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| Tags: big band, blumlein, live, woodwind |
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| | #1 |
| Lives for gear Joined: Feb 2006 Location: Munich, Germany
Posts: 1,521
Thread Starter |
Will try that in a few days' time, with a pair of Beyer M230, for the sax section. Should do some "virtual gobo" (thx Steve Remote!) effect, if my theory is right. Anyone done that before? Still wondering if I should try some XY stuff for trumpets and bones.. Well, last time a room pair of MK21 worked out great, so there is room to experiment. For the worst case I still have enough channels for one-mic-per-player (which I don't actually favour). Will try and get permission to post some clips here. Thoughts?
__________________ Microphones always make me sound louder and better! -- Guitar Girl |
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| | #2 |
| Lives for gear Joined: Apr 2003 Location: Los Angeles
Posts: 3,323
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When I do big band recording, I'll usually put solo mics up in the horn section and then place a Royer stereo mic (blumlein) in front of the horn section to capture a section sound. Works very well for that. Piano, Bass and Drums are mic'd seperately (as I don't like the washy overall stereo pair sound on most jazz). --Ben |
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