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| | #1 |
| Gear Head Join Date: May 2003
Posts: 72
Thread Starter | "THOSE" neptunes/pharell drums (i.e. superthug, allure, etc...) I know he uses the 01w for sequencing. I am pretty sure those drums sounds are 'workstation' drums sounds and I have never heard them on the triton, trinity, or any roland module so i am guessing they come from the 01/w? can anyone confirm this? |
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| | #2 |
| Lives for gear Join Date: Aug 2006
Posts: 4,026
| sound like processed samples from breaks to me, snares pitched up and downsampled or whatever, some of them even have like hi hat leftovers in the tail from improper chopping. |
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| | #3 |
| Gear Head Join Date: May 2003
Posts: 72
Thread Starter | probably, they use an asr-10 to store drums they have sampled. Still wondering if the original sources come from the 01w |
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| | #4 |
| Moderator Join Date: Feb 2004 Location: Boston,MA Providence,RI
Posts: 15,753
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| | #5 |
| Lives for gear Join Date: Oct 2005
Posts: 845
| They records a lot of there own drums. Anybody care to share the technique? |
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| | #6 | |
| Lives for gear Join Date: May 2005 Location: Stockholm / Sweden
Posts: 650
| Quote:
2. Get a drumkit 3. Make the drummer play on the drumkit 4. Hit the record button. | |
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| | #7 |
| Gear maniac Join Date: Oct 2005
Posts: 275
| I'm pretty sure the superthug drums are straight Korg. I'll go check...just for sh*ts and giggles.
__________________ Make beats. Write rhymes. Spin music. Rock parties. Wash. Rinse. Repeat. check me out: www.cooloutmusic.com |
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| | #8 |
| Lives for gear | 95% of what theyve done ive heard in a triton. i am not exxagerating. |
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| | #9 |
| Gear interested Join Date: Nov 2006
Posts: 15
| i think it's already known by everybody, but the drums for clipse's grindin are presets from triton, from what i believe was a latin/salsa kit. |
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| | #10 |
| Lives for gear Join Date: Oct 2005
Posts: 1,465
| no its the percussion kit----and the kiks and snares your talking about do NOT come from the triton...but if you want em, they leave em open in quite a few songs
__________________ http://www.myspace.com/ericsanicola http://www.Twitter.com/eric_redone Coming Soon: SYCO -Cher LLoyd "Over the Moon" Out on Nickelodeon: COLUMBIA RECORDS: Big Time Rush "Halfway There." Out on ULTRA RECORDS :J Brazil "Girl I'm Tryin" Out on COLUMBIA RECORDS: Big Time Rush "City Is Ours" Out on DISNEY PEARL: "Yanni Voices" |
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| | #11 |
| Lives for gear Join Date: Oct 2005
Posts: 1,465
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| | #12 |
| Lives for gear | |
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| | #13 |
| Gear Guru Join Date: Jun 2005 Location: Miami FL
Posts: 10,055
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| | #14 |
| Lives for gear | not that wrong..but i go through my friends triton...every couple drums i go ....wow..thats from that neptunes track... ![]()
__________________ SonicSpecialists - Drums created for, and used by, top producers across the globe. URBAN FIRE 6 OUT NOW!!! Check our website, and the billboard charts. |
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| | #15 |
| Gear Head Join Date: May 2003
Posts: 72
Thread Starter | light your ass on fire and grindin are triton/trinity drums. Its the super thug/allure/hot in here drums that I was interested in. I am sure those are cut from a break or a sample cd and processed. |
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| | #16 |
| Gear maniac Join Date: Jan 2006 Location: Rotterdam, The Netherlands
Posts: 161
| Korg 01w I dont know bout the drums (kick, snare) on 'Grindin'. But that sort of mouth percussion thing is definetely from the Korg 01w, its on the dance kit preset. And i think they used more sounds of the 01w. |
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| | #17 |
| Gear nut Join Date: Dec 2005 Location: Brooklyn, NY
Posts: 95
| actaully i read an article i think it was eq mag where they said they resampled the stock korg sounds among other boards to the asr-10.. i dont think itsa strech to say alot of their sounds come from keyboards like the triton/o1w... not all their drumz but def a good amount esp their earlier work |
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| | #18 |
| Lives for gear | |
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| | #19 |
| Gear nut Join Date: Sep 2004 Location: Huntsville, Alabama
Posts: 86
| Speaking about Hot in Here- I remember reading in a Mix Mag or something that all the drums were tracked through a real Neve 1073. So if you are trying to get the sound they use. Don't forget the engineers that track and mix for these guys have all the gear they need. Tony can tell you. He probably sold alot of it to them. There is a reason these guys use this equipment, and that reason is what you seek. Fat ,Round, Warm, analog drums that slam. Snares probably went through an API I'm not sure, but that's just half the equation. Next you have to talk compression. Oh by the way they have the best compressors too...
__________________ Pleazure House Productionz pleazurehouse@knology.net www.myspace.com/pleazurehouse |
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| | #20 |
| Gear Head Join Date: Nov 2005
Posts: 49
| This sh$$ cracks me up!!! |
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| | #21 |
| Gear Head Join Date: Jun 2004
Posts: 53
| The funny thing is, no one knows how to sound design anymore. So if it's not on a preset or some sample cd everyones stuck! Does anyone even know how to use even the most basic of the plug ins that they all have? The classic neps drums are all GATED. The Superthug kicks are just orchestral drums (go into any orchestral kit on a korg/Roland etc.. you'll find that deep orchestal boom sound). Put a big reverb on them and gate the verb. That will cut the sound abruptly and give it that sound. JD has it on the 1st Mariah record, Tim's been doing it for time. Obviously once you've made the sound you sample it off and use it how you like. But essentially if more people took the trouble to design there own sounds they would be just as succesful as the neps, tim etc.. I know it takes time, and can be boring but you need to do it to seperate yourself from all the over wannabees. Remember, if you want to be a big shot, develop your own sounds and stay in lane.. |
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| | #22 |
| Lives for gear Join Date: Aug 2006
Posts: 4,026
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| | #23 |
| Lives for gear Join Date: Aug 2006
Posts: 665
| I think that was the point of this thread though... Someone asking about the sources for the neps drums so that they could possibly make use of some of those sources when building their own kits. There's nothing wrong with hearing a quality you like in someone else's work and wanting to know where it was derived from, so that you can take it, re-create it in a different way, and use it in your own way as part of your style. That's how a lot of major producers learned, whether it was by working directly under somebody they admired, or just trying to imitate what they heard on the radio. |
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| | #24 | |
| Gear Head Join Date: May 2003
Posts: 72
Thread Starter | Quote:
YO genius its obvious theres a sub or large kick layered there, (and i really ****ing doubt its a timpani or any other orchestal bass drum) and i am assuming most of us on this board know the virtues of sound design and the effect that mixing has on the finished product. If all i wanted was to 'jack' the neptunes sound I would have sampled the drums off super thug in the first place. As one of replys stated, I was actually looking to figure out if it was on the 01w so I could use the PCM waveforms and create some other kits based because I know the AI2 sound engine really well. So before you assume that you need to 'school' us all on how to be 'big shots' read the posts first. | |
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| | #25 | |
| Lives for gear Join Date: Feb 2005 Location: UK
Posts: 3,389
| Quote:
![]() | |
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| | #26 |
| Lives for gear | how about swizz beatz sampling the neptune drums (not the original source - we are talking processing and vinyl noise on them) for "touch it" from NORE's "Head Bussa" ![]() |
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| | #27 |
| Lives for gear Join Date: Aug 2006
Posts: 4,026
| that's wack imo, but i think swizzy is wack anyway. |
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| | #28 |
| Lives for gear Join Date: Aug 2006
Posts: 4,026
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| | #29 |
| Gear Head Join Date: May 2003
Posts: 72
Thread Starter | |
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| | #30 |
| Gear Guru Join Date: Jun 2005 Location: Miami FL
Posts: 10,055
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