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| | #1 |
| Lives for gear | Poor etiquette from prospective clients. This past year or so I've been getting emails and PMs damn near every day from various rappers and beatmakers asking me for my engineering/mixing/production rates, to which I always politely reply with a detailed description of exactly what the service entails and list of rates and options. Nine out of ten times, I never hear a response back; am I the only one that feels this is rude? Is it so difficult to respond with as little as a "Thanks for your time"? When I'm in the similar position of calling around town to hammer out logistics for my clients' records, not returning calls to studios and mastering engineers with whom I've been in touch would certainly reflect poorly on me in the professional community. Even a simple "thanks, but no thanks" works. Maybe it's the Midwestern-raised politeness my mother beat into me as a little kid, but these non-responses strike me as rude and unprofessional. ![]() This rant belongs in the Moan Zone, I suppose, but oddly enough, this all seems to happen almost exclusively with the rap/hip-hop set. What's up with that?!? ![]() My mother would be very disappointed in you. Not angry, just disappointed. ![]() ![]()
__________________ In the can/on the horizon: Aerosmith, Jules Shear, The Dresden Dolls, James Montgomery, Steve Smith, Solace, Jim Jones, Mike Stern, Smif n Wessun, DJ Kurrupt, Dave Weckl, Dixie Witch, Dipset, The Skatalites, Roadsaw, Tony Furtado, Ironweed, Never Got Caught (Clutch and Tree), Elisabeth Whithers, etc, etc, et ceteraaaa... |
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| | #2 |
| Gear maniac Join Date: Mar 2007 Location: PROVIDENCE
Posts: 221
| Lets face it, not every client you get is going to be professional. Alot of rappers that I record just don't take this rap thing serious. They THINK they do. But half of them just wanna hear their voice on an instrumental in their car. Those are the ones that won't return your call, would try to show up late and act like its nothing and want to start the studio time at the time they showed up, want you to mix AND MASTER the song for free (if they even know that they actually have to get a song mixed and mastered after its recorded), want to bring an enterouge of cats to the studio that only slow down production instead of make the production better....etc etc....must I go on? They think they're gonna blow up overnight. But then you get the respectable clients that follow the rules and are great to work with. Sucks that sometimes the disrespectful unprofessional clients have more talent than the ones you enjoy doing BUSINESS with. |
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| | #3 |
| Lives for gear | Ouch. The story of my life. At least with recording hip hop, that is. But that's Boston for ya (Providence, apparently, too!).
__________________ In the can/on the horizon: Aerosmith, Jules Shear, The Dresden Dolls, James Montgomery, Steve Smith, Solace, Jim Jones, Mike Stern, Smif n Wessun, DJ Kurrupt, Dave Weckl, Dixie Witch, Dipset, The Skatalites, Roadsaw, Tony Furtado, Ironweed, Never Got Caught (Clutch and Tree), Elisabeth Whithers, etc, etc, et ceteraaaa... |
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| | #4 |
| Lives for gear Join Date: Dec 2005 Location: Jersey
Posts: 657
| I wouldn't stress that at all... they asked a question, you replied to their question. To me, it is typical not to reply back if they aren't interested in your service...since business is done. The reply should only come if you plan to do more business together. To me, they are doing you a favor since you don't have to open and read a bunch of thank you e-mails. The other thing is that many of these people contacting you have no clue how much it probably costs and are shocked when you reply with your rates. |
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| | #5 |
| Lives for gear Join Date: Jun 2005 Location: Miami FL
Posts: 6,828
| i feel ya man. i get the same exact sh*t. doesn't really bother me too much.
__________________ www.rbmixing.com |
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| | #6 |
| Gear maniac | pretty standard for me too. although there are a few people that hit me back with a damn u charge too much response. what half these guys don't know is if they counter offered back, I'd probably go for it. |
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| | #7 |
| Lives for gear Join Date: Oct 2005
Posts: 1,045
| I've sent some PM's on GS asking about rates, I always thank and tell if I want to work now or "maybe later"... jus minimal politeness to me.
__________________ I'm not an engineer. |
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| | #8 |
| Lives for gear Join Date: Jan 2008 Location: The City Of Brotherly Love And Sisterly Affection
Posts: 2,773
| Some rapper type moron called and wanted to book four and a half minutes of time. Talk about stupid!! Most of the ones who call are just plain idiots who have absolutely no clue as to how its all done. Every now and then however,there is that "diamond in the rough" but they usually dont take it to the next level for one reason or another.
__________________ "Professionals Built The Titanic,But Amateurs Built The Ark" |
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| | #9 |
| Gear interested Join Date: Apr 2007 Location: NOLA
Posts: 18
| I know it's kind of different circumstances but when I shop my beats to artist; it's the same thing... Their like, "the track is bangin!" but then when it comes to the price I put out there with room to negoiate...I get no response. It's so weird that the responses I do receive and it's a done deal at the end of the day or by artist that really don't have the talent to back up their will power! |
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| | #10 | |
| Lives for gear Join Date: Dec 2004 Location: Atlanta
Posts: 954
| Quote:
__________________ "you know, while you're at it...what i miss more than anything else? i miss just working on music, for godsake. just hanging with musicians and figuring out what the hell to do. what the F**K is it when all we talk about is gear...gear...and more gear???" - GM | |
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| | #11 |
| Lives for gear | This business is like every other business so it shouldnt come as any surprise to anyone who's worked in another field. It is NO different. 10 leads turn into 3 appointments and 3 appointments result in one sale. 1 outta 10. That's Business/Sales 101. Play the Law of Averages (LOA!) game, NEVER count on any one specifically and keep your numbers up. If you have 4 guys sayin they gonna drop some loot then you probably wont get any of them (unless it's like $40) but if your network game is tight and you got 40 things out there between beats, recording and mixing then you're gonna keep eating cuz at least four of them are actually gonna come through. Too many people rely on that "one dude" who was talking big about bringing that money by "tomorrow" (why not today?) and end up so disappointed when shit doesn't turn out. I see a lot of that with young guys at the studios I frequent ... saw it last night actually. Keep it movin!
__________________ The Royalty - "Kings of the Keys" http://www.theroyaltybeats.com http://www.tonymission.com Got stupid hot beats?! http://soundcloud.com/theroyalty/dropbox |
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| | #12 | |
| Lives for gear | Quote:
)...I'm not counting on any of these people to hire me. I just think it's rude for them to not reply at all. Again, I'm expecting 90% of their responses (whether I actually hear back from them or not) to be "Whoa, too expensive...not for me!" I'd just like a simple "thanks for your time" or "hey, I got your reply, sorry we can't afford you right now". Or whatever. Ya dig?
__________________ In the can/on the horizon: Aerosmith, Jules Shear, The Dresden Dolls, James Montgomery, Steve Smith, Solace, Jim Jones, Mike Stern, Smif n Wessun, DJ Kurrupt, Dave Weckl, Dixie Witch, Dipset, The Skatalites, Roadsaw, Tony Furtado, Ironweed, Never Got Caught (Clutch and Tree), Elisabeth Whithers, etc, etc, et ceteraaaa... | |
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| | #13 |
| Gear addict Join Date: Mar 2008
Posts: 439
| Well uh.. maybe that's because this is the rap industry, my mother likes to call it "crap." A musical artform.. where most of the art lies with the beat maker, not the artist. I love rap, but this industry lacks etiquette and manors, period. I mean when you got rappers looking up to Camron and 50 Cent for inspiration, how much do you expect of them? That's why I never record people, I just make beats. FUUUCK workin with rappers.. let someone else deal with that bullshit.. when I come accross another Talib or Common, I might consider recording them. But I Don't do this for a living, so it's no stress. |
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| | #14 |
| Gear addict Join Date: Jun 2007
Posts: 438
| I find that everyone is in it for themselves/rude/selfish 95 percent of the time weather they are a peer engineer/producer/rapper or older younger. It's frustrating but **** it. Gotta just roll with it it's part of the biz. |
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| | #15 | |
| Lives for gear | Quote:
Just kind of to people in general and I guess reinforcing it with myself a bit since I had a couple things fall through today lol ![]()
__________________ The Royalty - "Kings of the Keys" http://www.theroyaltybeats.com http://www.tonymission.com Got stupid hot beats?! http://soundcloud.com/theroyalty/dropbox | |
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| | #16 | |
| Lives for gear Join Date: Nov 2005 Location: BrisVegas
Posts: 1,842
| Quote:
![]() PS. "Thanks for your time" ![]()
__________________ No matter WHAT you use, if you make a great song, gearslutz will start a thread asking about what you used, ... its funny, really... filterayok Jules, how do I put myself on Ignore? colinmiller I get a kick out of chaos. ![]() peeder | |
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| | #17 | |
| Lives for gear | Quote:
![]()
__________________ In the can/on the horizon: Aerosmith, Jules Shear, The Dresden Dolls, James Montgomery, Steve Smith, Solace, Jim Jones, Mike Stern, Smif n Wessun, DJ Kurrupt, Dave Weckl, Dixie Witch, Dipset, The Skatalites, Roadsaw, Tony Furtado, Ironweed, Never Got Caught (Clutch and Tree), Elisabeth Whithers, etc, etc, et ceteraaaa... | |
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| | #18 | |
| Lives for gear Join Date: Jan 2008 Location: The City Of Brotherly Love And Sisterly Affection
Posts: 2,773
| Quote:
__________________ "Professionals Built The Titanic,But Amateurs Built The Ark" | |
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| | #19 | |
| Gear nut | Quote:
artist, regardless of the genre, can be rude and vice a versa. with email and such, the line gets easily blurred by what's rude and what's not. i honestly don't see a problem with them not returning a thank you for the info/trouble, would it be nice? sure. but some really have an aversion to the whole email way of communicating (i know i do, and yet some of my peeps can only be reliably reached this way)
__________________ Trench Town 4 Life www.reverbnation.com/lostangelzproductions www.myspace.com/lostangelzprod www.lostangelzproductions.com | |
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| | #20 |
| Lives for gear Join Date: Aug 2005 Location: san jose, califas
Posts: 1,953
| your problem isn't audiobiz specific. people who run other consultancies (graphic design, programming, it, architecture, law firms) deal with this shit every day. some people just don't have the decency to send a response - even if it's "sorry too expensive for me". |
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| | #21 |
| Gear addict Join Date: Feb 2007
Posts: 456
| give 'em a break.. they're "grindin" lol |
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| | #22 |
| Gear interested Join Date: Aug 2008
Posts: 11
| lol... i produced a record on g unit album
__________________ Production Credits G-Unit - I Don't Wanna Talk About It (Interscope/G-Unit)2008 Rocko(So So Def)& G Mack - I Make It Look So Easy Big Get It - Discoballin (feat. Trey Songz) and more.. http://www.myspace.com/reggonline |
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| | #23 |
| Lives for gear Join Date: Jan 2008 Location: The City Of Brotherly Love And Sisterly Affection
Posts: 2,773
| Please explain "I produced a record on a G Unit album. Isnt that an oxymoron?
__________________ "Professionals Built The Titanic,But Amateurs Built The Ark" |
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| | #24 |
| Gear interested Join Date: Aug 2008
Posts: 11
| nah a oxymoron would be more like "look at the small huge chair"..lol
__________________ Production Credits G-Unit - I Don't Wanna Talk About It (Interscope/G-Unit)2008 Rocko(So So Def)& G Mack - I Make It Look So Easy Big Get It - Discoballin (feat. Trey Songz) and more.. http://www.myspace.com/reggonline |
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| | #25 |
| Lives for gear Join Date: Jan 2008 Location: The City Of Brotherly Love And Sisterly Affection
Posts: 2,773
| so..please explain what you meant then by a record on an album???
__________________ "Professionals Built The Titanic,But Amateurs Built The Ark" |
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| | #26 |
| Gear addict Join Date: Oct 2005
Posts: 418
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