mnot only saying this as a Shure Endorsee.... Had VP88's before i got the deal. Tim |
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22nd June 2007, 02:07 PM
| #6 |
| Gear addict  Join Date: Dec 2006 Location: seaside, california
Posts: 326
| A buddy of mine showed me the Studio projects LSD2 yesterday. Big, heavy honkin' thing, but I have to admit, it was cleverly engineered and seemed well made. He claimed it sounded good. IMO, it would make a good "audience" mic, especially in Blumlein. ~~~~Mark S. Pretty Good Recordings |
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22nd June 2007, 02:19 PM
| #7 |
| Lives for gear  Join Date: Apr 2004 Location: Chennai, India
Posts: 623
| Both the VP88 and the LSD2 will do the job. Both are too noisy for low volume stuff. Just my experience 
__________________ "Ultimately, I want to reach more people. That's what I've intended all my life even though it may not seem that way." - Randy Newman |
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23rd June 2007, 01:45 AM
| #8 |
| Gear interested Join Date: Dec 2006 Location: Los Angeles, CA
Posts: 10
| agreed on the VP88. i've used it to record tone/atmosphere at shows and it mixed in great with the stage mics. Rode's NT4 and NT5 (condenser pair) are also good, affordable options. i was pleasantly surprised hearing the NT5 - i think it's only $350? not bad at all. but of course, two cables required, which is less convenient. |
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27th June 2007, 02:29 PM
| #9 |
| Gear addict  Join Date: Feb 2005 Location: NE Ohio
Posts: 305
| The Royer SF-12/SF-24 or AEA R-88 works very well for audience pickup. Yes, it seems like "overkill" to have this expensive of a mic for that use, but a stereo ribbon handles the high-frequency transients of applause SO MUCH better than a condenser. It just sounds like applause instead of "popping." You'll find the ambient music pickup from the mic may be useful as well.
__________________ With Best Regards, Michael Bishop |
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