29th December 2012
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#1 | | Lives for gear
Joined: Feb 2007
Posts: 653
Thread Starter | Favorite exposed kicks, claps, etc to chop?
Been working steadily to improve my chopping and sampling skills, making progress... Instead of d/l ing a sample pack, can y'all recommend maybe some cool current songs with exposed kicks, snares etc to snag?
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29th December 2012
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#2 | | Gear addict
Joined: Aug 2012 Location: Deventer
Posts: 381
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Chopping won't make your drums sound cool.
The kits i use are
SP12/1200
Vintage Drum Collection (Synth drums)
MPC - 60/2000/3000
Doru Malaia`s Ethnic Super Drums Collection (massive percussion collection)
A lot of dusty old records too. To me it doesn't matter what music it is, if their is a certain sound i'm looking for i'll take it.
Records i use
Funk/Soul/Jazz/Psych Rock/Afro/Dub and so on.
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29th December 2012
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#3 | | Lives for gear
Joined: Jul 2011 Location: Copenhagen, Denmark
Posts: 512
| Quote:
Originally Posted by badhorsie777 Been working steadily to improve my chopping and sampling skills, making progress... Instead of d/l ing a sample pack, can y'all recommend maybe some cool current songs with exposed kicks, snares etc to snag? | In all honestly here, you would be working backwards.
First of all, the sounds you're talking about sampling have allready been mastered and tampered with for commercial release, there is only a very narrow window of processing you can apply to them.
Second of all, to get them in aiff or wav quality, you would have to buy a CD release (or vinyl) for each which is gonna be very expensive for an open kick in one song and a soloed snare in another. (iTunes is not your friend, with their acc format either)
The right sample packs are made with very little processing, in order for you to add your own touch to them.
My advice is this : Sample packs (the right ones), virtual drum instruments (Addictive drums, BFD etc) & recording your own audio (Slapping tables and kicking watercoolers for instance) is the way to get the best result.
__________________
"I`m Ron Burgundy?"
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29th December 2012
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#4 | | Gear maniac
Joined: Oct 2012 Location: China |
I chop shit up a lot. Filter shit out. Add other filtered shit to it. Use your ears man--it's about hearing something that attracts you, grabbing it, and flipping it.
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29th December 2012
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#5 | | Gear interested
Joined: Jan 2012
Posts: 27
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just go through your/your parents/grandparents etc. cd and vinyl collection
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29th December 2012
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#6 | | Lives for gear
Joined: Aug 2006
Posts: 5,221
| Quote:
Originally Posted by badhorsie777 Been working steadily to improve my chopping and sampling skills, making progress... Instead of d/l ing a sample pack, can y'all recommend maybe some cool current songs with exposed kicks, snares etc to snag? | depends on your beat makin' philosophy, but as far as choppin' and sampling...
you could start with the ubb and dusty fingers series for the classics. Ultimate Breaks and Beats - Wikipedia, the free encyclopedia Dusty Fingers - Wikipedia, the free encyclopedia
from that you could move on to more obscure stuff.
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29th December 2012
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#7 | | Gear nut
Joined: Oct 2012
Posts: 128
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When I was listening to the O.N.I.F.C. cd from Wiz Khalifa i immediately ripped the wav of that song with The Weekend, it had an open kick, snare, and percussion sound which i thought were amazing. Ive used the kick in a couple beats already.
For me, its better to not force it by going sample digging thru my cd collection, but if I happen to come accross something I write it down, and chop it later. Its unexpected like a Christmas gift.
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29th December 2012
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#8 | | Lives for gear
Joined: Oct 2005
Posts: 3,689
| Quote:
Originally Posted by Ezionjd In all honestly here, you would be working backwards.
First of all, the sounds you're talking about sampling have allready been mastered and tampered with for commercial release, there is only a very narrow window of processing you can apply to them.
Second of all, to get them in aiff or wav quality, you would have to buy a CD release (or vinyl) for each which is gonna be very expensive for an open kick in one song and a soloed snare in another. (iTunes is not your friend, with their acc format either)
The right sample packs are made with very little processing, in order for you to add your own touch to them.
My advice is this : Sample packs (the right ones), virtual drum instruments (Addictive drums, BFD etc) & recording your own audio (Slapping tables and kicking watercoolers for instance) is the way to get the best result. | This is some serious BS man especially the part about the " very narrow window of bla bla ".
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29th December 2012
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#9 | | Lives for gear
Joined: Jul 2011 Location: Copenhagen, Denmark
Posts: 512
| Quote:
Originally Posted by Nahuel This is some serious BS man especially the part about the " very narrow window of bla bla ". | Would you like to elaborate on what is bullshit and why?
I would love to school you.
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29th December 2012
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#10 | | Gear interested
Joined: Nov 2012
Posts: 2
| Quote:
Originally Posted by Ezionjd In all honestly here, you would be working backwards.
First of all, the sounds you're talking about sampling have allready been mastered and tampered with for commercial release, there is only a very narrow window of processing you can apply to them.
Second of all, to get them in aiff or wav quality, you would have to buy a CD release (or vinyl) for each which is gonna be very expensive for an open kick in one song and a soloed snare in another. (iTunes is not your friend, with their acc format either)
The right sample packs are made with very little processing, in order for you to add your own touch to them.
My advice is this : Sample packs (the right ones), virtual drum instruments (Addictive drums, BFD etc) & recording your own audio (Slapping tables and kicking watercoolers for instance) is the way to get the best result. | Please school me on why kicking watercoolers makes more sense than sampling a beat, im all ears.
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29th December 2012
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#11 | | Lives for gear
Joined: Dec 2004 Location: Lake Charles
Posts: 1,416
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Sampling drums off recent songs is weak. Music making should be an enjoyable creative exercise, not a process where you try to cut corners and arrive at a 'finished, professional product' with as little work as possible.
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29th December 2012
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#12 | | Gear addict
Joined: Oct 2012
Posts: 447
| Quote:
Originally Posted by jdsowa Sampling drums off recent songs is weak. Music making should be an enjoyable creative exercise, not a process where you try to cut corners and arrive at a 'finished, professional product' with as little work as possible. | The biggest hip-hop producer I know, who works with major artists, does it. He listens to recent tracks, finds the ones where the drums really slap, and then find the isolated hits, and chops them up.
And no I'm not gonna tell you who he is  but you can trust me if you want to.
His music is original and dope so who cares! And no he is not lazy, he is one of the hardest working people I know.
Sent from my Droid using Tapatalk
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29th December 2012
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#13 | | Gear addict
Joined: Jul 2008
Posts: 301
| Quote:
Originally Posted by Ezionjd In all honestly here, you would be working backwards.
First of all, the sounds you're talking about sampling have allready been mastered and tampered with for commercial release, there is only a very narrow window of processing you can apply to them.
Second of all, to get them in aiff or wav quality, you would have to buy a CD release (or vinyl) for each which is gonna be very expensive for an open kick in one song and a soloed snare in another. (iTunes is not your friend, with their acc format either)
The right sample packs are made with very little processing, in order for you to add your own touch to them.
My advice is this : Sample packs (the right ones), virtual drum instruments (Addictive drums, BFD etc) & recording your own audio (Slapping tables and kicking watercoolers for instance) is the way to get the best result. |
Why should an already mixed/mastered sample limit the processing? If you take a sample from the 60s or the 70s its mixed and masterd like they did back in these times and for the specific genre. It might already sound good for my (or the OP) needs. It might need processing to get the sound to fit to the other samples. I can process the hell out of it to make it fit so I don't understand what you mean.
I also can't confirm that it is expensive to get drums from vinyl. Ok it depends where you live but usually you should be able to go to the next thrisft store, flea market or neighbour and buy cheap vinyl. If you stay away from classical music and speach records you will find open drums very soon. I bought most of my records for under 1 EURO. Some stuff (even stuff with good and well known breaks like Iron Butterfly or Jeff Beck or yes we can can or Tramp) were 10 cent. Well, I must admit...although the price isn't high for 1 record it could get expensive over the time cause when the diggin virus infected you, you just can't stop buying records, you can't, you hear me.....you can't .....damn can't wait for tomorrows flea market.....damn.......
peace
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29th December 2012
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#14 | | Lives for gear
Joined: Oct 2005
Posts: 3,689
| Quote:
Originally Posted by Ezionjd Would you like to elaborate on what is bullshit and why?
I would love to school you. | ya, you re about to explain how its impossible to touch a 'mastered' drum hit and how diggin in the crates is a waste of time and how I should buy whatever pack floats around the web (the kind of packs I got paid to build from, guess what, layered shots sampled from various sources and records).
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29th December 2012
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#15 | | Lives for gear
Joined: Aug 2011 Location: Somewhere getting it in
Posts: 534
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Last edited by Tommycash; 1st January 2013 at 06:58 AM..
Reason: wrong thread
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29th December 2012
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#16 | | Lives for gear
Joined: Mar 2009
Posts: 1,308
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For modern tracks, yeah I would Just use sample packs.
I don't know of any off the top of my head that I would even want to sample. I'm sure theres a few that are worthy, but most modern drum sounds are from sample packs or vst's, they might be layered, but that's something you'll want to learn anyway.
You get into old school stuff I would definitely recommend sampling, chopping, etc.
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29th December 2012
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#17 | | Lives for gear
Joined: Feb 2007
Posts: 653
Thread Starter |
Thanks guys… I have a pretty massive CD collection But not many current releases on CD… That's why was looking for some guidance on where to look for those more modern sounds… I am really digging a lot of 80s and 90s music for their crazy treated snares and kicks… A lot of pop music and more esoteric bands like tears for fears especially. I have several drum libraries… I'm not looking to take shortcuts… Just learned a craft and getting new inspiration from the process the matter how cumbersome… I actually just finished a new song that began its life as a chopped up sampled song that I arranged, sequenced, and ended up replaying all the instruments myself :-) I'm having a blast
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29th December 2012
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#18 | | Gear maniac
Joined: Aug 2012
Posts: 238
| Quote:
Originally Posted by skinnypete The biggest hip-hop producer I know, who works with major artists, does it. He listens to recent tracks, finds the ones where the drums really slap, and then find the isolated hits, and chops them up.
And no I'm not gonna tell you who he is  but you can trust me if you want to.
His music is original and dope so who cares! And no he is not lazy, he is one of the hardest working people I know.
Sent from my Droid using Tapatalk | If this fictional hiphop producer does this-- then his music is NOT original, and he IS lazy.
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29th December 2012
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#19 | | Lives for gear
Joined: May 2011 Location: Bronx ,NY
Posts: 1,250
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Maybe it depends on the era you are from but I have always sampled snare, kicks an hats from hiphop albums. I also got drums from the original vinyl or tape. I sampled all the open hits from welcome to Detroit. I don't know any producers who don't do this. I used to snatch all of gangstarr 's album drums. I even bought the owners instrumental album for that reason. Now I get my drums from sample packs and I do more layering because none of these new producers drums impress me.
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29th December 2012
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#20 | | Gear addict
Joined: Oct 2012
Posts: 447
| Quote:
Originally Posted by knobsmcgee If this fictional hiphop producer does this-- then his music is NOT original, and he IS lazy. | Ok troll
Sent from my Droid using Tapatalk
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29th December 2012
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#21 | | Lives for gear
Joined: Aug 2010 Location: Auckland, New Zealand
Posts: 3,979
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Teriyaki Boys - Baggy Pants produced by Just Blaze.
Nice open kick and clap/snare if you find the full version
__________________ 'You don't finish, you just run out of time' - Dave Pensado on mixing |
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29th December 2012
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#22 | | Gear addict
Joined: Oct 2012
Posts: 447
| Quote:
Originally Posted by Dayl Teriyaki Boys - Baggy Pants produced by Just Blaze.
Nice open kick and clap/snare if you find the full version | Cool will check later..
Theres a really nice breakbeat on Kendrick Lamar "sing about me im dying of thirst"
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29th December 2012
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#23 | | Lives for gear
Joined: Aug 2006
Posts: 5,221
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blasphemy
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29th December 2012
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#24 | | Gear addict
Joined: Jul 2008
Posts: 301
| Quote:
Originally Posted by badhorsie777 Thanks guys… I have a pretty massive CD collection But not many current releases on CD… That's why was looking for some guidance on where to look for those more modern sounds… I am really digging a lot of 80s and 90s music for their crazy treated snares and kicks… A lot of pop music and more esoteric bands like tears for fears especially. I have several drum libraries… I'm not looking to take shortcuts… Just learned a craft and getting new inspiration from the process the matter how cumbersome… I actually just finished a new song that began its life as a chopped up sampled song that I arranged, sequenced, and ended up replaying all the instruments myself :-) I'm having a blast | If you more into 80s pop sound then you should watch out for the typical drummachine samples. Linndrum, SP12, Oberheim DMX and DX etc They really represet the 80s pop drumsound. BTW I think Tears for Fears used the well known "When the levee breaks" break from Led Zeppelin (not the break itself but the snare) for "Shout"
Depeche Mode used this snare too in their song "Never let me down"
To be honest: I'm not sure about that but to me it sounds like that
peace
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29th December 2012
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#25 | | Gear addict
Joined: Feb 2010 Location: Montreal, Canada
Posts: 365
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back in da days i used to do just that: sampling open kks sns and hats... my friend was a DJ and I used to go to his place to sample open sounds from instrumentals
__________________ Quote:
Originally Posted by ToneCre8 Music should always value the sound over the convenience. This trend of convenience and workflow over sound and quality is degenerating. It's a subjective argument but If you find that one sounds better than the other, that's the one you should be using. | |
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30th December 2012
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#26 | | Lives for gear
Joined: Aug 2011 Location: Somewhere getting it in
Posts: 534
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Last edited by Tommycash; 1st January 2013 at 06:59 AM..
Reason: wrong thread
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30th December 2012
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#27 | | Lives for gear
Joined: Jul 2011 Location: Copenhagen, Denmark
Posts: 512
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Pretty obvious you don't need any schooling from me, you have the science pretty much figured out it seems.
So keep on lifting drums from current records and recycle the bullshit, i look forward to not hearing it.
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30th December 2012
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#28 | | Gear Head
Joined: Mar 2011
Posts: 30
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Reading this thread makes me kinda sad... Digging for old records/samples is 50% of the fun and also the way to understand the foundation of the music. It's also how you could get your own sound (if you are into samplebased music)..
Snatching beats from already sampled beats are in my opinion just lazy, uninspiring and a kind of "fastfood" approach to creativity... Sad...
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30th December 2012
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#29 | | Lives for gear
Joined: May 2011 Location: Bronx ,NY
Posts: 1,250
| Quote:
Originally Posted by Depthcharge Reading this thread makes me kinda sad... Digging for old records/samples is 50% of the fun and also the way to understand the foundation of the music. It's also how you could get your own sound (if you are into samplebased music)..
Snatching beats from already sampled beats are in my opinion just lazy, uninspiring and a kind of "fastfood" approach to creativity... Sad... | So we never should have used any of the drums that came with our samplers or the on board drums? We couldn't use the 808 or 909 sounds or the linn drum sounds because we didn't sample them from vinyl? Using a keyboard patch instead of a real violin is lazy? I get you on the fun part of digging but when I dig I'm usually digging for instrument sounds and will sample a drum if I happen to stumble upon them.
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30th December 2012
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#30 | | Gear Head
Joined: Mar 2011
Posts: 30
| Quote:
Originally Posted by beyondat So we never should have used any of the drums that came with our samplers or the on board drums? We couldn't use the 808 or 909 sounds or the linn drum sounds because we didn't sample them from vinyl? Using a keyboard patch instead of a real violin is lazy? I get you on the fun part of digging but when I dig I'm usually digging for instrument sounds and will sample a drum if I happen to stumble upon them. |
I might be old but whats an "onboard sound"? I thought the whole idea of using a sampler was to fill it with your own sounds...
But sure, use the drumpacks that you got for free with your daw or some samplepack you downloaded of the internet... But if you want to create something that reflects your style, emotions, expression etc why not sample some real drummachines, synthesize your own drumsounds or be creative with a microphone... Build your own library!
My main point.. Try to be innovative and creative instead of taking shortcuts...
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