More Remote Q's

1320 P. · 4th June 2007

What is the best way to record location Audio for Pre Production of TV commercials. Usually there is only a need for a max of 4 mics. I want the most separation possible. I have decided that the location audio will go straight to the camera as well to avoid any sync issues and to have an easy and fast transistion into Final Cut. I also love the portability of the Shure FP33 but it only has 3 inputs and 2 outputs. On the Shure site I looked at the FP410 and that is exactly what I want, but it has been discontinued.
Any suggestions to a noob?

4th June 2007	#1
1320 P. Gear nut Joined: Feb 2006 Location: In My Head Posts: 131 Thread Starter	More Remote Q's What is the best way to record location Audio for Pre Production of TV commercials. Usually there is only a need for a max of 4 mics. I want the most separation possible. I have decided that the location audio will go straight to the camera as well to avoid any sync issues and to have an easy and fast transistion into Final Cut. I also love the portability of the Shure FP33 but it only has 3 inputs and 2 outputs. On the Shure site I looked at the FP410 and that is exactly what I want, but it has been discontinued. Any suggestions to a noob? __________________ Kris http://thecryinglight.bandcamp.com/

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