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Side chaining

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Old 16th June 2009   #1
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Side chaining

Are most produces / mixers here side chaining the low end or
are you getting better results leaving room in the arrangement
for the low end to come through ?
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Old 16th June 2009   #2
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can you explain in a little more detail of what you want to know more about? are you asking about ducking?
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Old 16th June 2009   #3
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Quote:
Originally Posted by Paul EQ View Post
Are most produces / mixers here side chaining the low end or
are you getting better results leaving room in the arrangement
for the low end to come through ?
One doesn't really "side chain the low end"...the question is a bit confusing. What exactly are you asking?
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Old 16th June 2009   #4
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Quote:
Originally Posted by Paul EQ View Post
Are most produces / mixers here side chaining the low end or
are you getting better results leaving room in the arrangement
for the low end to come through ?
I think you mean sidechain compression when mixing a kick drum and a bass?
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Old 16th June 2009   #5
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Quote:
Originally Posted by syntheticrhyme View Post
I think you mean sidechain compression when mixing a kick drum and a bass?
Yep thumbsup
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Old 16th June 2009   #6
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Does it matter? I think you should try it and see if it works for you. If it doesn't find another approach.
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Old 16th June 2009   #7
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Sidechain and key inputs can be helpful sometimes. I like to experiment with them on occasion.
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Old 16th June 2009   #8
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I almost never sidechain kick/bass. I'm trying to remember the last time I had to do that... nope, can't remember, must have been a LONG time ago.
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Old 16th June 2009   #9
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Side-chaining the kick & bass can be really helpful when you're working with subsonic bass tones (think Dilla's bass lines around the 98-'02 era). I know i use "ducking" quite often but only ever in subtle amounts.
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Old 16th June 2009   #10
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I duck the subbass some for pointy kicks to come through, but only in certain types of arrangements. It's all about which type of sound the song is calling for.
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Old 17th June 2009   #11
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It depends on what you're trying to achieve.

A lot of dance/pop producers are using this method to create a pumping and energetic basslines and other sounds. Remember Benny Benassi - Satisfaction? Or that tune Poker Face? Phwoah - excessive but it works!

I regularly use some soft ducking to make sure the kick and bassline fit into the mix.


Less is more with compression.
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