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| | #1 |
| Moderator Joined: Feb 2004 Location: Boston,MA Providence,RI
Posts: 15,927
Thread Starter | Feedback on "Mix-Off" by Ken
This thread is to give our good friend Ken Lewis an opportunity to give feedback to those who submitted mixes to be evaluated by him from a previous thread. This is the place to talk to Ken, and for Ken to talk to you on this topic. I know he has worked hard to give them all a good listen. The MixOff critiques are in the following post: Feedback on "Mix-Off" by Ken Anyone who gets out of line will be banned from participating here.
__________________ Tony Belmont ![]() We Sell Gear! ![]() High Profile Audio.....PluginDiscounts.com I may on occasion talk about some of the products I am a dealer for in my posts.. and that's OK! I sell them because I like them. Not vice versa. It's more fun to talk about things you know and love, then things you don't. |
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| | #2 |
| Lives for gear |
For him to be willing to do this amongst his busy schedule is really great and says a lot about his character.
__________________ My K'naan Remix Featuring Nas ->http://www.indabamusic.com/opportuni...missions/96551 http://www.arresteddevelopmentmusic.com http://www.twitter.com/therealjjboogie http://www.atlantamixengineer.com |
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| | #3 |
| Lives for gear Joined: Oct 2005
Posts: 3,441
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Cant wait to read his comments!
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| | #4 |
| Lives for gear Joined: Aug 2006
Posts: 4,404
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really curious!
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| | #5 |
| Lives for gear Joined: Jan 2007 Location: NYC
Posts: 2,028
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Hey guys. OK, i have reviewed every mix submitted before the deadline. WHEW!!!! that was a ton of work. Sorry it took so long, i have been spending most of my time lately helping to make a big album that all of you will be hearing very very soon. I will give anybody who participated one last chance to have their critique not included in my full posting. I tried not to be mean about any of my comments, but i was basically listening and typing very stream of consciousness. As i heard something, i commented. almost every mix got at least 2 listens thru. I can make alot of comments in 8 minutes. So, there is the occasional "WTF was that??" or "dude i cant listen, the out of phase stuff is killing my whole perception of the mix". you have been warned ![]() ![]() I will post up critiques later today. I am still working on this album but will prolly be done today. stay tuned!!! Ken |
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| | #6 |
| Gear Guru Joined: Jun 2005 Location: Miami FL
Posts: 10,068
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| | #7 |
| Gear Guru Joined: Jun 2005 Location: Miami FL
Posts: 10,068
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Just a quick question for you Ken...did any of the mixes really do it for you? Any of em make you say "yea, that's the one I wanna go with"? Any chance of one of these guys landing the mix for the record?
__________________ Stuff for sale Korg TR Rack JV Expansion Cards-HipHop, World, Latin, Country SRX Expansion Cards-Symphonique Strings, Complete Orchestra, Dynamic Drums, Platinum Trax, Thread with pics... http://www.gearslutz.com/board/gears...ion-cards.html www.rbmixing.com |
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| | #8 | |
| Lives for gear Joined: Jan 2007 Location: NYC
Posts: 2,028
| Quote:
ON A SIDE NOTE........... !@$%$%(&%^#@#@%#&$^% YESSSSSSSSSS!!!!!!!!!! I can finally talk about it. The album wrap party was tonight for the Kanye West / Jay Z collaboration album "Watch the Throne". I was fortunate enough to work my ass off on a few songs for the album and it looks like my work might not be completely done just yet. We did get to hear several songs from the album tonight and all i can say is CLASSIC. hip Hop needs this. OK, back on topic...... Rick Rock, to answer your main question...... No. there wasnt a single mix that really blew me away. I really thought there would be. I honestly felt like maybe 3 or 4 of them even beat the ruff mix noticeably, which i didnt think was going to be a high bar to jump over. And the way i delivered the session, you could almost put all faders even and duplicate the rough mix. So, i actually felt like alot of guys went backwards. The biggest problem i found was that guys are trying to do way too much 2nd level ish and creative ish that they are not getting the basics perfect. I think around 60 to 80% of any given mix is simply nailing the basics. Great balances that make the record feel good. then solid EQ and compression work. Then the effects and special effects, etc... Most people skipped right over step one. There was one mix submitted after the deadline by JJ Boogie that i felt was a truly pro mix, which really only needed a few tweeks, but even that mix definitely had some problems that i would have never let slide. The devil is in the details, and maybe because nobody was getting paid, maybe because their career doesnt depend on how well they do in a mixoff, but everybody overlooked the fine details, even JJ Boogie, but his overall mix felt fantastic (is fantastic a descriptor i should use in the hip hop forum? prolly not). His mix was super crazy dope fresh fly but still he plain missed a few things. No big deal. In the real world with clients this is where the REVISIONS process would start. With JJ a 3 minute phone conversation would fix all problems with his mix. I thought alot of guys got close and just needed some creative or technical direction. no big deal. This is a very typical part of the record making process, and like all things creative, is completely subjective, and in this case, i am the subjector i just made that ish up, i'm feeling kinda funny tonight. But seriously, this is completely normal. I get asked to make revisions to my mixes all the time. It is nearly impossible to not be sitting in the same room with the artist and deliver an absolute perfect mix that they artist doesnt want any changes to. The artist might love the mix, but they might still say "line 3 in verse 2 is too low" and "can you make the snare punch more". etc... actually on another post, i should post mix revision comments from a client of mine anonymously (with their permission) just to show you guys what a very typical revision request is. might be kind of enlightening. The mixing process has truly changed drastically over the last 20 years, I'm trying to stay at the cutting edge.OK, posting up full critique Friday. Stay tuned!!! -Ken | |
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| | #9 |
| Lives for gear |
See...there it is. Tony did what I assumed he would do if/when asked. OK Ken, bring on the opinions dammit LOL.I've already stated my case on what I submitted and sure you or whoever may point out some things I am already aware of before the submission. What I'm looking for are those ideas that I did not think about doing within the mix. I wanted to add to the song without taking away from what was there. I also would like to know how you or the person doing the final mix worked out the technical problems within that session. It's good to add new tools to the tool bag. I think it's a nice tune. And will the final mix (or a short clip) be uploaded for viewing? Thx again. |
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| | #10 |
| Lives for gear Joined: Jul 2004 Location: Orlando
Posts: 3,686
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Wow Ken, this is above and beyond man. Incredible of you to do this for posters here. I'd love to hear the best mix critiqued and then the final next to it at some point.
__________________ Professionally played Basslines for $35 a Track. www.professionalbassguitar.com |
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| | #11 |
| Lives for gear |
Kool! cant wait
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| | #12 |
| Lives for gear Joined: Mar 2011
Posts: 1,049
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OT, but since you brought it up, any clues on the Jay-Z/Kanye album release date, Ken?
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| | #13 |
| Lives for gear Joined: Jan 2007 Location: NYC
Posts: 2,028
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| | #14 |
| Gear Head Joined: May 2010 Location: austin, tx
Posts: 50
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| | #15 |
| Lives for gear |
it's gonna hurt so......good.... |
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| | #16 |
| Lives for gear Joined: Jan 2007 Location: NYC
Posts: 2,028
| Ken lewis critiques
Hey guys, really sorry about the long wait. I have been overwhelmed with work, still am but cant drag this on forever. I dont think anybody won, but my top three mixes to come in before the deadline are #11, #20, #28. in no particular order. Had to post this as a zip, but the zip includes a WORD Doc and a Text file which might be more cross compatible. Way too long to post here as text. Without further adieu...... -Ken |
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| | #17 |
| Gear maniac Joined: Jun 2009
Posts: 236
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Can someone provide the link (if it's still alive) with the mixes? I'd like to hear the mixes again and read Ken's critique. I deleted the zip file with the mixes accidentally... |
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| | #18 | |
| Lives for gear Joined: Oct 2005
Posts: 3,441
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thank you so much Ken! btw for JanZoo here is a temporary link, you be able to dl the rar in one hour or something, I just droped it in my dropbox, I'll delete it cause I need the space but I'll let it there a couple of days. Quote: | |
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| | #19 |
| Gear addict Joined: May 2011 Location: Bronx ,NY
Posts: 487
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YES! Ken said my mix was a decent effort with major flaws! I actually knew the vocals where to loud when i played it in the car but I wanted to make the deadline. I disagree and actually liked the idea of the distortion on the chorus, needed to be eq'd properly like you said. thanks for your time Ken this really give people on my level something to strive for. 34. clap is too sharp. Hook 1 is too upper midrangy. Don’t like the filter effect on the vocal, its too severe. Verse 1 LV is too loud and too essey which prolly means its overcompressed. Overall vocals are too loud, especially the verses, and sit far on top of the whole mix. If you blended them down a bit it would be a much better mix. Verse ad libs are wayyy tooooo low. I like how the kick feels but could be slightly louder. Claps need to be thicker. Too sharp. You are kind of ignoring the lower midrange of the mix. Feels like there a lot of unused sonic space in the 200hz to 800hz range. Vocals also need some de essing overall. Hooks are big offenders. Overall a decent mix, with a few major problems. Could be a much better mix very quickly just with some de esing and rebalancing, but overall, a decent effort. I think this mix is straddling the base hit and home run cateogories, but if I had to choose, I’d put it in the bass hit folder. http://files.myopera.com/beyondat/fi...r-Beyondat.mp3 |
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| | #20 |
| Lives for gear |
Well im glad Ken liked mine. I still need to work on a few things though and with what he said about mine, I learned some new things too!!!!
__________________ Its all about the music ![]() Michael Gomez |
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| | #21 |
| Lives for gear |
Hey ken, did you leave #1 out of the critiques? I dont see it in the document. LOL |
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| | #22 |
| Lives for gear Joined: Jan 2007 Location: NYC
Posts: 2,028
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| | #23 |
| Lives for gear | |
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| | #24 |
| Lives for gear Joined: Jan 2008 Location: Philly/New York
Posts: 5,112
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My vote is for #20. I'd like to know who did that mix. Definitely my preference.
__________________ I have a new website - check it out: www.Weiss-Sound.com Member of The Pyramid Recording Collective. Grammy Nominations, Platinum & Gold credits, yeah... we got that. |
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| | #25 | |
| Gear maniac Joined: Jun 2009
Posts: 236
| Quote:
It says : "Error (404) We can't find the page you're looking for. Check out our FAQ or forums for help. Or maybe you should try heading home." | |
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| | #26 |
| Lives for gear Joined: Mar 2008 Location: Arlington, TX
Posts: 1,493
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I'm not seeing the text file...
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| | #27 |
| Lives for gear Joined: Mar 2011
Posts: 1,049
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| | #28 |
| Lives for gear Joined: Jan 2007 Location: NYC
Posts: 2,028
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| | #29 |
| Lives for gear Joined: Aug 2010 Location: Auckland, New Zealand
Posts: 2,198
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Ah haha DQ'd, I thought as much ![]() Thanks a lot Ken, great feedback all round. Its also good to relate you critique to what my room is telling me using all the mixes also. Again, great work guys. Thanks Again |
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| | #30 |
| Lives for gear Joined: Mar 2008 Location: Arlington, TX
Posts: 1,493
| Yea I saw that. What I meant is that the text doc is not included. All I see is the word doc. Nothing on my computer will read it.
__________________ Tokyo Lover - New Song by Trell Blaze http://soundcloud.com/trell-blaze/tokyo-lover Single, Victim - Available for download on iTunes... http://itunes.apple.com/us/album/vic...le/id449659216 ------------------------------------------------ Trell Blaze Beat, Trell Blaze Production ------------------------------------------------ Song from Trell Blaze's album, Victim http://soundcloud.com/trell-blaze/victim-by-trell-blaze email: coopdevillian@gmail.com |
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