Hey!! Just wanted to contribute to this post. This is a list of all the gear that I used to record and mix the first wu-tang album.
Console
Peavey Production Series 2400 With Megamix Automation (Run with a Mac SE-30)
Audio Recorders.
Ampex MM1200 24 track - Originally own by Prince. "Purple Rain" album was recorded with this machine.
The majority of the record was recorded on 2" tape except "Protect your Neck" which was record on a Tascam MS16 16 track 1" reel with Without Dolby NR
Sony APR5003 2 track 1/4" with SMPTE Tascam DA-30 DAT Recorder
Tascam 244 portastudio 4 track was used to bounce final mixes from DAT to highspeed 4 track Cassette with Maxell MX 60 Crome Cassettes.
Ampex 350
API 3124
Quad 8
Focusrite ISA 215
API 550A
Pultek Custom 2 eq's
Aphex Lunch Box (2) eq's (2) Compressors
1 UREI 565 Notch Filter
2 UREI 1176
2 UREI LA-4
2 DBX 166
1 DBX 160x
2 DBX 266
2 DBX 563x The Silencer
1 Alesis 3630
Valley People Dynamite Comp/gate
Valley People Gatex
Barcus Barry BBE802 Aural Exciter
Efx Units
Tascam 122 MKII was used on "repro" as an Analog slap back delay used on the vocals. You hear it more on "Bring the Ruckus" Roland R888 Yamaha Rev 1 (Without the Remote...HaHa) Lexicon PCM 60
Echo Plate III
Stocktronics RX 4000A
Lexicon LXP1-LXP5 + MRC
Lexicon PCM 41 & 42
(2) Yamaha SPX90
(2) Delta Lab 1024
Ibenez AD202
Roland RE-301
The only microphone that was used was an AKG-C414 EB
At the time RZa used an SP-1200, EPS 16 Plus then Graduated to an ASR-10. We would lockup the units to tape using a Roland SBX-80
The Following machines were used for the following Tracks
1 Bring da Ruckus - EPS16+
2 Shame on a Nigga - ASR10
3 Clan in da Front - ASR10
4 Wu-Tang: 7th Chamber - ASR10
5 Can It Be All So Simple/Intermission ASR10 /Sp-1200 for Intermission
6 Da Mystery of Chessboxin' ASR 10
7 Wu-Tang Clan Ain't Nuthing ta F' Wit - EPS16+
8 C.R.E.A.M. EPS16+
9 Method Man SP1200
10 Protect Ya Neck EPS16+
11 Tearz -EPS16+
12 Wu-Tang: 7th Chamber, Pt. 2 ASR 10 ( I provided the live Drums )
Most vocal Performaces were flown in using Akai -S-1000 Stereo Sampler. We would sample a lead vocal on the left with a Snare or kik on the right for reference then fly in the verses in their places.
Peace, Carlos "C12" Bess
Nothing on 36 Chambers was Pro Tools and the only mic used was AKG - C414
OB4CL wasn't done on Pro Tools either... In the same thread Bess mentions that it was done on a Soundtrac JADE console to Tascam 2", API EQ & Pres and DP4 fx
Not sure about ODB... but I'm going to wager that did not see Pro Tools either.
Could've sworn I read in RZA's Wu-Tang Manual that he either had different compressors or different compressor settings for each Wu member's vocals. Need to dig that book up. . .
Could've sworn I read in RZA's Wu-Tang Manual that he either had different compressors or different compressor settings for each Wu member's vocals. Need to dig that book up. . .
yeah he said later on everyone had their own chain
Bess talking bout outboard gear, but vocals was recorded and edited using pro-tools.
Doesn't sound like PT to me....and he breaks down what was used to record as well.
Again, who knows tho.
Quote:
Most vocal Performaces were flown in using Akai -S-1000 Stereo Sampler. We would sample a lead vocal on the left with a Snare or kik on the right for reference then fly in the verses in their places.
I love RZA more than a straight man should love another man.. But i'd take what he says about his oldschool recordings with a pinch of salt. I've heard him say all kinds of mad and contradictory shit about the 36 Chambers recordings, and you couldn't call that comprehensive list of gear that Carlos posted vague or 'fuzzy'.
However, I imagine RZA is talking about the vocal recordings when I mentions his separate chains for each member, and perhaps Carlos is talking about how they were mixed?
Also, I read from RZA that the Ol' Dirty album was mixed on an SSL, and it's safe to bet at that point that it was made on his ASR-10.
To be fair, he also didn't say 36 chambers was recorded and/or mixed in pro tools. He said he edited in pro tools. Once upon a time editing was considered an important step in between recording and mixing.