Gearslutz.com
All Advertisers

Go Back   Gearslutz.com > The Forums > Remote Possibilities in Acoustic Music & Location Recording

Tags: , ,

Similar Threads
Thread Thread Starter Forum Replies Last Post
Web designers? Dave Martin The moan zone 2 26th August 2006 12:39 AM
Studio Designers ( I know I know) EmilioMJunior High end 8 29th November 2005 08:52 AM
Market for Sound Designers Tibbon So much gear, so little time! 4 22nd November 2004 12:44 AM
How many space designers can you run on your G5? BevvyB Music computers 7 7th August 2004 09:24 PM
Studio Designers music High end 14 30th June 2003 08:10 PM

Reply
 
Thread Tools Search this Thread Rate Thread Display Modes
Old 13th January 2007, 06:00 AM   #1
keithrt99
Gear Head
 
keithrt99's Avatar
 
Join Date: Dec 2005
Location: Vallejo, CA, USA
Posts: 54
Question Sound designers: which mic?

Hey guys, i'm looking to buy a rig so i can start recording in the field for some sound design and various things. I don't have much money to budget, so i was thinking about getting an m-audio microtrack or something similar, and a shotgun mic/pistolgrip/zepplin setup. I only have around 300$ for a mic, and i was wondering what mics sound design/field recording guys would recommend.

Also, what does everyone think of the microtrack? I've use'd it briefly and i thought it was pretty good for the price. Any alternative suggestions?

thanks.
keithrt99 is offline   Reply With Quote
Old 13th January 2007, 02:39 PM   #2
Jim vanBergen
Lives for gear
 
Jim vanBergen's Avatar
 
Join Date: Apr 2005
Location: New York Friggin' City
Posts: 2,236
For $300 you can afford EITHER a low-end condenser mic, a medium-to-low priced dynamic, a pistol grip/shockmount, OR a Zeppelin. Given these limitations, maybe you would either like to consider used, or get very specific about what you want to record.

Of course, renting is always an option....

Sound design for? Theatre, TV, Film, Video Games, Theme Park, Industrials, or sound effects collections?

You're going to want to round up more $$ for mics, and $$$$ for good preamps. It's not just noticeable....it's a WORLD of difference.
Jim vanBergen is offline   Reply With Quote
Old 13th January 2007, 03:11 PM   #3
ambo
Gear nut
 
Join Date: Feb 2006
Location: Toronto
Posts: 97
The yahoo groups
http://launch.groups.yahoo.com/group/phonography

and
http://groups.yahoo.com/group/naturerecordists

have lots of good advice for lower cost field recording. I use AT3032 stereo pair of omni's with a home made jecklin disc int a Beyer MV100 preamp and record on an edirol R09. this is good, low cost, low noise (very important) setup for soundscape recording and acoustic music.

A shotgun mic is a whole different story,(usually mono) but the preamp and recorder that I use would be fine for this as well. An MS stereo mic setup in a Zeppelin would probably be the best solution for portability, but there really isn't a cheap way to do this. Another option is a stereo mic, such as the AT825 or AT822. these sound pretty good but are somewhat noisy. The 822 is battery operated as well and doesn't require phantom.
ambo is offline   Reply With Quote
Old 13th January 2007, 08:01 PM   #4
keithrt99
Gear Head
 
keithrt99's Avatar
 
Join Date: Dec 2005
Location: Vallejo, CA, USA
Posts: 54
my intent is to use this rig to get ambiences and sfx for my music, as well as movie and videogame post.

also, does anyone know of a company that makes cheaper pistolgrip setups than Rycote?

i'd also like the option to do MS recordings in the future.
keithrt99 is offline   Reply With Quote
Old 22nd January 2007, 05:10 AM   #5
Barnabas
Gear maniac
 
Barnabas's Avatar
 
Join Date: Dec 2002
Location: Raleigh, NC
Posts: 177
For recording ambiences, you want to lean more towards the omnis and stay away from the directional mics like the shotguns. Directional mics tend to color the sound. The more directional, the more distorted the sound. But if you are always recording a long distance from the source, you might need a directional mic.

Since you want to do stereo recordings in the future, you might want to go ahead and get a cheap battery-powered stereo mic now and upgrade it later.

I have the Sony ECM-999PR stereo mic, which has apparently been discontinued. It’s a decent mic, but I haven’t used it in many years since I have better mics now.

Here are a few cheap battery-powered stereo mics that I have not personally used, but should work for you.

Sony ECM-MS957, $200. It does X/Y and M/S.

Audio Technica AT822, $250. It does X/Y, not M/S.
__________________
Chris Droessler
Barnabas MultiMedia
Barnabas is offline   Reply With Quote
Reply

Bookmarks

Thread Tools Search this Thread
Search this Thread:

Advanced Search
Display Modes Rate This Thread
Rate This Thread:

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off


All times are GMT +1. The time now is 06:18 AM.


Powered by vBulletin®
Copyright ©2000 - 2008, Jelsoft Enterprises Ltd.
Search Engine Optimization by vBSEO 3.0.0