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| Tags: best of rpiamlr, decisions decisions decisions, mikage |
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| | #1 |
| Gear nut Joined: Feb 2004
Posts: 94
Thread Starter |
I'm looking to get a pair of SD omnis. Would you guys recommend Schoeps CMC62's or Earthworks QTC1's? If the Schoeps, would you get the cmc6xt? Will be recording just about everything you might use an omni on, but with a special consideration for environmental sounds. I've read somewhere that Schoeps are fragile; are they anymore fragile than any other SD mic? Also, have read that the QTC1's have a high self noise... Please dispell or relate any other rumors associated with these mics :p Also, if it makes a difference, at some point I would like to get a Schoeps M/S setup - while going Schoeps now could save some cash in the future since I could just buy the 2 capsules, going going Earthworks now could save cash if I wanted 4 mics instead of 2, since with the Schoeps I'd have to get 2 more bodies... Thanks! |
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| | #2 |
| Gear maniac Joined: Apr 2003 Location: Silicon Valley CA
Posts: 249
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There's an article in this months Mix magazine about small condensors under $1100 which includes the Schoeps. I have and use both and find the Earthworks clean and true while the Schoeps are warm with remarkable detail. I would say I use the Schoeps about 10 to1 over the earthworks. I absolutely love the way they sound. As far as durability, I haven't had to throw them at anyone (yet). So far so good. Duaneadam |
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| | #3 |
| Lives for gear |
I have three pairs of Schoeps and it will be nothing new if I say that they belong to the world top-class mics used for the most critical recordings at the most renowned venues. If connected to a quality preamp and AD they sound simply amazing on any source. As for omnis, there are 4 types ranging from the most natural MK2 to MK3 which is very much boosted on HF. I originally bought MK2H but changed it immediately for MK2 and I am most happy with it. The greatest advantage of Schoeps is the modularity of their interchangeable capsules - you have the bodies and can just keep on buying new capsules. I don“t think they are very fragile at all. I already managed to drop a capsule twice (brought me always near to a heart attack ) but nothing happened at all.I have pairs of MK4V, MK21 and MK2. SHould you have any particular question, just let me know. I never tried Earthworks, but too heard several times that they are a bit noisy. YOu can also look at DPA, but they are very very expensive. They are often compared to Schoeps (I have never tried), but many people say DPA are a tiny bit more accurate (razor like), Schoeps are tiny bit more warm and "musical" |
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| | #4 | |
| Gear nut Joined: Feb 2004
Posts: 94
Thread Starter | Quote:
I just have to ask myself (or you guys) if the difference between Schoeps and Earthworks is worth $500 to me.
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| | #5 |
| Lives for gear Joined: Oct 2003 Location: Portland, OR
Posts: 569
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If you're recording environmental sounds, self-noise of your mic could be a significant issue. Specs reveal that the Schoeps omni caps are quite a bit quieter than the Earthworks omni mics. Interchangeable capsules favor the Schoeps. Earthworks omnis get rave reviews. Many beleive they are more transparent than the Scoeps, more in line with DPA. |
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| | #6 | |
| Lives for gear | Quote:
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| | #7 | |
| Gear nut Joined: Feb 2004
Posts: 94
Thread Starter | Quote:
This is most likely a purchase that will never earn me any money. Its just that I have read RAVE reviews of the Earthworks QTC1 mics, yet I see some comments about the noise - usually from those not raving about them. If the Earthworks really aren't in the class of performance that the Schoeps/DPA's are in, etc, then I think the extra money is worth it. However, if it is a matter of taste, thats a different matter. I guess I'd really like to know what kind of situations their noise might pop up in. Thanks again. Looks like Schoeps might be the way to go... Anybody have a pair for sale? :D | |
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| | #8 |
| Lives for gear |
Maybe I missed something, but as for professional classical recordings I heard mostly of DPA or Schoeps being used (apart from some LDs), never of Earthworks.
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| | #9 |
| Motown legend Joined: Jun 2002 Location: Songwriter Gulch, Nashville TN
Posts: 10,879
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FWIW Schoeps used to be priced right up with DPA and was always considered just as good or better. At the current price, it's the no-brainer best buy of any condenser I'm aware of.
__________________ Bob's room 615 562-4346 Georgetown Masters 615 254-3233 Music Industry 2.0 Interview |
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| | #10 |
| Lives for gear Joined: Oct 2002 Location: forest and hills
Posts: 1,248
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please consider josephson c606b with optional capsules from bruel kjar,aco pacific,gefell and GRAS,IF you are doing close pick up and critical recordings.the sound is clean,high defined,flat and minimum distortion.
__________________ tutt |
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| | #11 |
| Lives for gear Joined: Jul 2003
Posts: 1,716
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Stapes audio makes a mic very similar to the QTC1 for $500/pr. That's going to save you some dough.
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| | #12 | |||
| Gear nut Joined: Feb 2004
Posts: 94
Thread Starter | Quote:
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| | #13 |
| Lives for gear Joined: Jul 2003
Posts: 1,716
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| | #14 | |
| Gear nut Joined: Feb 2004
Posts: 94
Thread Starter | Quote:
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| | #15 | |
| Lives for gear Joined: Jul 2003
Posts: 1,716
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| | #16 |
| Lives for gear Joined: Aug 2003 Location: USA
Posts: 680
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Jeez... I'll go to bat for Earthworks. They are incredible microphones. Noise has never been a problem for me. I think that somebody needs to clarify what they are talking about in regards to noise with the Earthwork's microphones. Are we talking about audible noise or looking at the specs? Of course, Earthworks has their own specs that they talk about... like how quickly the element returns to a resting position and how this is more "natural" to the ear. There seems to be a law of nature that you get what you pay for in life. Cheaper mics can sound OK, but never seem to win any shootouts with higher priced mics. You already seem to have hit the nail on the head, about if it would be worth it to you spending more to get a higher return. I would advise you to get the Earthworks mics if that is what your budget allows. I have not heard the staples mics, but see the above law of nature. Earthworks is a small US company dedicated to making great mics, and they make these mics in the USA. Schoeps are great mics too. Buy them if you want or need them... I just don't think that it is fair to come away from this situation thinking that Earthworks mics are lousy or noisy! You have not said what micpres you are planning on using with these mics. A very important part of your decision.
__________________ Best Wishes, GearGuy |
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| | #17 |
| Lives for gear Joined: Aug 2003 Location: USA
Posts: 680
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Oh yeah... Earthworks has a small network of dealers. I'm sure most if not all will let you return the mics and give you a full refund if they don't work out. Not quite "try before you buy" but you can make certain they will work for you. |
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| | #18 | |
| Lives for gear | Quote:
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| | #19 | |
| Gear nut Joined: Feb 2004
Posts: 94
Thread Starter | Quote:
Micpre would most likely be a Metric Halo ULN2 for now. The guys on the Metric Halo list RAVE about the earthworks, thats what initially got me thinking about them. Eager to hear more. | |
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| | #20 | |
| Lives for gear Joined: Jun 2002 Location: Funky Town FL
Posts: 1,304
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| | #21 |
| Lives for gear Joined: Oct 2002 Location: forest and hills
Posts: 1,248
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nope sorry.only instrumentation capsule which require 200 volt polarazation,the standard mic body fits direct with half inch capsules like gefell mk221 ,mk202 bruel kjaer 4191 4192 etc.Via adaptors threads you can add 1 inch capsules like mk 102( the gefell m296 uses a modified version if it,the diaphragm is less tensioned to allow less polarazation voltage),b&k 4145 etc.You could probably use adaptor in use with 1/4 inch capsules as well.Like fletcher said it's a very cool amplifier. |
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| | #22 |
| Lives for gear Joined: Aug 2002
Posts: 950
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You just gotta love Earthworks. It's like Grace in the face of Millenia -- you just gotta love the newcomer nice guys who make a great product at a great price. But the answer is Schoeps. ![]() mattiMattmatt |
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| | #23 |
| Gear interested Joined: Feb 2004 Location: Huntington Beach, CA
Posts: 21
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Where do you guys think that Neumann KM's fit in here?
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| | #24 | |
| Lives for gear Joined: Mar 2003 Location: state of jefferson
Posts: 1,328
| Quote:
I've done some recordings of creeks, crickets, etc., and noise is a serious, serious issue! Mic pre noise is a lot of it, and you need mucho gain- 50 dB of gain has only taken me to -30dB digital, many times! For field work, small diaphragm omnis are the mic design most impervious to air movement and wind noise, which is a biggie for sure. LDs have lower self noise and more output, but too vulnerable to wind noise to be much use outside, unless you're really lucky. I've been lucky, it's nice while it lasts! I've been looking at DPA 4003s for a long time, but I think I'll most likely be going with Schoeps. | |
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| | #25 |
| Lives for gear |
Another vote for DPAs - though I have found the Josephsons, Schoeps, and Earthworks to work at times in the same applications. I'm kind of diggin' the Josephsons these days, though for a while Earthworks were at the center of my classical recording rig. I haven't had that much of a problem with the self-noise of the Earthworks, mainly since the venues I've used for location recording have had a latent air conditioning noise which is louder than the mic's self noise, equally picked up by all these makes of mics. KM184s are really, really colored, and I think overpriced (even when bought used on ebay). I think they're not much better (if better at all) than the <$100 Marshall 603s!
__________________ -oudplayer ++++++++++++++++++++++++++++++++++++++++ Anatolian oud session player; world/esoteric music recording, mixing, and mastering musiq.com on soundcloud ++++++++++++++++++++++++++++++++++++++++ |
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| | #26 | |
| Lives for gear Joined: Oct 2003 Location: Portland, OR
Posts: 569
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| | #27 | |
| Gear nut Joined: Feb 2004
Posts: 94
Thread Starter | Quote:
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| | #28 |
| Lives for gear Joined: Oct 2003 Location: Beantown
Posts: 2,462
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How much of a noise issue are we talking about here with the Earthworks ? Is it an issue compared to a U99 say or a real 47 or just an issue when compared to the other super clean mics in this class ?
__________________ - Kev |
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| | #29 |
| Lives for gear |
I swear by my Earthworks SR69 and TC30k microphones. In terms of noise, I don't notice any w/ the 69, and while the 30k has some self noise issues, it is no worse than other mics that will be used in a rock recording- I certainly don't feel that it is an issue in that context and the rich, realistic sound of the mics is uncompromised. I've never done any field recording or classical recordings so I can't comment about their usability in that context- but I can't imagine the Earthworks being a slouch. They are a top notch product with absolutely phenomenal support, and they are crafted by a very cool group of people. I know that I could do a whole record with a couple SR69s, and the sonics would be just fine.
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| | #30 |
| Lives for gear Joined: Jul 2003 Location: Worcester, MA
Posts: 911
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OK.... here I come..... again..... Yes there is a little, and I mean little, self noise on the Q's and the 30's.... but it is not a huge issue by far. Hear them for yourself. I think you would be surprised. Thats what I tell everyone...... grab a pair..... if they dont fit the bill, send them back (doubtful). They really are one of those hidden jems in industry. Check em out!
__________________ And I put a Chaffing 5 post eq on the Choadometer. I loosened the meat wallet meter 2 db's on the jizload compressor and tipped the blond coiffer gig cut to an even feeder knob... |
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