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Old 23rd October 2006, 07:30 PM   #1
nymortgagepro
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what sampling rate are you guys using

what rate and why?
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Old 23rd October 2006, 08:28 PM   #2
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88.2kHz easy math to convert to 44.1
I find there's less need for eq on vocals at 88.2
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Old 23rd October 2006, 08:41 PM   #3
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2.8224Mhz because I can and I feel it sounds the best!

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Old 23rd October 2006, 08:47 PM   #4
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DSD would be nice, it's cool, but until the end-consumer gets DSD machines, it's all going PCM eventually... I do understand the wide to narrow pipe concept, and have thought of getting the Tascam DSD thingy with some nice converters.
You arn't multi-tracking to DSD are you?
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Old 23rd October 2006, 09:06 PM   #5
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16/44.1 because I don't need anything more than that
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Old 23rd October 2006, 10:08 PM   #6
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24/44.1
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Old 23rd October 2006, 10:16 PM   #7
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24/44.1 also
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Old 23rd October 2006, 10:18 PM   #8
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24/44.1 as well
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Old 23rd October 2006, 10:40 PM   #9
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24/44.1 as well
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Old 23rd October 2006, 10:49 PM   #10
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24/44.1 for me too

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Old 23rd October 2006, 10:51 PM   #11
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Old 23rd October 2006, 11:07 PM   #12
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24/44.1





and sometimes 48
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Old 23rd October 2006, 11:26 PM   #13
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44.1 but I'll be switching to 96 or 88.2 as soon as I get a new computer that can easily handle it.

44.1 because it's easy and sounds fine. The higher sample rates do sound better in general though, at least to my urrrs.
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Old 24th October 2006, 12:24 AM   #14
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Quote:
Originally Posted by soundeq View Post
DSD would be nice, it's cool, but until the end-consumer gets DSD machines, it's all going PCM eventually... I do understand the wide to narrow pipe concept, and have thought of getting the Tascam DSD thingy with some nice converters.
You arn't multi-tracking to DSD are you?
Yup! Sure am.. I have a Genex GX-9048 going into a Pyramix DAW via MADI
I'm getting all kinds of jobs now that the Tascam is out.
BTW.. the Tascam unit actually does have decent DSD converters.

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Old 24th October 2006, 01:32 AM   #15
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24bit/44.1 mostly.

but i'll be trying my 220.5k sample converters soon tho!!!
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Old 24th October 2006, 01:44 AM   #16
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24/44.1 here also.
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Old 24th October 2006, 01:59 AM   #17
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24/44.1
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Old 24th October 2006, 02:18 AM   #18
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24/44.1

But now I'm tempted to go up to 88.2...
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Old 24th October 2006, 02:53 AM   #19
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24/41
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Old 24th October 2006, 04:25 AM   #20
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still drty... 24/44.1
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Old 24th October 2006, 09:18 PM   #21
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all day

24/44.1

at least one thing that doesnt need a discussion Ha Ha
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Old 24th October 2006, 09:44 PM   #22
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24/ 44.1
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Old 24th October 2006, 10:10 PM   #23
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24/44.1
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Old 24th October 2006, 10:25 PM   #24
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24/ 48k (cause that was the default when i first started using the system i'm on now, and think it sounds just fine )
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Old 25th October 2006, 07:31 AM   #25
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24/44
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Old 25th October 2006, 02:16 PM   #26
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24bit / 44.1 kHz too!
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Old 25th October 2006, 03:34 PM   #27
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24/48
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Old 25th October 2006, 06:08 PM   #28
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24/96.

I find it helps in more effective and analogue-like high end EQ adjustments, more accurate and faster responding dynamics, and much more accurate peak level metering.

But this is only noticeable in certain scenarios.
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Old 25th October 2006, 07:00 PM   #29
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16bit/44.1kHz.
Because all the recordings will be archived first to cd-r.
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Old 25th October 2006, 07:53 PM   #30
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24/44.1, I think the bit rate is much more important, I do hear a difference between 16 and 24. I've worked with 96khz quite often and could never tell the difference except for once, I was recording a 4piece string ensemble and at 96khz, I really felt like I was sitting in the middle of the room, but who knows maybe it was just a better take, or I really wanted to hear the difference and it was all in my head .
Anyway, 24/44.1 is just fine
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