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Old 5th February 2010   #1
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Unhappy Bridges: Yes/No?

I like bridges, but are a pain in my left cheek to do... It's like coming up with a whole new song without losing the vibe of what you have... It's not that I can't do them, it's just tryin to think outside, again, the box you're already are thinking out of... IDK, maybe I'm thinking too hard...

Some R&B, and even some pop songs, have "naked" bridges... But, producers like the Underdogs, Max Martin, Danja are KINGS of great bridges... Do you feel the same or do you even care about bridges? I know some songs are just verse, chorus, verse, chorus and can be great if the beat is well executed along with the melody...
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Old 5th February 2010   #2
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I like bridges, but are a pain in my left cheek to do... It's like coming up with a whole new song without losing the vibe of what you have... It's not that I can't do them, it's just tryin to think outside, again, the box you're already are thinking out of... IDK, maybe I'm thinking too hard...

Some R&B, and even some pop songs, have "naked" bridges... But, producers like the Underdogs, Max Martin, Danja are KINGS of great bridges... Do you feel the same or do you even care about bridges? I know some songs are just verse, chorus, verse, chorus and can be great if the beat is well executed along with the melody...
Those producers work with many different musicians on their projects as well. Songs are very rarely produced by a one man show. Find somebody who can bring a new ear to the equation. Simple. A bridge doesn't necessarily have to change the structure of the beat. Drop the main melody and letting the backing harmonies or the counter melodies stay can do the job. Then it's up to the song writer and performer.
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Old 5th February 2010   #3
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Yes; I like good bridges (unless it's an uptempo dance tune or rap in which case it's not necessary). Hard to explain, but without them it feels like the story hasn't been completely told; just feels like there is something "missing"...and the song didn't cover all bases.

But bridges are so 20th century, the craze of the 21st century is going to be interludes.
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Old 5th February 2010   #4
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Quote:
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Songs are very rarely produced by a one man show.
Actual songs on the radio, definitely. Tons of people contributing.
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Old 5th February 2010   #5
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Actual songs on the radio, definitely. Tons of people contributing.
Not today's radio, yesteryears radio, hence all the crud
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Old 5th February 2010   #6
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I always put a bridge in my rap beats. Deepens the musical journey for everyone from the listener to the rapper.
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Old 5th February 2010   #7
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the more u try the better u get. a bridge doesnt have to be tht complex tho. just make tht part climax.
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Old 5th February 2010   #8
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Ive been recording a rap/alternate rock/blues album and have a bridge of some sort on damn near every song, but I think it should definitely be lead instrument driven.

First two singles: Take Vienna
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Old 5th February 2010   #9
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for hip hop?

no.
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Old 5th February 2010   #10
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Isn't the song form for hiphop/rap-> A A A A ? ( then just copy/paste )
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Old 5th February 2010   #11
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if the beat and mc both are top notch... yes.

if not... then you probably going to need more ''dressing''
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Old 5th February 2010   #12
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That's why people like Dre and Tim are top notch producers... Most tracks you hear from them definitely have bridges... Dr. Dre with Eminem especially...
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Old 5th February 2010   #13
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i think a bridge or a middle eight is a great way of adding energy to the hook.
It often brings the hook forward and if you have a good hook it will stand out more.

But i feel the same as you , i try to make the bridges distinct so the change the feel of the track for a brief moment , sometimes it works sometimes it don't , then i just go the easy way and bring in the drums and maybe a melody before going into the last Chorus.
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Old 5th February 2010   #14
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a nice way of building bridges without getting a headhache is to switch to the relative minor/major.
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Old 5th February 2010   #15
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Or switch chords around. I love bridges. Especially the bridges that breakdown to just the beat and graduatly all the instruments come back in again...
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Old 5th February 2010   #16
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I love bridges.. My personal style is building up and up.. However I like dropping elements sometimes too, what you referred to as 'naked'. Sounds hot sometimes, not great other times...

Maybe try other instruments, or messing with the current instrument you have in a different way, chop it up twist it around :D

The great thing about dropping elements out is when you bring the chorus in and drop the elements back WITH more, it sounds awesome.
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Old 5th February 2010   #17
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Quote:
Originally Posted by beat you down View Post
for hip hop?

no.

raps can have bridges too. doesnt have to be a full blown elton johnesque but something to create a climax and resoltution.
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Old 5th February 2010   #18
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sure.

all i'm saying... you don't need to if the mc and beats are up to par.

in the end... it all depends but i like to stick to certain boundaries / restrictions.
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Old 5th February 2010   #19
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Quote:
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Not today's radio, yesteryears radio, hence all the crud
That's not true. Pretty sure that Timbaland has a big team, same with Danja and others. I am working on a song where 4 people are contributing.
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Old 5th February 2010   #20
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Quote:
Originally Posted by voicegenius View Post
I like bridges, but are a pain in my left cheek to do... It's like coming up with a whole new song without losing the vibe of what you have... It's not that I can't do them, it's just tryin to think outside, again, the box you're already are thinking out of... IDK, maybe I'm thinking too hard...

Some R&B, and even some pop songs, have "naked" bridges... But, producers like the Underdogs, Max Martin, Danja are KINGS of great bridges... Do you feel the same or do you even care about bridges? I know some songs are just verse, chorus, verse, chorus and can be great if the beat is well executed along with the melody...
Dude, don't fret so much I used to be kinda confused about what to do with bridges but its pretty easy... Use little cmpositional tricks here and there and keep it natural and single. SInce ur a singwriter, jsut sing out your chorus and see where you naturally end up freestyling for a bridge and get it down on the keys.

Underdogs have some more complex RnB bridges which are nice but not necessary, that sound is even not in style

Martin uses the good old pop trick you should know bout, go to the 6th for the first chord and do a simple new progression form there! Also the infamous dim7 going up the keys at the end lol... take a look at Dr. Luke tracks like "Right Round" "Tik Tok" and you will know exactly what I am talking about

Danja- honestly, hes more of a breakdown guy lol... not sure what bridges you really were imrpessed by
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Old 5th February 2010   #21
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Quote:
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Dude, don't fret so much I used to be kinda confused about what to do with bridges but its pretty easy... Use little cmpositional tricks here and there and keep it natural and single. SInce ur a singwriter, jsut sing out your chorus and see where you naturally end up freestyling for a bridge and get it down on the keys.

Underdogs have some more complex RnB bridges which are nice but not necessary, that sound is even not in style

Martin uses the good old pop trick you should know bout, go to the 6th for the first chord and do a simple new progression form there! Also the infamous dim7 going up the keys at the end lol... take a look at Dr. Luke tracks like "Right Round" "Tik Tok" and you will know exactly what I am talking about

Danja- honestly, hes more of a breakdown guy lol... not sure what bridges you really were imrpessed by
That 6th you're talkin bout would probably do the trick 90% of the time... Yeah, idk know why I said Danja... maybe because I was just listening to "Get Naked" even tho that has no bridge either... chords in there are sick!
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Old 5th February 2010   #22
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Quote:
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That 6th you're talkin bout would probably do the trick 90% of the time... Yeah, idk know why I said Danja... maybe because I was just listening to "Get Naked" even tho that has no bridge either... chords in there are sick!
they are, hit me up i will show u soem other tricks with bridgeslol
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Old 6th February 2010   #23
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Originally Posted by voicegenius View Post
I like bridges, but are a pain in my left cheek to do... It's like coming up with a whole new song without losing the vibe of what you have... It's not that I can't do them, it's just tryin to think outside, again, the box you're already are thinking out of... IDK, maybe I'm thinking too hard...

Some R&B, and even some pop songs, have "naked" bridges... But, producers like the Underdogs, Max Martin, Danja are KINGS of great bridges... Do you feel the same or do you even care about bridges? I know some songs are just verse, chorus, verse, chorus and can be great if the beat is well executed along with the melody...
Creating a great bridge seperates the men from the boys..the pros from the amateurs......
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Old 6th February 2010   #24
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for hip hop?

no.
Why not??
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Old 6th February 2010   #25
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That's why people like Dre and Tim are top notch producers... Most tracks you hear from them definitely have bridges... Dr. Dre with Eminem especially...
Thats one of the reasons they are hit producers...sort of.
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Old 6th February 2010   #26
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Why not??
from my point of view...

with (traditional) hip hop... less is more... you don't need all the dressing.

but... only if both the mc and beat are hot.

for instance.... to a ''real'' musician this must the most boring piece ever.... to hip hop dudes.... a classic... a hot loop, a hot mc and some extra nice cuts... that's it!



or...




dress these up with bridges, solos whatever... and end up with some corny !@$$%@##!
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Old 6th February 2010   #27
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Originally Posted by beat you down View Post
from my point of view...

with (traditional) hip hop... less is more... you don't need all the dressing.

but... only if both the mc and beat are hot.

for instance.... to a ''real'' musician this must the most boring piece ever.... to hip hop dudes.... a classic... a hot loop, a hot mc and some extra nice cuts... that's it!



or...




dress these up with bridges, solos whatever... and end up with some corny !@$$%@##!
I agree,of course.
bridges would be totally out of place in this instance.

Reminds me of when I went to NYC to meet with Keith Sweats producer when KS was getting ready for his second album.
I played him some songs and he said.."why you cats from Philly always gotta put that CHANGE in there??
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Old 6th February 2010   #28
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I agree,of course.
bridges would be totally out of place in this instance.

Reminds me of when I went to NYC to meet with Keith Sweats producer when KS was getting ready for his second album.
I played him some songs and he said.."why you cats from Philly always gotta put that CHANGE in there??

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Old 6th February 2010   #29
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I like bridges but it depends on what I'm doing to use one. R&B always. Hip Hop with samples probably not. Hip Hop with keyboards and pop stuff more then likely.
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Old 7th February 2010   #30
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Heres an easy example of a bridge for a nice,mid tempo 95BPM r&b joint in the key of C...with each chord held for one bar each.

E minor 7flat 5/ E 7#9/A minor 9/A minor 7/Cmajor 7/Fmajor 7 /G sus4/G
Trick is, is that you've gotta figure out the chords for the verse and hook to make that bridge work.
Try it!!
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