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| Tags: acoustic instrument, best of rpiamlr, decisions decisions decisions, preamplifier |
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| | #121 |
| Lives for gear | |
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| | #122 |
| Lives for gear | |
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| | #123 |
| Gear maniac Joined: Apr 2006 Location: Switzerland
Posts: 278
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Thanks for the pics of the monochord Ivo. Please PM me if you release a CD with this instrument, I'll buy it! So, did you take a decision about the Crookwood? Or does your quest continue? Anyway, the quality of the samples you posted was superb. Your signal chain is top. Maybe a comparison with a GML or a Pacifica since people use that for classical as well (I saw you'll get one on friday), and you'll have tested most of the clean pres and found your holy grails hopefully!The crookwood made it to my "must buy gear list" btw... |
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| | #124 | |
| Lives for gear | Quote:
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| | #125 |
| Lives for gear | pacifica samples? Ivo, Will you please post some samples of the pacifica when you get it? You are always so kind to share your time and findings with the Gearslutz community so thank you in advance.
__________________ Sunflute |
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| | #126 | |
| Lives for gear | Quote:
But only if ... | |
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| | #127 |
| Gear addict Joined: Mar 2007
Posts: 329
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Thank you very much for for the very nice samples. I checked the Monochord samples. Pendulum : Great sweet tube sound. I love to have it. Millennia : Honest. Most graceful. Crookwood : Very nice but a bit HI-FI-sh to me. DAV : Nothing special. I don't understand why you sold Millenia for DAV. They are totally different animal. Dav simply doesn't have the clarity and elegance of Millenia. It seems like you sold Millenia because of its brutal honesty, but... I prefer DPA+Mytek+MILLENIA to Schoeps+Blue+Crookwood, so I think we have a bit different taste, anyway. |
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| | #128 | |
| Registered User Joined: Dec 2005
Posts: 523
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Sheesh, now their's two of us who prefere Millennia pre's over DAV. I have done more testing and I still way prefere the HV3 over the DAV to me the HV3 sounds just fantastic, it just has the most fab mid range - so beautiful. Trebor | |
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| | #129 |
| Gear maniac Joined: Feb 2007 Location: Gloucestershire
Posts: 277
| Millenia !!!! Im sure its a fine peice of kit but no way does that sound an improvement on a DAV.
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| | #130 |
| Gear addict Joined: Mar 2007
Posts: 329
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I checked the other samples from ISedlacek (Thanks again!) and i changed my mind. I think DAV has its own great sound. It sounds totally different from Millenia, so A/B is nonsence to me. I've been using Millenia and original Neve 1084. DAV seems to be a great addition to my mic-pre selection, but I would not sell my Millenia/1084. I do not still underestand why ISedlacek sold Millenia.... Crookwood is not my taste, I choose Millenia over Crookwood.
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| | #131 |
| Lives for gear |
As for the "honesty", it is Crookwood that is really (incredibly) honest and transparent, not Millennia. Since I play all the instruments and know how they really sound, I can assure you, that in reality they (all) sound almost the same as Crookwood renders them (considering Schoeps MK2 and Lavry to be quite transparent too). To me, Millennia sounds tiny bit "rough" and hard, lacking a bit bass and letting the HF sounding less pleasant (edgy) than they really are ... and generally not very "musical" (for a lack of better term). I am not THAT big ascetic to let my instruments sound less nice than they really sound. At least the same nice, please ... DAV adds a kind of pleasant "smoothness" to the sound, that ears may often prefer to the totall (Crookwood) transparency - you can listen to the "real music" samples later in the thread (viola+guitar). Pendulum is very special, not really "tubey". I must try it more on violin, flutes etc., so far I was a bit shy to use it in this area ... |
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| | #132 | ||
| Gear addict Joined: Mar 2007
Posts: 329
| Quote:
PS: Real instrument never sounds like your Monochord Crookwood sample, especially transient response. Crookwood sounds like Ultra Hi-Fi Yamaha Motif to me. Pleasant but Plastic. Quote:
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| | #133 |
| Lives for gear |
You see, nrt (BTW wouldn´t it be more pleasant to use our real names ??), we are basically talking about very subtle nuances, which could be easily unnoticed by many common listeners listening on common devices ... The rest is for our own passionate sound alchemy pleasure and endless discussions ... Anyway, out of these four (or rather five - including Pacifica) preamps, Pendulum and DAV stand step forward to me. I have yet to discover more of Pendulum and to try it more on instruments like violin, flutes, etc... (some time ago I felt they sound a bit too coloured, but times change sometime ...) |
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| | #134 |
| Gear addict Joined: Mar 2007
Posts: 329
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ISedlacek, it is very reasonable to me that you chose DAV and Pen. (BTW the difference between those pre is not subtle but obvious to me.)
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| | #135 |
| Gear addict Joined: Mar 2007
Posts: 329
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But.. I think Pen and DAV used in the same music may not be a very good idea. DAV and PEN would fight each other in the same music. The tracks recorded with DAV would sound just too small and lo-fi in front of big clear sound of Pen. I personally don't like to have too many different color of the sound in the same song anyway. DAV and Vinage Neve or API (For Drums and Gtr) seems to be a better combination, IMO. Your DAV drum and monocord samples don't sound impressive at all. the transient response of DAV seems to be a bit slow.... Or Pen and Crookwood combination also might be musically fine, not my taste at all, though. |
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| | #136 | |
| Gear maniac Joined: Feb 2007 Location: Gloucestershire
Posts: 277
| Quote:
Dave | |
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| | #137 | |
| Gear maniac Joined: Apr 2006 Location: Denmark
Posts: 165
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I have a DAV BG.2 so it sounds interesting.. soebx | |
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| | #138 |
| Gear maniac Joined: Jan 2006
Posts: 192
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nrt, the "fighting" comment you made doesn't seem to make sense to me. I think that you've constructed an analogy that doesn't correspond to what happens in the recording of music. Maybe I am wrong. Please explain the tension between the DAV and the Pendulum. oh, will my transformer-output preamps fight with my transformerless pres? I hope I don't have to cage them. |
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| | #139 |
| Lives for gear | THAT1510 is an OpAmp |
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| | #140 |
| Lives for gear | I would like to hear a direct comparison. As I already said, I asked Mick about it and he said there is absolutely no sound difference between using this or the other one (even as per measurement). The only difference is THAT1510 is very slightly quieter. He uses either depending on availability
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| | #141 | |
| Lives for gear | Quote:
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| | #142 | |
| Lives for gear | THAT1510 Quote:
Peace Marco | |
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| | #143 | |
| Gear addict Joined: Mar 2007
Posts: 329
| Quote:
One thing I can say is that I always prefer the sound of simple production (less mic, less processing....) to the big post modern production (too many different mics and processing). We may have different philosophy of recording art. Less is More. | |
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| | #144 | ||
| Lives for gear Joined: Apr 2004 Location: Poland
Posts: 518
| Quote:
Quote:
Douglas. | ||
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| | #145 |
| Gear addict Joined: Jan 2006
Posts: 317
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The DAV is simply outshone in every way by the Crookwood The DAV has been smoked, it is dull sounding and lacks 3 dimensionality. Anyone who defends it against the crookwood is listening with something other than their ears. |
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| | #146 | |
| Lives for gear | Quote:
But I don´t think the difference between DAV and Crookwood was as sharp as you describe. Neither is perfect and although DAV lacks 3D a bit, some details and is not really balanced throughout the whole spectrum, in certain way it sounds more pleasant than Crookwood, which sounds more detailed and 3D, but slightly "hyped" somehow in HF, not 100% natural and also not "full size" (like for example Forssell), tends to be a bit "thinish" | |
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| | #147 |
| Gear addict Joined: Jan 2006
Posts: 317
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Thanks you for putting such nice music online and very nice preamps thanks again. The monochord is simply devine ! |
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| | #148 |
| Lives for gear Joined: Jun 2005 Location: All Over
Posts: 1,115
| What is it with this DAV?
I have only just got around to listening to your samples Ivo. Thanks for putting them up. I also had a listen to your old Millenia vs DAV choral sample as Millenia seems to be cropping up in this thread too. Based on this (and a small bit of testing I conducted myself a couple of years ago) I have to say that I am very suprised by this huge enthusiasm for the DAV preamps. Yes they are good preamps. Yes they are arguably good value for money but what I am hearing does not elevate them beyond that status. The DAV is veiled to my ears. But veiling can sound pleasant right? I would perhaps make a bit of an analogy with ribbon mics vs condensers...if I could be bothered ![]() Instead here is what I heard in your samples: DAV+MILLENIA DAV has a midrange blending / thickness that makes me lose details within reverb tails and thus depth. The DAV sounds perfectly pleasant but Millenia seems to give me the full picture through a clear window. It has that all important seperation and space around the players. DAV+Crookwood Same blending / thickness exists but this time it has different consequences. On the drum sample the Crookwood gives me the players fingers, unlike with the DAV whereby I have to try to imagine them. I believe this might be a consequence of how each deals with transients as much as with their tonal characteristics. The Viola sample was the one that really said it all to me though. If we are talking 'emotive response of the listener being influenced by the tools' then the Crookwood won hands down. The DAV, in comparison, sounded flat, vintage (sometimes a good thing perhaps) and closed. The Crookwood had air, openness, detail and a beautiful top end completely void of any harshness. It worked with the instrument, opening up at the right times to create that all important emotional response in the listener. While the Millenia was like looking through a clear window (on a cold day perhaps Is the Crookwood hyped (some suggesting it to be too 'hi-fi')?? I don't know but it seemed to work here. Based on your samples thus far Ivo I would struggle to go for the DAV unless money was tight or I was deliberately striving for a understated, thick or vintage sound. BTW, did you happen to find out what the ADC card was like with the Crookwood? And also, are the pres indentical in the rackmount version? I am now very tempted by this strange device... |
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| | #149 |
| Lives for gear |
No, I cannot agree that a judgement between Crookwood and DAV can be done from online samples. The reason is that one cannot walk into the room where the sound originates and hear the instrument being played. If one could do that, then a comparison could be made to the recorded pick-up. Yesterday I began the season with a major American orchestra where I use both DAV and Crookwood. I've been a Crookwood Paintpot user since 1992 and DAV since 1998. Both are superb mic amps. The reason I am using them is because they offer up the sound that is accurate and pleasing. When comparing the sound of the orchestra in the hall and the recorded pick up, one finds the recorded sound even more pleasant than the auditorium sound. I cannot say that DAV is veiled or lacking detail. I cannot endorse damning the Crookwood with the term "too hi-fi." Only after spending decades with the above units can one say that the sound is, for both, among the handful of the best available today.
__________________ Atelier HudSonic, Chicago EARS-Chicago (Engineering And Recording Society) visit me at https://public.me.com/hudsonic1 to hear recordings and ephemera |
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| | #150 | |
| Lives for gear Joined: Jun 2005 Location: All Over
Posts: 1,115
| Quote:
My own conclusions were made simply on what I heard in Ivo's samples. I have a DAV arriving here today and personally am going to be very interested in comparing it to my trusty Amek pre. BTW Plush you must have heard the Crookwood ADC right? | |
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