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| | #91 |
| urumita Joined: Nov 2002 Location: Spoleto, Italy
Posts: 2,381
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I've used EQ3 and dynamics3 (use your ears) to great success. DVerb is a bit lame and needs to be sweetened up a bit, but useable in a pinch (HPF, delay, 3 band eq, dynamics{envelope generator})
__________________ love and light |
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| | #92 |
| Gear interested Joined: Feb 2010
Posts: 11
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I bet if someone like Tony Maserati was challenged to produce a commercially viable song using a stock installation of Cubase 5, Waves plugins, and some high end monitors he could do it. In fact I bet he could do it with Cubase 5 alone. Anyway, the gear and DAW will not matter if you don't have the listening experience, ears, studio treatment,mixing knowledge, etc;. I think it all starts with a mastery of all the fundamentals... just like basketball. Really, who cares if you can dunk if you can't make a layup or shoot a jump shot from three feet away? Knowing the science of sound alone is half the battle if you ask me. What is phase cancellation? What is panning law? What does peak VU mean? Why do some bass guitar notes make your studio rumble and others don't? What is sibilance? How does low energy affect a mix? How is gating used in hip hop ? How is sidechain compression used in dance music? These are just a few examples of fundamental questions any good producer should be able to answer. I think once you get all the fundamentals down and put them into practice and get a wide variety of projects under your belt, you can produce good mixes on just about anything. Just my .02 |
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| | #93 |
| Gear interested Joined: Sep 2009 Location: Maryland
Posts: 11
| Pro tools HD
Hell ya HD is where its at. |
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| | #94 | |
| Lives for gear Joined: Jul 2009
Posts: 749
| Quote:
Hans Zimmer uses Cubase. Lots of musicians do. | |
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| | #95 |
| Gear interested Joined: May 2010 Location: Detroit
Posts: 7
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If you want good quality sounds and great virtual instruments then Pro-Tools is the way to go HOWEVER with out a demo to get you started good luck.I have been recording with Adobe Audition for 15 years and it's a lot easier to work with and editing is fantastic, infact it has very important tools that I can't find in PT yet.I find that all Pro Tools is, is great sounds in a regular recording software. you could put PT sounds in Audacity which is free and it would sound like a million bucks.
__________________ What sounds good to you , IS GOOD! |
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| | #96 | |
| Gear Guru Joined: Jun 2005 Location: Miami FL
Posts: 10,066
| he sequences in Cubase, and records to Pro Tools ![]() Hans Zimmer-Teamwork Helps Create Scoring Magic Quote:
__________________ Stuff for sale Korg TR Rack JV Expansion Cards-HipHop, World, Latin, Country SRX Expansion Cards-Symphonique Strings, Complete Orchestra, Dynamic Drums, Platinum Trax, Thread with pics... http://www.gearslutz.com/board/gears...ion-cards.html www.rbmixing.com | |
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| | #97 |
| 3 + infractions, forum membership suspended. Joined: Sep 2009
Posts: 162
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protoolshd will soon have a influx of dongle free, no digi hardware users, sell it while its still worth some money. expect protools questions to rapidly have a influx and when that happens you will all know why |
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| | #98 |
| Lives for gear Joined: Aug 2008 Location: Brisbane, Australia
Posts: 726
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| | #99 |
| Gear interested Joined: Oct 2008
Posts: 4
| The importance of being “the first”….. Never heard anyone say “ I have a Kodak from Nikon…” or a “Vespa from Honda ?”. PT was the first and although I don’t doubt the quality and sheer power (if you’re willing to pay for it) it doesn’t make it better or worse than the rest. I do believe that PT having a less open structure is it’s strength and weakness. An open DAW (Cubase/ Nuendo ,Logic, Sonar, DP…) has to be good, if not theoretically better, just to survive. Stating that Cubase is not used in a big commercial studio is not exactly correct and surely has nothing to do with the quality of the DAW. It’s a more music oriented version of Nuendo (I use both): no more , no less. So, if you want to join “the majority” and have access to all kind of (costly) hardware goodies made especially for your DAW: go PT by all means. I think the best thing about Pt is “the name”: perfectly chosen, makes any other brand sound “amateurish”. A bit like Behringers “Ultra” equipment (I have an ultra sexy wife, now if I only had the Pro-tools to….. )So, if a musician comes in and asks me if I’m using Steinberg’s Nintendo , I’ll ask if he uses P (read:”pee”) tools. From that moment on we usually go about doing what’s more important than discussing both our toys: make music . ![]() (If he’s persistent on proving a point than I usually interrupt and ask if we can record in 32 bit or should I lower the quality to 24 bit? .I know, one can easily discuss about “32 bit floating versus the 24 fixed” but it sure kills a useless discussion. By the way: the first time I’m using smiley’s…I’m overdoing it a bit no? JM |
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| | #100 |
| Gear Head Joined: Aug 2009
Posts: 55
| Pro Tools HD is the Best
look at it this way: Having Pro Tools HD is like being the guy with the huge d!ck. The guys with the little d!cks (in our case, the guys with the other DAWs) bash Pro Tools all day. If you were to offer them a fully tricked out Pro Tools HD 3 system, they would jump at the chance to have it!!! Who WANTS a little d!ck right? But when you open up your studio and your massive cock of a DAW (Pro Tools HD) comes rolling out and thumps these guys in the head, these little d!ck guys feel REAL inefficient and then have cock envy. And what do the little d!ck guys always say in embarrassment? Yep. You guessed it. "It's not the size of your tool, its the way you use it". Who else is notorious for saying the same exact thing? Yep, the guys with NO Pro Tools HD. |
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| | #101 | |
| Lives for gear | Quote:
![]() This belongs on the first page of the Avid website. | |
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| | #102 | |
| Lives for gear Joined: May 2004 Location: Boca Raton FL
Posts: 3,955
| Quote:
TH | |
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| | #103 |
| Gear maniac |
I used to work with Nuendo for 2 years and latter had to switch to PT because of Uni. For me Nuendo offers FAR MORE COMFORTABLE AND COMPREHNSIVE editing and mixing functions. Therefore PT delay compensation problems SUCKS compared to Nuendo. For routing and other flexibility problems I would use mergin Pyramix rather than PT. I have to use PT just because it is installed in most studios where I work ...
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| | #104 | |
| Lives for gear Joined: May 2004 Location: Boca Raton FL
Posts: 3,955
| Quote:
Hopefully that's changed.Re Delay Compensation, I don't know. I have no idea how they are cutting hit after hit and movie after movie in PT if it's a huge problem. TH | |
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| | #105 |
| Gear nut Joined: Apr 2006 Location: the netherlands
Posts: 117
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| | #106 |
| Lives for gear Joined: Apr 2007 Location: New York
Posts: 2,425
| Pro Tools is ballin' alright. Ballin' me so hard I switched to another DAW after being a loyal PT user for 10 years.
__________________ 2011 MacBook Pro i7 (2.0GHz Quad, 8GB RAM) | Studio One Pro 2.0.5 (64bit) | Pro Tools 9.0.6 | ProFire 610 |
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| | #107 |
| Lives for gear Joined: Apr 2007 Location: New York
Posts: 2,425
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| | #108 | |
| Lives for gear Joined: May 2004 Location: Boca Raton FL
Posts: 3,955
| Quote:
I use Logic so not defending PT, and I bounce offline all day. But I still have to check it. TH | |
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