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| Tags: live sound, mikage, rehearsal space |
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| | #1 |
| Lives for gear Joined: Jul 2006 Location: long island, ny
Posts: 779
Thread Starter |
as advertised, i'm looking for a hypercardioid mic from live and rehearsal use. i don't want to break the bank but i'd also rather not a hunk of junk... anything in the sm58 price range for something yummy? |
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| | #2 |
| Gear Guru Joined: Jul 2004 Location: Orygun
Posts: 10,234
| Yeah, the Heil PR-20 or various Sennheisers and Audix vocal mics. I kinda like the PR20, though. -tINY |
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| | #3 |
| Lives for gear Joined: Jul 2006 Location: long island, ny
Posts: 779
Thread Starter |
that's a cardiod microphone
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| | #4 |
| Moderator Joined: Dec 2003 Location: London
Posts: 4,598
| Its supercardioid, but...
Try the Sennheiser E845. Could work for what you want. With supercardioids the only pitfall is the narrow rear pickup lobe, but I'vwe never had problems with it, or my Shure Beta 87 (condenser --- much pricier)
__________________ :: New Album "Rooms" out now http://www.andymitchellmusic.com :: twitter > http://twitter.com/mitchellmusic - http://www.twitter.com/theyardbirds |
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| | #5 |
| Gear nut Joined: Dec 2006 Location: Pocatello, Idaho
Posts: 136
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Another vote for the Sennheiser e845. Good mic. Blue bongo |
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| | #6 |
| Moderator Joined: Dec 2003 Location: London
Posts: 4,598
| Although I believe the rear pickup is more on a hypercardioid
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| | #7 |
| Gear Guru Joined: Jul 2004 Location: Orygun
Posts: 10,234
| http://www.heilsound.com/pro/products/pr20/pr20.pdf The spec sheet calls the PR-20 "super cardioid" which is similar to hyper cardioid. All of the OM audix are called things like True- , broad- , tight- , and extreme-hyper-cardioid. The MD431. e845, and the e865 are super cardioid from Senn. -tINY |
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| | #8 |
| Lives for gear Joined: Jul 2006 Location: long island, ny
Posts: 779
Thread Starter |
ahh i didn't check the spec sheet, i've just always seen it listed as a cardiod...not super or hyper
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| | #9 |
| Lives for gear Joined: Oct 2005 Location: Boston
Posts: 639
| Yeah, so you need to move the monitors off to each side, rather than directly behind the mic. This will get the monitors in the null of the mic.
__________________ Zach Winterfeld Chariots of Fire, "you can't put in what God's left out" "It is slightly illegal, but who the f@*k cares at this point." |
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| | #10 |
| Gear Guru Joined: Jul 2004 Location: Orygun
Posts: 10,234
| Actually, if you run the mic body almost horizontally and put the monitor just downstage of the mic, it will be in the null. Remember that the polar pattern is circular, not just in one plane.... -tINY |
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| | #11 |
| Lives for gear Joined: Oct 2005 Location: Boston
Posts: 639
| Yeah, but I find a lot of artists don't let that mic stay horizontal. Unfortunately, I always work with artists who like to go everything they shouldn't. The mic always end up being angled upwards and that's why I pull the monitors out.
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| | #12 |
| Gear Guru Joined: Jul 2004 Location: Orygun
Posts: 10,234
| They're probably used to SM58s biting their heads off..... -tINY |
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| | #13 |
| Lives for gear Joined: Sep 2002 Location: Seattle USA
Posts: 2,876
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| | #14 |
| Moderator Joined: Dec 2003 Location: London
Posts: 4,598
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| | #15 |
| Gear Guru Joined: Jul 2004 Location: Orygun
Posts: 10,234
| Don't get me started on fashionable young twits holding the mic just like some idiot they saw on the TV..... -tINY |
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