Gearslutz.com

All Advertisers
Go Back   Gearslutz.com > The Forums > Rap + Hip Hop engineering & production


New Reply New Reply Thread Tools Search this Thread
Old 12th November 2009   #1
Lives for gear
 
slaves666's Avatar
 
Join Date: Sep 2005
Location: Montreal
Posts: 2,155

Thread Starter
Send a message via AIM to slaves666
Mix-Tape - Mixing issue...

So I am mainly a rock producer/mixer but I have been doing a lot of Hip-Hop lately, which I love, but clients keep coming in with poor sounding beats, and rips from the internet and want me to make mix-tapes with them rappin all over the different backing tracks.

Is there a certain way you deal with all the volume/loudness/crappy sounding fluctuation between all the backing tracks. I need all the backings to be solid.
slaves666 is offline   Reply With Quote
Old 12th November 2009   #2
Lives for gear
 
Lrmusic's Avatar
 
Join Date: Aug 2009
Posts: 2,989

Mixtape mixing

Volume fluctuations? Good compression I suppose; automation if it's real bad. Or you can craft some of the terrible sounding stuff into the beat itself (automate drops or slap filter + fx automation over the whole track if it's a 2track). Creatively try and sculpt the weaknesses into the song would be my suggestion. See if the artists are willing to let you layer other sounds over it (transition sound fx etc), it's probably not even worth arguing over production credits (whatever small %) because a good mix will strengthen your reputation. Splitting a 2-track into different frequency bands, and treating them differently might be worth trying.
Lrmusic is offline   Reply With Quote
Old 12th November 2009   #3
Lives for gear
 
Storyville's Avatar
 
Join Date: Jan 2008
Location: Philly/New York
Posts: 4,775

My suggestion is do a quick clean up on the vocals, turn the beat down to where it matches best - limit up if need be - call it a day. Mixtape work is supposed to be cheap, not great.
__________________
I have a new website - check it out:

www.Weiss-Sound.com

Member of The Pyramid Recording Collective. Grammy Nominations, Platinum & Gold credits, yeah... we got that.
Storyville is offline   Reply With Quote
Old 12th November 2009   #4
Lives for gear
 
phillysoulman's Avatar
 
Join Date: Jan 2008
Location: The City Of Brotherly Love And Sisterly Affection
Posts: 8,139

Quote:
Originally Posted by slaves666 View Post
So I am mainly a rock producer/mixer but I have been doing a lot of Hip-Hop lately, which I love, but clients keep coming in with poor sounding beats, and rips from the internet and want me to make mix-tapes with them rappin all over the different backing tracks.

Is there a certain way you deal with all the volume/loudness/crappy sounding fluctuation between all the backing tracks. I need all the backings to be solid.
So,what else is new??
phillysoulman is offline   Reply With Quote
Old 12th November 2009   #5
Lives for gear
 
JaeOne3345's Avatar
 
Join Date: May 2005
Posts: 1,310

Quote:
Originally Posted by slaves666 View Post

Is there a certain way you deal with all the volume/loudness/crappy sounding fluctuation between all the backing tracks. I need all the backings to be solid.
Sacrifice a couple bucks and tell those suckas to step their game up for the sake of hip hop.



I'm kidding (kinda).
__________________
"..but if i put it in a verse, y'all would rather listen to some bullsh*t first.."
JaeOne3345 is offline   Reply With Quote
Old 12th November 2009   #6
Lives for gear
 
Lrmusic's Avatar
 
Join Date: Aug 2009
Posts: 2,989

Quote:
Originally Posted by JaeOne3345 View Post
Sacrifice a couple bucks and tell those suckas to step their game up for the sake of hip hop.



I'm kidding (kinda).
Agree; but the best need the bad to be better than the rest, if the rest had success than "the best" would mean less

(answer in rhyme format only plz :D)
Lrmusic is offline   Reply With Quote
Old 12th November 2009   #7
Lives for gear
 
slaves666's Avatar
 
Join Date: Sep 2005
Location: Montreal
Posts: 2,155

Thread Starter
Send a message via AIM to slaves666
thanks for all the help....

I assume this is a common thing so I figured maybe there was a few tips and tricks I could use.

I already have the SSL buss and an L3 on the track, pretty much pushing everything into place....but since every track reacts differently, maybe I should switch the order, and see if that levels things out better....

I'd love to create beats and such, but I really have no time, just all the vocals that need to be done, keep me busy enough.
slaves666 is offline   Reply With Quote
Old 12th November 2009   #8
Lives for gear
 
bgrotto's Avatar
 
Join Date: May 2005
Location: Slum-a-ville, Mass
Posts: 6,183

Send a message via AIM to bgrotto
On mixtapes, it's bad sounding 2-track beats.

On albums, it's everything from low-quality two-tracks to poorly-arranged multitracked beats to just plain bad recordings.

In other words, it's par for the course and an aspect of mixing the style that, unfortunately, you need to get used to (and get good at!!).

Best of luck!
bgrotto is online now   Reply With Quote
New Reply New Reply Submit Thread to Facebook Facebook  Submit Thread to Twitter Twitter  Submit Thread to LinkedIn LinkedIn 



Thread Tools Search this Thread
Search this Thread:

Advanced Search

Similar Threads
Thread Thread starter Forum Replies Last Post
Tape Op issue 21 with Mark Nevers....help! recall So much gear, so little time! 3 13th October 2011 11:03 PM
Tracking through tape to daw or mixing to tape? Ronski High end 38 13th November 2010 01:22 AM
Fluctuations in tape speed - what would be the issue? rekloos Geekslutz forum 20 15th November 2009 08:41 PM
Tape transfer-Phase Issue craigmorris74 Mastering forum 13 22nd March 2009 06:06 PM
(ITB mix to tape) vs (analog mix no tape) davehall6162 High end 2 27th April 2006 01:31 PM


All times are GMT +1. The time now is 06:10 AM.

 
 
Powered by vBulletin®
Gearslutz.com Limited - UK Company Number 7597610.
Registered Office: 35 Ballards Lane, London, N3 1XW.

SEO by vBSEO ©2010, Crawlability, Inc.