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| | #1 |
| Gear addict Join Date: Mar 2007 Location: West "Ma' ****in" Oakland
Posts: 499
| To Dither Or Not To Dither? That Is "My" Question Yes, no? And if so, why? And what if my software doesn't have a dithering option?
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| | #2 | |
| Lives for gear | Yes. Please use the search engine (either here on GS or on the internets) It does.
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| | #3 |
| Gear addict Join Date: Mar 2007 Location: West "Ma' ****in" Oakland
Posts: 499
| All good! Got it, thanks!
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| | #4 |
| Lives for gear Join Date: Jan 2008 Location: The City Of Brotherly Love And Sisterly Affection
Posts: 6,420
| Dithering basically converts your stereo mixdown to a 16 bit format for the purpose of creating a cd. |
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| | #5 |
| Lives for gear | |
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| | #6 | |
| Lives for gear | Sonar doesn't? I find that hard to believe. EDIT: Just to be clear, in another post, the OP said he uses PT.
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| | #7 |
| Lives for gear Join Date: Jun 2007
Posts: 691
| would you dither if you were going from 32 to 24? Just wondering. And how is pro tools dithering compared to 3rd party converters??? |
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| | #8 |
| Lives for gear | sonar home studio 4 does not. i have never taken the time to buy the full version of sonar |
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| | #9 |
| Lives for gear | why go from 32 to 24 instead of 32 to 16 |
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| | #10 | |
| Gear addict Join Date: Nov 2007 Location: New Orleans, LA
Posts: 490
| Quote:
as i understand it. .
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| | #11 | ||
| Lives for gear | Quote:
Dither adds low level noise to keep the last couple bits "moving" (toggling between 1 and 0) which, as you mentioned, helps eliminate low-level distortion.
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| | #12 |
| Lives for gear Join Date: Jun 2007
Posts: 691
| some daw's record in 32. Weird thing about FL is that it's does 16 and 32 but not 24. It can play and export as 24 but not record to it. Anyone care to answer the PT's question about it's dithering??? How does it compare to other 3rd party converters? This goes both ways too as far as up converting from 16 to 24 in PT? |
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| | #13 | ||
| Lives for gear | Quote:
Years ago, a mentor told me to use POW-r dither, so I do. He even told me which types to use for which styles of music, but I've since forgotten. I know I've seen a Bob Katz (at least, I'm pretty sure it's Bob Katz) article about it on the innerwebs, though, if you're curious. Anyway, I'm sure any other dither program would be fine for my purposes - since I only use it to make reference mixes, not final masters - provided I don't hear it (the Waves one is the only one I've ever been able to consistently hear, BTW). In other words, I wouldn't stress about it too much. EDIT: One more thing - I don't think it's quite right to think of dither as a "convertor", like you mentioned above. All dither is is noise.
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| | #14 |
| Lives for gear Join Date: Jun 2007
Posts: 691
| yeah true but what i ment was "converting" one bit rate to another. But it did sound like it was some kinda of a/d d/a type of rhetoric. |
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| | #15 | |
| Gear addict Join Date: Nov 2007 Location: New Orleans, LA
Posts: 490
| Quote:
SRC (of course) - is sample rate conversion - bit depth is something different - and dithering is specific to bit rate reductions. i do like the "keep the bits moving" description though. peace. .
__________________ Hobson "The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side." - Hunter S. Thompson | |
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| | #16 |
| Lives for gear Join Date: Jun 2007
Posts: 691
| so how does up bit "converting" effect the sound. 16--->24 is it like recording a 16 bit sound (mpc in some cases)? I'm assuming it's not. |
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| | #17 |
| Lives for gear Join Date: Jun 2005 Location: Miami FL
Posts: 8,728
| yes, i use dither when bouncing something to 16 bit from 24. i also check "apply dither" to fades. this is a feature in pro tools, dunno about other DAWs.
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| | #18 | |
| Gear addict | Quote:
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| | #19 | ||
| Lives for gear | Quote:
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| | #20 | |
| Lives for gear | Simple: It doesn't. The original 16-bit files are still only using 16 bits; by converting them you're basically stacking another 8 unused bits on top.
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| | #21 |
| Lives for gear Join Date: Jun 2005 Location: Miami FL
Posts: 8,728
| don't think so...look at his links in his signature. ![]() ![]()
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| | #22 |
| Lives for gear | |
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| | #23 |
| Lives for gear Join Date: Jun 2007
Posts: 691
| does it give you more flexibility while processing in a 24 88.2 poject or not really considering the original is 16 44.1. So does that extra info allow you to push plugs harder without artifacts per say? |
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| | #24 |
| Lives for gear Join Date: Jun 2005 Location: Miami FL
Posts: 8,728
| no, and no.
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| | #25 | |
| Lives for gear | The plugins themselves will sound better at higher sampling rates (they operate at whatever bit depth they're designed to operate at, regardless of the audio you're inputting), but you can't push them any harder. That's about it.
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| | #26 |
| Lives for gear Join Date: Jul 2004 Location: Philly
Posts: 1,000
| A friend of mine was trying a few different types of dither on his project and G Massenburg walked in and asked "Why are you adding noise to your mix?" Now, I know the scientific answer to that, but that doesn't compel me to say the answer is always to use it... or not. |
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| | #27 | ||
| Lives for gear | Quote:
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| | #28 |
| Gear addict Join Date: Jul 2006 Location: Stockholm
Posts: 365
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| | #29 | |
| Lives for gear | BTW - there's a cool discussion going on in the mastering forum about this topic: Dithering to 24 bits for mastering? There are a lotta people over there with a lot more experience, so you may wanna re-locate you attention to that thread.
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| | #30 |
| Gear addict Join Date: Mar 2007 Location: West "Ma' ****in" Oakland
Posts: 499
| So am i putting the dither plugin on the master fader when the project is in the multitrack stage?
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