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| Thread | Thread Starter | Forum | Replies | Last Post |
| Need Better Vocal Chain | gearjunky | So much gear, so little time! | 10 | 13th September 2007 08:52 PM |
| side chain gate plugin | Jamstudio | Music computers | 4 | 22nd February 2006 11:32 AM |
| Vocal Chain | smk | Rap + Hip Hop engineering & production | 14 | 10th October 2005 09:12 PM |
| Where did Rufus Wainright vocal chain thread go? | john caldwell | So much gear, so little time! | 2 | 29th September 2005 03:30 PM |
| Vocal chain | oedipus_complex | High end | 25 | 23rd December 2004 11:55 PM |
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| | #1 |
| Gear Head Join Date: Feb 2006
Posts: 33
| Right.. I'm intrigued to know --- once you have the rap vocals in the box; what y'all using for the mix on 'em....? At the moment, I dabble with a PSP Vintage Warmer, BBE Sonic Maximizer, and a dash of Waves reverb.. sometime I'll stick a slight Waves EQ in there depending on what's popping beat wise.. The BBE is incredible in making vocals stand out and shine, I've seen many of the hardware units used on everything from heavy metal guitars to Michael Jackson's vocals, both live and in the studio.. I don't use it for volume but rather the effect it has. Anyone else use that? So what do you use to beef up them vocals.. ?? I'm talking about the main take; disregard the overdubs and double tracked vox. |
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| | #2 |
| Lives for gear Join Date: Aug 2005 Location: san jose, califas
Posts: 1,953
| de-esser, uad-ex1, uad 1176, uad dreamverb |
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| | #3 |
| Gear addict Join Date: Aug 2005
Posts: 390
| Pretty much using Phoenix followed by the SSL E plug on every channel now. Then grouping, and bussing to stereo aux's with either the Fairchild, 1176, C4, or a combination of those, followed by the SSL G EQ plug for sweetening. |
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| | #4 |
| Gear maniac | Compress (Sonalksis SV-315 , Waves Rcomp, Uad) EQ (Sonalksis SV-517, Waves SSL, URS all, Elemental Audio Equim) [Compresser and EQ can get switched around] Also maybe some Dessing (Waves RenDesser) Buss in some: Reverb (Waves IR1, Logic SpaceD, ArtsAcoustic ) and Delay (Logic Tape Delay, Audio Damage Ronin, Ohm Force OhmBoyz, PSP Lexi) Now which of those plugins I use, it varys on the voice and song. But The Sonalksis Comp, to the URS EQ, to the Waves RenDesser is my go to.
__________________ Was it T-Pain with that funny voice sh*t, Or Lil' Wayne with that funny voice sh*t... The whole game d*ck road that funny voice sh*t! - Joe budden |
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| | #5 |
| Gear Head Join Date: Feb 2006
Posts: 33
| Waves Rcomp; how does that rank for the compression.. I just got that but I feel stuck in my ways putting on the PSP Vintage first.. I may dabble with that.. As for reverbs, I love the Waves verb but I find myself messing with it for hours as it so many variables can still sound good.. I try keep the verb tails short and sweet but sometimes a long tail and tad wet makes vox sit real nice in mix... even though everyone around me says not to ![]() |
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| | #6 |
| Lives for gear | i've been keeping it simple and dynamic as of late, have a great sound too been sticking with: Colortone Waves C4 Waves RenDeEsser and a little eq if needed comes from waves ren or eqium then usually buss wizooverb or arts acoustic when working in nuendo, along with some delay usually coming from waves 2tap. when working with the Hd system i work with i use the same but i use pheonix and Tlspace reverb |
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| | #7 |
| Lives for gear Join Date: Jun 2003 Location: Gotham City
Posts: 640
| mind u i am more producer than engineer but when i do ruff mixes I use: ren vox to urs fulltec throw in waves 2tap on da aux (custom chr setting) no verb. tried waves doubler w/ the basic -6 left +6 right setting but it sounds to hall like for me- pushes vocals in back |
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| | #8 |
| Gear addict Join Date: Nov 2005
Posts: 457
| as of late, i've been using the uad 1176ln on my vox and sometimes double the 1176ln with a la2a. for my voice it does magic. i also like the rvox from waves. |
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| | #9 |
| Gear maniac Join Date: Oct 2005 Location: germany
Posts: 195
| if ITB i leave the first insert open for "maybe" notchings and fine adjustments with an waves or urs ssl / or tc dynamic eq. the second insert remains unused for the waves rennaissance deeser, i use it almost every time after equalization,when the vocals already vibe with the mix,but i insert it before equalization. so, the setup is: (urs/waves/tc dynamic eq) r-de-esser tc / noveltech character uad 1176 pultec uad la 2-a reverbs as sends or outboard fx final setttings on stereo bus with red 2 and emt compressor final settings on mono main track would be k+h ue 1000 and distressor
__________________ _______________________________________ "...work through a room's gear — I'd sit there with the gear for hours. I think that helped me become a mixer, and to be able to come up with things that were creative and new." -maserati _______________________________________ http://www.myspace.com/sashliq |
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| | #10 |
| Lives for gear Join Date: Jun 2003 Location: Gotham City
Posts: 640
| what r good waves de-esser settings fro male rappers? female rappers? singers? |
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| | #11 | |
| Lives for gear | Quote:
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| | #12 |
| Gear addict Join Date: Nov 2005
Posts: 324
| Nice thread |
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| | #13 |
| Gear Head Join Date: Feb 2006
Posts: 33
| Yea - I also leave the first insert empty just in case but I usually put deesser after my EQ's compressors before the reverb.. maybe a mistake on my part?? |
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| | #14 |
| Lives for gear Join Date: Jul 2004 Location: Germany
Posts: 566
| waves c4. load the pop vocal preset, but i DON'T leave it as it is, i change the gain on the bands according to the vocal, room, mic, in my case i bring the lows and mids down, leave the gain on the high-mids, and bring the gain a little down on the highs. what i basically do with this is to change the relation between the lows, mids, high-mids and highs. in my case less mids and lows and more high-mids and highs. the c4 is a comp and eq in one, so after the c4 i don't need more compression(maybe with music-styles where the vocal has to be more distorted or to compete with heavy electric guitar-walls but not in rap imho). then the basic old waves de-esser(8-10db reduction) BUT imho if u have the time do it by hand, i like the results much more, when i just lower the esses. the de-essers i know affect the whole signal in a negative way. after that something to lose that empty 'mono-touch', can be delays, harmonizers but i don't like reverb on the lead-vocals. the c4 is 'the shit' |
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| | #15 |
| Lives for gear Join Date: Jul 2004 Location: Orlando
Posts: 2,421
| yeah..C4 is the shit..it just evens out the vocal and makes it sit in the mix. I also like Rvox if want the vocal "in your face" (good for rap). I noticed that rvox doesn't really work well unless the mic chain is great though. I like the Ren EQ too, it may not be the best EQ, but it has worked for me. What really can kick ass is the Hydratone EQ..it can color the vocal up a little with the Phase knob..I acutally prefer this EQ the most right now. Once I buy the SSL plugs, I will probably use them the most because once instance of the E will take care of my EQ, gating and compression needs..sounding kickass and saving CPU. so then my chain will be this: C4 (Rdesser...only if needed) SSL E channel lexicon 960 IR reverb bussed in. I have used the L1 on vocals too at times. Sometimes it rules, sometimes it sounds like ass. depends. |
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| | #16 | |
| Lives for gear Join Date: Aug 2005 Location: London UK
Posts: 880
| Quote:
__________________ "This is what I love about mixing though ...it's never the same twice"! | |
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| | #17 |
| Lives for gear Join Date: Mar 2005 Location: New York, NY
Posts: 1,607
| R-desser, Sony Oxford GML EQ, Fairchild or McDsp Compressor bank3. I also love the pultec plug from URS on vocals. |
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| | #18 | |
| Lives for gear Join Date: Jun 2003 Location: Gotham City
Posts: 640
| Quote:
urs fulltec is that one on vocals | |
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| | #19 |
| Gear Head Join Date: Jan 2006 Location: Dallas,TX
Posts: 57
| Nice Thred ![]()
__________________ Big Art GENESIS CAMP www.genesiscamp.com __________________ |
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| | #20 | |
| Gear Head Join Date: Feb 2006
Posts: 33
| Quote:
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| | #21 | |
| Lives for gear Join Date: Jul 2004 Location: Germany
Posts: 566
| Quote:
you could also try the rvox after the c4(you'll know if it's too much when it gets too harsh. like methlab said, it's great for in your face-stuff) and after that an eq if you still have too much going on in one area of the spectrum or need a lil boost(but that you have to find on your own because it really depends on the voice, mic, room, pre-amp, arrangement etc.) | |
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| | #22 |
| Lives for gear Join Date: May 2007 Location: Dublin
Posts: 2,020
| yeah, loving the C4 for starters on the vox track. i may now however start using the dynamic eq which i haven't even tried yet but i imagine it should yield better results. i love the RVOX comp but lately i've been using the Powercore CL1b plug and it's really transparent compression wise while also adding it's own vibe DEESSER is always after all the compression and EQ otherwise the compressor just brings it all back up again |
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| | #23 |
| Gear maniac Join Date: Oct 2007
Posts: 211
| For me the basic setup is SSL channel (using lpf, gate and eq) Uad 1176 Uad Deesser UAD Pultec (for air ometimes) Sometimes LA2a Usually I do vocals dry but when it comes to add some ambience, there are 3 my favs. 1. TC VSS3 (crazy verb) 2. UAD 140 (another nuts gizmo) 3. TC standard PC verb, don't remember the name (nothing wow but has nice and clear early) But I often go otb (not this thread:)) |
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| | #24 | |
| Lives for gear Join Date: May 2007 Location: Dublin
Posts: 2,020
| Quote:
sometimes i prefer to reach for classicverb though cos it can be quicker to get the result i'm looking for | |
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| | #25 |
| Gear nut Join Date: Mar 2006
Posts: 142
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| | #26 |
| Lives for gear Join Date: Jun 2005 Location: Miami FL
Posts: 6,828
| my chain of plugins usually goes like this EQ (just doing HPF and maybe a slight boost or cut here and there) Desser (if it needs it, usually do use it to some extent) Compressor (for rap, its usually an 1176) EQ (this is where i do the majority of EQing) sometimes the EQ and compressor are swapped so that the EQ comes first then possibly an L1 or RVox, or maybe some other sweetening plugin. didn't list specific plugins as i tend to change it up a lot, just trying different stuff. sometimes its just an EQ and compressor. depends on the song/performance and how it was recorded.
__________________ www.rbmixing.com |
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| | #27 |
| Gear addict | The I/O plug-in is my best friend, we play everyday. Oh we are talking about processing plug-ins? RVox and/or C4 and/or RCompressor and/or REQ But since I started using outboard compressors for all my mixes I can't go back to plug-ins, to me its a night and day difference. I will use software EQs all day long but when it comes to my dynamic range its a different story.. |
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| | #28 |
| Gear addict Join Date: Aug 2005
Posts: 358
| rvox eq-7 ssl4k eq api 560b(sometimes) tl space for verb
__________________ www.myspace.com/nsp904 |
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| | #29 |
| Lives for gear Join Date: May 2008 Location: Houston/Paris
Posts: 1,047
| Compressor : RVox Eq: Wave VeQ 4 De-esser: Rde-esser sometime a limiter. Lexicon 480L or Rverb
__________________ Multi Platinum...because it's better then gold;) www.mickaelmusic.com http://www.openlabs.com/mickael.html Live Web Cam from the Studio |
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| | #30 |
| Gear maniac Join Date: Mar 2008 Location: Montreal
Posts: 287
| I see alot of people are liking C4... i think i'm gonnna try it ![]() Usually i'll use something like this For Lead Vox URS 1970 or R VOX DDMF IIEQ PRO Wave De-Esser or Spitfish URS API serie or A-10 or URS Fulltec L-1 I'll usually bus all my back Vocals and put the VC-64 ( Repack kearjhus GAC for sonar) in multi mono. I often put PSP Mixsaturator on Vox buss Classic delay and ArtAccoustique Reverb are usually the go to. I also use Doubbler qui a lot or Super Tap 2 with modulation -Alxi- |
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