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| | #1 |
| Gear maniac Join Date: Feb 2008
Posts: 250
| What should be my next $1000 purchase? What should I spend $1000 on? This is what I have right now. A crew of incredibly dope MC's ![]() Shure SM7B Avedis MA5 Mbox 2 W/PT LE Massey Plug ins Homemade PC. 3.4 Ghz, 2 GB Ram, 120 GB HD. Windows XP. A pretty well treated room with a "booth" made of pvc and moving blankets and DIY Rockwool bass traps. I'm thinking of the EL8 Distressor or a Digi 002 W/Black Lion Audio mod. What's more important, Compression or Conversion and a good clock? What will improve my sound more dramatically? I am tired of the pre's and converters on the Mbox screwing up the sound of my S950 and timing of my MPC60.
__________________ "If I don't like it I dont like it, that don't mean that I'm hatin." ![]() " border="0" /> |
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| | #2 |
| Lives for gear Join Date: Jun 2009
Posts: 2,749
| Compressor and/or get rid of PT LE and get a proper, fully featured, non-crippleware DAW. |
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| | #3 | |
| Gear maniac Join Date: Feb 2008
Posts: 250
| Quote:
What "non"cripple ware do you suggest?
__________________ "If I don't like it I dont like it, that don't mean that I'm hatin." ![]() " border="0" /> | |
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| | #4 |
| Gear interested Join Date: Dec 2009
Posts: 22
| I am at a similar cross roads myself. I must admit though for the money the digi 003 i think it is you get the input device and the control surface and software. In the UK I think its around£1300. It all works together and has been designed to work together. Where as Logic and Cubase don't seem to have a specialised mixing surface other than the Mackie. Sometimes I just think sod it I will just buy a hardware all in one for recording as the mind just boggles with the choices. |
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| | #5 |
| Gear maniac Join Date: Dec 2009
Posts: 212
| I would spend that $1000 on a theremin. And then make a record nobody's ever heard before. Best of luck, I look forward to hearing it when you've finished. |
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| | #6 | |
| Lives for gear | Quote:
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| | #7 | |
| Gear maniac Join Date: Feb 2008
Posts: 250
| Quote:
Whats goin in with the soul vibe crew Keylay? Yea, ima fan.
__________________ "If I don't like it I dont like it, that don't mean that I'm hatin." ![]() " border="0" /> | |
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| | #8 |
| Gear maniac Join Date: Feb 2008
Posts: 250
| For sure. Matter fact, lemme run out to walmart and grab some pt hd real quick. i think its in the same isle as the thermins.
__________________ "If I don't like it I dont like it, that don't mean that I'm hatin." ![]() " border="0" /> |
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| | #9 |
| Gear nut Join Date: Dec 2007 Location: Austin TX
Posts: 79
| you have an mpc 60 so you make beats too. i'm at a point where i've got money to burn on equipment that i have deliberated long and hard to the brink of obsession. i think the money spent buying a distressor would be better spent on creative tools rather than processing tools. check out battery from NI, get an analog synthesizer, juno-106, dave smith mopho, buy some serious sample libraries. in my experience, outboard compression on an emcee can be your worst enemy. the session starts out rather calm with the rapper getting into their comfort zone. you spend some takes setting levels and off the session goes. ten takes later everyones excited it sounds great the energy is tremendous and the takes are perfect. now its time to mix, what youdidnt realize is the last takes had som much energy they got louder and you forgot to turn the gain on your mic pre down, the levels looked the same in the DAW but the compression you had origionaly set to a cool -3db is has now begun peaking at -7db. the ratio attack and release times were not set for that amount of compression and the takes wont sit well no matter how you mix the track. that $1500 compressor you lusted after has now worked against you and you wish you had bypassed it completely. I never could have imagined the day i wished the LA-2A wasn't in my vocal chain, but that day inevitably arrived. equally surprised i was the day i recieved my novation bass station and realized that an old $250 rackmount synthesizer had helped the quality of my production, in turn feeding the appetite of my emcees, beyond what i could have imagined. Besides if you've recorded good takes cleanly with good mic techniques, spend that money mixing in a big studio with all of the great pieces of gear and you will have a serious record. |
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| | #10 |
| Lives for gear Join Date: May 2005
Posts: 1,109
| buy a midi manual. LOL sorry you walked right into that one (inside joke folks)
__________________ "but if i put it in a verse, yall would rather listen to some bullsh*t first" |
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| | #11 |
| Lives for gear Join Date: Jun 2009
Posts: 2,749
| I don't know what problems you're having with timing etc, but I would bet it is due to the fact that PT LE does not have built in delay compensation. No need to buy PT HD. I'd switch to Logic if you're on mac (just because it comes with a lot of synths and processes that might be handy for hip hop) or Sonar on PC. After that, if you still want to pick up an outboard compressor, you will have to dump the MBox next because as I understand, it only has two outputs (l/r) which you need to monitor playback with. If you're planning on bouncing out to hardware, you need something that has at least 4 outputs (2 for monitoring, 1 or 2 extra for bouncing). Personally, I'd get something like an AudioFire 4. Since you're doing hip hop, an 8 i/o unit is going to be pointless. Good luck. |
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| | #12 |
| Gear maniac Join Date: Feb 2008
Posts: 250
| Hahaha.
__________________ "If I don't like it I dont like it, that don't mean that I'm hatin." ![]() " border="0" /> |
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| | #13 |
| Gear nut Join Date: Nov 2009 Location: Australia/QLD/Sunshine Coast
Posts: 83
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| | #14 |
| Gear Head Join Date: May 2006
Posts: 46
| get the EL8 Distressor! i got mines for 1050 brand new out the door at gc pro |
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