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| | #1 |
| Gear nut Joined: Jul 2011
Posts: 123
Thread Starter | Maschine SP1200 Emulation VS Real SP1200
This was actually very close. I took the acoustic kit "studio B" snare and kick from Maschine library. In Maschine I did an internal sample with it pitched up 7 semi tones, I then turned on SP1200 mode and dropped it 7 semitones. I used the same snare and kick and same method on the SP1200. The pattern goes: Maschine - Snare, Snare.......Kick, Kick Maschine SP1200 Mode - Snare, Snare.......Kick, Kick SP1200 - Snare, Snare.....Kick, Kick I mean, WOW. Before I had tried out the SP1200 mode and wrote it off because I didn't pitch anything down. Pitching stuff down while in SP1200 mode makes all the difference. And sure there is a difference between the emulation and the real thing, but it is so much closer than I thought. Nice job NI.
__________________ Just passing through... |
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| | #2 |
| Gear maniac Joined: Jul 2010 Location: Queens, NY
Posts: 181
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Yeah pitching up, resampling, then pitching down really helps the emulation. What filter setting did you use for the sp emulation?
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| | #3 |
| Gear nut Joined: Jul 2011
Posts: 123
Thread Starter |
I used "none" on Maschine. On the SP1200 I used output 7, which isn't filtered.
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| | #4 |
| Gear nut Joined: Jul 2011
Posts: 123
Thread Starter |
I posted this same info on a certain SP1200 forum and the whole thread was deleted. I guess it was a little too close for the die hards. I, however find it to be an interesting topic since the SP has such a status among the Hip Hop community and are going for such high prices. I'm curious if anyone has done a comparison like this with the S-950. I don't own one or else I would have done it already. To me the SP1200 is a tool among others that I use. To some the SP1200 is the only "real" way to make "real" hip-hop. Man even guys like Pete Rock, who pioneered with the SP1200, moved on to newer equipment eventually. Here's an article supporting that statement. In the end it is a fantastic piece of equipment and very fun to use. But some folks take this stuff way too personal. |
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| | #5 |
| Gear addict Joined: Jul 2011
Posts: 310
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Man I love that grit/crush/fuzzy sound of the real SP1200 sounds. How can one achieve that with software? Logic's Bitcrusher doesn't seem to do it right. Unless my settings are wrong. @OP: Can you explain how I can achieve an SP1200 sound with Battery? Or what your process was? |
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| | #6 |
| Gear nut Joined: Jul 2011
Posts: 123
Thread Starter |
I've never used Battery. Although I have seen a Battery vs SP1200 thread here on gearslutz. I'm only using the SP1200 emulation mode that comes with Maschine no plugins, filters or effects. I sampled in Maschine 7 semi-tones up, took that sample an turned on SP1200 mode, then dropped it back down 7 semi tones. That's all. |
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| | #7 |
| Gear addict Joined: Jul 2011
Posts: 310
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What does the pitching up and down part do for you?
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| | #8 |
| Gear nut Joined: Jul 2011
Posts: 123
Thread Starter | Speeding up records is how the originators would get "more" sample time into the SP1200. Once in the SP they would pitch it back down to the original speed/pitch. The pitching down in the SP is what gives the dirt and introduces those artifacts that give you the "grit/crush/fuzzy sound" you were describing. Without pitching down the SP is actually fairly clean sounding. So I did the same thing on Maschine: sped up the sample, sampled it, turned on SP1200 mode then pitched it back down. It's the same with the Maschine emulation, if you don't pitch it down you hardly notice any difference. Especially in short percussive sounds. Also, if you turn off SP1200 mode it just sounds like a simple sample in 16 tune mode, very clean. |
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| | #9 |
| Gear addict Joined: Jul 2011
Posts: 310
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Oh I understand now! Just to clarify things, not only do you turn up the pitch 7 semitones, but you also increase the tempo right? And repeat oppositely after applying the SP1200 mode? |
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| | #10 |
| Gear nut Joined: Jul 2011
Posts: 123
Thread Starter |
Pitching up and speeding up go hand in hand. Unless your dealing with some kind of time stretching. When you play a sample across keys or use 16 tunings on a pad style sampler all the sampler is doing to play the different semitones is speeding the sample up for higher notes or slowing it down for lower notes.
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| | #11 |
| Gear addict Joined: Jul 2011
Posts: 310
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Good way to think about it, thanks.
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| | #12 |
| Gear maniac Joined: Nov 2005 Location: Nice, France
Posts: 211
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great test ![]() But most ppl don't sample drums pitched up as they are one shot samples, usually everyone samples loops and melodic samples at 45rpm + 8% pitch on turntables to squeeze into 10sec sampling time ( 2,50 x 4 ) on SP. Could you please make another test with melodic samples and/or loops sampling straight from vinyl at 45rpm than repitched down to the original key? also trying to give an impression how Maschine SP mode sounds when pitching one semitone down at a time versus SP1200 that gives a very different sounding artifacts on each semitone when pitching up or down? that would be a super cool and more objective comparison test thanks in advance |
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| | #13 |
| Gear nut |
I think that real SP1200 wins( i am not the user of this thing). Both-kick and snare has one very important aspect-WEIGHT!!! Emulation sounds like a paper in comparison. Just my thoughts... Thank You for objective test! |
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| | #14 |
| Gear Head Joined: Feb 2012
Posts: 54
| RawSP1200 by Mac McGill on SoundCloud - Create, record and share your sounds for free If you like the sound of the SP1200 you can check out the link above. A few months ago I did a very quick dump of misc beats, loops and sounds into Protools. Its nothing special but it does give you a good idea of the sound of this machine if you don't know it. Everything is recorded from records and no sample CD's were used. It is 15 minutes long so I don't blame you if you can't get through it all. Mac |
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| | #15 |
| Gear maniac Joined: Jul 2008
Posts: 203
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Is it really the SP1200?? Sounds a bit strange to my ears. peace |
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| | #16 |
| Gear Head Joined: Feb 2012
Posts: 54
| Yes it is. There is some crappy Protools reverb on it and I used the plug in that looks like Urei 1176 to even it out a bit. It is not a direct dry recording but it is all from a true SP1200. If your a user I'll trade you a disk if you'd like.
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| | #17 | |
| Gear maniac Joined: Nov 2005 Location: Nice, France
Posts: 211
| Quote:
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| | #18 | |
| Gear maniac Joined: Jul 2008
Posts: 203
| Quote:
peace | |
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| | #19 | |
| Gear maniac Joined: Nov 2005 Location: Nice, France
Posts: 211
| Quote:
if you sample a break or a single shot sounds in their original pitch and just playback them straight - SP sounds quite different , i bet you wouldn't even hear that its an SP - very HI-FY and punchy. But if you sample vinyl at 45rpm +8 pitched up and than pitch it down on SP to squeeze maximum samples into the 10 seconds sampling time - than you going to hear lots of artifacts and ringing ... that is more easy to hear as a so called "SP" sound. to get an idea of a "clean" sounding SP versus repitched check my Samplers sound comparison test http://www.youtube.com/watch?v=znqxqPMizlM | |
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| | #20 |
| Gear Head Joined: Feb 2012
Posts: 54
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I think the reason your so confused is that if you don't own an SP1200 you never hear it this way. Straight from the box. On records that use this machine every output is sent to a different channel on the mixer and it's EQed, gated,compressed and reverb added ect. When you record from the main mix output as I did it's mushed together and dirty. It can get lot cleaner just by isolating the parts and EQing them. Adding reverb on loops and instruments really helps smooth it out.
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| | #21 |
| Gear Head Joined: Feb 2012
Posts: 54
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Good points from vintagefreak. I do tend to lean towards the dirtier side of things. How do you think I found this sight? I wasn't looking for a gear forum.
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| | #22 |
| Gear maniac Joined: Nov 2005 Location: Nice, France
Posts: 211
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| | #23 |
| Gear nut Joined: Apr 2008
Posts: 79
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Iam really tired of software and emulations.
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