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| Thread | Thread Starter | Forum | Replies | Last Post |
| Live Mic Recomendation?? | Dusterbd3 | Remote Possibilities in Acoustic Music & Location Recording | 11 | 19th May 2007 08:00 AM |
| Need recomendation for Stereo Mic holders | piano | Remote Possibilities in Acoustic Music & Location Recording | 4 | 18th February 2007 06:10 AM |
| Mic signal splitter? | rob99 | Remote Possibilities in Acoustic Music & Location Recording | 5 | 19th December 2005 02:50 PM |
| Mic Splitter | Shaman | Remote Possibilities in Acoustic Music & Location Recording | 2 | 28th February 2005 12:06 AM |
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| | #1 |
| Gear Head Join Date: Jan 2007 Location: Los Angeles
Posts: 58
| I need to pick up 4 channels of mic splitters for an upcoming live recording. Music is jazz singer live in a club. Singer's hand held mic would feed both PA and mic pre into laptop running pro tools. Seeking suggestions so I don't waste my money on some cheap trash. What should I get? |
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| | #2 |
| Gear addict Join Date: Jul 2002 Location: Philly
Posts: 352
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| | #3 |
| Lives for gear Join Date: Apr 2005 Location: New York Friggin' City
Posts: 2,236
| I like the Radial, but if your main gig is recording, I'd INVEST. If you need this stuff rarely, then yes a couple of those boxes are the way to go, this is a better choice, better than a Y-cable XLR with a barrel xformer on one end. Next step up: the Radial 8ox is a better approach, which you will use but can also expand in a way that you will appreciate, without having to bump up to the XTA DS800 or similar active 8ch splitter. If you are building a remote system or business, rack mounted split systems make sense. Mine is currently a Wireworks 3-way split; I also rent 27-pr Jensen, 56-pr Whirlwind, and often these days, digital/fiber optic systems. This may be overkill, but if youre investing, you have to consider your options. Hope these thoughts help! JvB |
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| | #4 |
| Lives for gear Join Date: Dec 2005 Location: Orlando
Posts: 1,180
| theoretically, if one wanted to know... what jensen (or comparable brand) transformers would be used in a mic split? if one... say... wanted to hook up a few channels of split on their own, in a snake that is already contained within rack mounted case... |
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| | #5 |
| Lives for gear Join Date: Apr 2005 Location: New York Friggin' City
Posts: 2,236
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| | #6 |
| Gear maniac Join Date: Dec 2002 Location: Raleigh, NC
Posts: 177
| Can you rent a splitter? Check with the big sound companies in the area. |
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| | #7 |
| Gear interested Join Date: Oct 2006
Posts: 10
| Horizon MS4 - 4 channel microphone splitter $170 Reasonable price, VERY durable, 19" x 1U size. |
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| | #8 | |
| Gear maniac Join Date: Jan 2006
Posts: 274
| Quote:
I get the idea from this thread that the original poster is not interested in a budget product, so I haven't brought this up until now. | |
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| | #9 |
| Gear addict Join Date: Apr 2005 Location: amsterdam
Posts: 333
| Although I have found that low quality transformers thend to audibly degrade the signal.. And I'm not some purist.. I mix audio for TV for chrissake! |
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| | #10 |
| Lives for gear Join Date: Apr 2005 Location: New York Friggin' City
Posts: 2,236
| Impressively inexpensive, yet.... cheap is cheap? That EWI splitter is SUPER cheap...the entire 4 channel rack mounted unit costs less than a pair of raw Jensen or Lundahl xformers! But the specs...<1% THD at 0dBU 20Hz-20KHz, and <1% THD from 50Hz-20kHz at +8dBU... YIKES! So...seeing the specs, It's not what I would WANT to use, but in a pinch, it's better than nothing, and being able to buy 24 channels of xformer split for approx $600 is pretty amazing. The first 48ch splitter (box only, no cables or tails included) I ever bought cost over $6k in comparison! But I personally want transformers of quality. Steve Remote has a famous quote: and this is loosely quoted at best: "Buy the best best transformers you can afford to buy. You never know when you'll be the one using them!" If I had no $$ but needed a split, this EWI might be a great way to go. Sonically they might leave something to be desired (I would not want to run a bass or kick drum thru them for sure) but it's better than a Y cable! JvB |
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| | #11 |
| Gear Head Join Date: Jan 2007 Location: Los Angeles
Posts: 58
| Thanks for the input!!!!! Thanks for the help. It's great to have so many experienced folks offer their opinions. Jim vanBergen wrote: "the Radial 8ox is a better approach" Nobody seems to have the Radial 8ox. Any ideas where to get one. I'm going to need something in a couple of weeks. Ken |
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| | #12 |
| Lives for gear Join Date: Apr 2005 Location: New York Friggin' City
Posts: 2,236
| You looking for rental or purchase? I assume ANY Radial dealer could get one for you...did you try places like Full Compass or Sweetwater? Just curious... hope this helps, Bro- JvB |
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| | #13 | |
| Gear maniac Join Date: Jan 2006
Posts: 274
| Quote:
But I have used several EWI direct boxes, both passive and active, and I'm quite surprised and pleased at their excellence. I presume that the DIs and splitters use transformers of comparable quality. In fact, that $50 active DI that they sell has proven itself again and again for me, even on electric bass. I'm hoping that the splitters will prove themselves as well. The specs do sound promising, but it may be a month or more before I actually get to use these in the real world. Now that I look back at your note, I'm not sure whether you consider the specs to be promising or not. Certainly 1%THD is a pretty nasty spec, but don't overlook the fact that it was quoted for a signal level that is WAY above anything that you're likely to pass through a mic splitter. At normal mic levels, these transformers may be quite clean throughout the audio range. I'll know more when I actually put them to work. | |
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| | #14 | |
| Lives for gear Join Date: Apr 2005 Location: New York Friggin' City
Posts: 2,236
| Quote:
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| | #15 | |
| Gear maniac Join Date: Jan 2006
Posts: 274
| Quote:
Both EWI and Jensen claim 20-20K performance with less than 1%THD at 0dBu. The Jensen claims that their "typical" unit will handle +2dBu, but state that 0dBu is their "minimum". EWI doesn't give a "typical" spec, but their "minimum" is the same. I'm certainly not about to suggest that the asian transformer is the peer of the Jensen - that's highly unlikely. But it's equally clear that no matter which one you use, you're pushing your luck if you send line level signals through them with significant activity in the bottom octave or two. | |
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| | #16 |
| Lives for gear Join Date: Oct 2005 Location: Scrappleland
Posts: 902
| That EWI looks impressive (for the money). Two isolated outputs! I might just go for one, and install my own Jensen trannies. This is a little disturbing, though (from the Audiopile site): " the FXLR input panel jacks are constructed with spiral spring contact points with no locking device other than the solid fit of the spiral spring contacts." Some bozo kicks the stage snake, and the inputs to the splitter fall out ![]() Gilliland, would you mind opening up one of your units, and posting a picture of the internals?
__________________ Jim P. Allen [disclaimer: Audio is my occupation, not my vocation] |
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| | #17 |
| Gear addict Join Date: May 2005 Location: Northern NJ, USA
Posts: 313
| I have 2 of the ewi splitters, they haven't given me any problems and there has definitely not been a problem with cables coming out. I am much more confident in these than the y cables I had. If you need splitters only rarely these would probably do well for you. If you do remote recording every day on a very high level these probably are not for you, but as I said, I use them somewhat often and have had no issues. |
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| | #18 |
| Lives for gear Join Date: Dec 2005 Location: Orlando
Posts: 1,180
| i second that... can either of you post a pic of the inside? |
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| | #19 |
| Gear Head Join Date: Sep 2005 Location: Lynnwood, Washington
Posts: 33
| Resurrecting the thread - I want a high quality splitter to compare preamps while recording. Has anyone tried the Whirlwind SPLITTER-L (SP1X3LUNT) with a Lundahl transformer? It's priced similarly to the Radial JS3 with the Jensen transformer. Mark |
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| | #20 |
| Gear interested Join Date: Oct 2007 Location: Texas
Posts: 10
| The Posthorn Recordings booth at AES this year (which deals in high end classical stuff--they are my Schoeps dealer) was selling these: Cable Techniques - Xtragood Microphone Splitters -- I was actually speaking with Jerry Bruck (Posthorn owner) about the product this morning, since I am looking at purchasing some as well. I think the single-channel split goes for $199 and the stereo (5-pin) split goes for $299. Good price for a high quality splitter. I will paste the specs below: Ground lift with True Isolation 20 Hz – 20 kHz +/- .05 dB THD .005% maximum @ 1 kHz, -10 dB Premium quality custom, shielded transformer Chassis screw-mounted Neutrik XLR connectors with gold pins Common Mode Rejection: 130 dB Small footprint at only 4.5” x 2.5” x 1.5”, Weighs 10.1 ounces |
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| | #21 |
| Gear maniac Join Date: Dec 2005
Posts: 151
| Thumbs up on the Radial 8ox box. We assembled a stage box with 6 of them - see picture. I'm not a transformer snob, but I can definitely hear the difference over entry level boxes. Each channel also has a 20db pad (on the iso side) that has come in handy with super hot line level signals. We really campaign to be "first-in-line" on stage, and since the switch to Radial I have had very little resistance from system techs or FOH guys. -MC ![]() |
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