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| Tags: foh, help please help, location recording, portable, recorder |
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| | #1 |
| Lives for gear Joined: Sep 2002 Location: Seattle USA
Posts: 2,876
Thread Starter |
I need to facilitate running a Mackie MDR HD recorder ( 8 balanced outs - consisiting of keys/drum machine parts ) that will be providing pre-recorded backing tracks for a live show. It will be onstage, and needs to connect to the FOH. I was originally thinking of a Radial D8 ( 8 DI's in one rack ), but someone suggested using a line mixer instead. Perhaps a line mixer would be a simpler way to go. If a line mixer has 2 balanced 1/4" outs, how would this connect to the snake feeding the FOH? Would I need a stereo direct box to convert the signal/terminations? Any info would be greatly appreciated. When it comes to configuring rigs for live setups, I'm lost.
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| | #2 |
| Lives for gear Joined: Apr 2005 Location: New York Friggin' City
Posts: 2,562
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Line out? Two TRS to XLR M connectors, straight to FOH. Piece o' cake.
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| | #3 |
| Lives for gear Joined: Oct 2006 Location: New Jersey
Posts: 1,565
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You just need to decide if you want control over the mix or if you want to give the FOH engineer the freedom. From there, it's just a matter of using cables. You have balanced outs, send them down your balanced snake.
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| | #4 |
| Lives for gear Joined: Sep 2002 Location: Seattle USA
Posts: 2,876
Thread Starter |
Thx for the info guys. Any other advice/opinions?
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| | #5 |
| Lives for gear Joined: Oct 2006 Location: New Jersey
Posts: 1,565
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What else do you want to know? Jim and I both told you how to do it. Now go cable up and rock and roll.
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| | #6 |
| Lives for gear Joined: Apr 2005 Location: New York Friggin' City
Posts: 2,562
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well, to be honest, what would woork better is TWO mixes. A stereo pair of keys mix and a stereo mix of drums will work better IF you use a wide stereo field. But a good mix of both is good, IF the blend works well everywhere. If your shows are often in mono, then a split signal (drums-L; Keys-R) would work well too. I've done this (used backing tracks) for so many artists it's really insane...and have done it every way, from 80 channels of individual tracks to an entire mix on a single, lonely mono channel. Give it a shot, bro...and come back with more questions. |
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| | #7 |
| Lives for gear Joined: Sep 2002 Location: Seattle USA
Posts: 2,876
Thread Starter | |
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| | #8 |
| Gear addict Joined: Feb 2007 Location: Chicago, Chicago
Posts: 382
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Unless you really need control over the mix, an Ipod would likely work fine. There's a bunch of simple solutions to your issue, depending on what your demands are for the project. Example- feed the drummer cans with mix L and click R, send L to foh. I see dozens of guys doing this with cheap dependable gear. Can you provide more info? |
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