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| | #1 |
| Gear nut Joined: Dec 2005 Location: Miami
Posts: 130
Thread Starter | ill Factor on the MatisYahu "Youth" production (Reason 3.0 tips )
Sup peeps, ill Factor Here giving everyone the heads up on the tracks done on the latest Matis Yahu album "Youth" which is out under Epic/Sony records, Was pretty much all done in Reason. Used reason with rewiring it thru Pro-Tools to start the ruff sketch ideas... Then went ahead and ran each instrument through an outboard source (redrum,NN-19 etc.) A cool little trick I like using in Reason which I used on "time of your song" was using Rex file grooves from one file, and simply scrolling through rex files on the Dr.Rex ex. Select a rex file, then hit the add to track button then Browse through rex files in that same Dr rex player and check out the random rhythms that the first file made its a cool little trick to use. Well i posted this here cuase i have seen people post up about production done on Reason and thought this could inspire and help out. Peace -ill Factor www.illfactormusic.com |
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| | #2 |
| Gear addict Joined: Apr 2004 Location: NYC / Sao Paulo
Posts: 391
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jews unite!
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| | #3 |
| Lives for gear |
"time of your song" is probably the dopest track on the record..good work!
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| | #4 |
| Gear nut Joined: Dec 2005 Location: Miami
Posts: 130
Thread Starter |
thanks glad you like it.. was kinda funny going into the project becuase i had never heard of him before... and thought he was a white rapper from what my sources told me so i was going to the studio with the "umm ok eminem kinda vibe" but work out for the best..
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| | #5 |
| Lives for gear Joined: Dec 2004
Posts: 1,069
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Jerusalem is great...played it in a club a couple weeks ago and people danced ...You run the reason tracks out of the computer and thru ouboard, then back in? |
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| | #6 |
| Lives for gear |
most white rappers i know are nothing like eminem..especially with the trash-bag material he puts out nowadays!
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| | #7 |
| Gear nut Joined: Dec 2005 Location: Miami
Posts: 130
Thread Starter |
Yea.. I mostly have the mixer bus output run through my Neve 1073 and outboard EQ/Comp (if needed...honestly I find most of the time. if it aint broke.dont fix it) and that does the job... worked real good on the Ginuwine project as well mostly ran reason through some 1176's Manleys and etc worked out just fine. -ill Factor |
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| | #8 |
| Lives for gear Joined: Jul 2004 Location: Nashville
Posts: 641
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Thanks for the tips man. I love "Time of your song". Did you come up with the beat first or did he approach you with the song?
__________________ http://pauldavid.us |
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| | #9 |
| Gear maniac Joined: Dec 2005 Location: Living in New York City
Posts: 292
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Hey iLL...what did Jimmy D. do on those tracks. Did he just mix the records or did he have a lot to do with the production, cause it sounds a lot like the 2nd Bubba Sparks album. Also, how did you hook up with Jimmy D? Just curious. Anyway...the records are real dope. Congrats.
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| | #10 |
| Gear nut Joined: Dec 2005 Location: Miami
Posts: 130
Thread Starter |
Thanks for the feedback on the tracks ... Jimmy Douglas kind of found me really, and took me under his wing Sort of speak and from then on just started working together on projects. We are currently working together now and All my stuff gets mixed by Jimmy D so its a blessing Time of your song was done before I even headed to work with Matis here in Miami and showed matis the track in New York and they loved it so, we started writing to it Jimmy I did all programming and writing on reason for all three songs Indestructible being my least favorite because it was never to be used as a track it was a weak jam session that I later found out they used for a song so I couldn’t really complain. -ill Factor www.illfactormusic.com |
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| | #11 |
| Gear Guru Joined: Jun 2005 Location: Miami FL
Posts: 10,068
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Jimmy D is mad cool like that. It really impressed me that he remembered my name even as an intern, this was a few years ago. Super cool guy, haven't got the chance to really work with him but I'm sure he's great in the studio as well.
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| | #12 |
| Lives for gear Joined: Jun 2002 Location: London UK
Posts: 1,777
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Thanks for the posts illfactor, nice work! I am really enjoying the record. A lot of exceptional talent at play!
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| | #13 |
| Lives for gear | nd thought he was a white rapper from what my sources told me so i was going to the studio with the "umm ok eminem kinda vibe" This is why racism still exists in America. This is also one of the many reasons I hate hip hop/rap. Labels and Generalizations.
__________________ I think it is wrong to make everything equidistant from the listener with too many mics. The pasting-on effects end up like bad Photoshop work on graphics & photos - too unbelievable.-Tony Faulkner http://www.last.fm/user/TeddyBullard/ |
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| | #14 | |
| Gear nut Joined: Dec 2005 Location: Miami
Posts: 130
Thread Starter | Quote:
Any ways another cool Reason trick I like doing is; Reason 3.0 users try having the CV Gate output from your Kick in Redrum and have it go to an Amp envelope Gate input to a NN-19 sampler and messing with the release of the sampler real cool stuff to add to your rhythm track | |
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| | #15 |
| Gear addict Joined: Sep 2002 Location: Los Angeles , USA
Posts: 333
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Hey ill Factor thanks for sharing this with us! I use Reason almost exclusively now too (ex MPC user) and was wondering in your experience which following methods gives best sounds in the end. 1) 2 ch Reason rewired to PT or (bounced Reason trk imported to stereo PT track) 2) 2 ch out from Reason to a stereo pre or (comp, eq) then into stereo PT track. 3) Individual channels out from Reason to pres or (comps, eqs) to PT tracks. At the moment I don't have any quality pre so my only choice is #1 but I was wondering if there is a big difference in sound quality by going out to a pre then into the DAW ? Thanks once again!! |
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| | #16 | |
| Gear nut Joined: Dec 2005 Location: Miami
Posts: 130
Thread Starter | Quote:
I have to say yes... there is a pretty big difference running your instruments out the hardware interface of Reason through outboard gear, and Back into your DAW. Having Reason Pro tools rewired, personally to me sounds the same as having your parts exported and imported to Pro tools. so i dont even bother Try even just running the reason through another output and have it run through anything outboard and back into DAw and you can even tell its different... Hope it helps | |
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| | #17 |
| Gear addict Joined: Sep 2002 Location: Los Angeles , USA
Posts: 333
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Thanks that helps a lot!! One more question though, I know this is something that I can only decide for myself but in your experience do you hear a significant difference in sound quality between method #2 and #3. That is 2) 2 ch Reason out to stereo outboard -> DAW verses 3) Individual Reason chs out to outboards -> DAW I hope #2 is just as good or good enough, this will save me lots of money |
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| | #18 | |
| Gear maniac Joined: Mar 2006
Posts: 262
| Quote:
theoretically #3 is the best way based on the fact that analog summing is way better than digital summing.... reason why? Digital is summing thru 1 processor!!!BOOOOOO(thumbs down)...lol thats why going thru an analog board will sound better.... | |
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| | #19 |
| Gear addict Joined: Sep 2002 Location: Los Angeles , USA
Posts: 333
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Thanks but I think you misunderstood my question ![]() Both #2 and 3 are gonna be mixed in the box in Pro Tools. So my question is in regards to tracking Reason tracks into DAW. I'm asking was there a significant difference in tracking Reason tracks individually thru different outboards vs. 2 ch. of Reason (all mixed in Reason) into stereo outboard. Sorry about the confusion |
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| | #20 |
| Gear nut Joined: Dec 2005 Location: Miami
Posts: 130
Thread Starter |
Yea well check this out... sometimes for real quick ruff ideas i will just do the whole 2ch bounce from outboard gear and back to Pro tools... then later on i will run the actual instrument through the outboard gear itself onto its own track in pro tools.. (but dont stree it out to much honestly , you can deff rock a good sounding mix just with the 2ch overall run through of out board gear into Pro tools.. it is alot better than using the mastering suite thingy in my opinon..but in the long end and big picture of things if it aint broke dont fix it.. basically if you get it sounding good then it sounds good eh hope it helpskeep it rockin -ill Factor |
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| | #21 |
| Gear addict Joined: Sep 2002 Location: Los Angeles , USA
Posts: 333
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Thanks bro you been very helpful |
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| | #22 | |
| Gear Guru Joined: Jun 2005 Location: Miami FL
Posts: 10,068
| Quote:
LOL, glad i wasn't the only one who caught that. | |
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| | #23 |
| Gear maniac Joined: Mar 2006
Posts: 262
| hey
yea I guess I got confused by "outboard gear" I figured channel strips which would lead to a console....either way if you are looking for a 'pro mix' than get yourself some studio time on the big board ....it really is worth the money....maybe try to get to know the big engineers in your city they usually get reduced rates at commercial studios |
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