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| | #1 |
| Gear Head Join Date: Jan 2007 Location: Maryland
Posts: 45
| 15k-20k to spend, what to buy? First off, this will be for sound enhancement for recording/mixing only. I have a ton of sounds and a reliable sequencer. I also have a ton of plug-ins such as the SSL G-series pack and Waves Mercury bundle among others. My current setup: Old school Yamaha O2r, Big Ben clock. I go light pipe from my computer to the O2R and mixdown to cd going through an analog Peavy VC/L-2 dual channel Compressor/limiter to warm things up a bit before going to CD. I use an Utramatch Pro D/A converter between the Peavey and CD recorder. My mix skills are decent and my mastering guy (Masters a lot of major records) thinks they sound great and compare very well with Big studio mixes. I know there is room for improvement. I mix on PC using Sony Vegas 7, because it gives me unlimited tracks and does 48k/24bit. Sometimes I record with Protools LE. I have a Sony C800G, Neumann U87, and M149. I record though an Avalon 737SP. Protools HD has not been in my budget which is why I'm still using a PC. I would consider purchasing an HD rig if that would significantly improve my sound over keeping what I have and buying better outboard gear/ better converters. Right now I think high grade converters would help out the most as I mostly rely on the 20bit converters in the O2R. I think my mixes a good but lack some of the depth, punch and detail of Big studio mixes. I will be mixing a Rap project. You can follow the myspace page link to listen to one of the songs I mixed ( "Customer remix" or "Ghetto"). Thanks for the space and any input.
__________________ http://www.myspace.com/oneupisthefuture |
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| | #2 |
| Lives for gear Join Date: Jan 2008 Location: Brooklyn
Posts: 712
| what monitors? any room treatment? start with those. you've got some good mics. i'd add a nice 47 to you're collection. also some better pre's, converters, and a few different tracking comps. a better comp on your 2mix would make you're tracks pop more too.
__________________ DL
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| | #3 |
| Gear maniac Join Date: Nov 2006 Location: Greensboro, NC
Posts: 284
| If I were you and had $17,500 (in the middle of 15-20K) I'd consider getting... SSL Logic XLogic G Series Compressor run this on the two bus UA 2192 2 channel ad/da - great to run for your important tracks going in and as a da to your monitors to really show the mix. then after that, get some comps to use with vocals like maybe la3a, la2a OR consider upgrading from your avalon to a pendulum quartet? little stuff you could get maybe some dbx 160 compressors? anyway, hope that helps! let us know what you end up getting!
__________________ Drew Fulk @ Underground Sound |
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| | #4 |
| Gear Head Join Date: Jan 2007 Location: Maryland
Posts: 45
| Im working with some Mackie HR824s, which aren't great, but I know them pretty well. I of course do the car test and reference on small computer speakers to see how things translate. My room is fairly tight and I mix mostly at a low level to try and eliminate as much "room" as possible. At this point I really don't want to spend anything on another mic, but do want to purchase another pre for tracking. Maybe a neve 1073.
__________________ http://www.myspace.com/oneupisthefuture |
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| | #5 |
| Lives for gear Join Date: Aug 2006 Location: Phila, PA/Upstate MA
Posts: 2,353
| You have a great mic selection... A pair of Neve 1290 preamps and an API 3124 (or some BAE clones) would lock in all the preamps you would need.--->~5k If the 02R has 24bit ADAT I/O connections, I'd get an Apogee Rosetta 800 as well with ADAT I/O.---->~2.5k a couple of distressors to track through--->~2.75k Get a nice pair of mains or midfield monitors and have them soffit mounted in your room, then have your room professionally treated as well--->~6k You can use the distressors for vocals, but an ADL 1000 or a Summit TLA100 would be real nice for your vocal recordings--->~1.5k An old SSL 384 or C2 smart comp for the 2 mix to print--->~2.5k Screw pro tools if you know what you have really well. The difference in DAW program sound is minimal. The difference in converters is big!
__________________ www.myspace.com/stitchproductions "Half shark, half man, skin like alligator...carrying a dead walrus..." "I think this sheet metal that says NEVE on it can be made into a mic pre. It already sounds better than anything else I own." -D.W. |
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| | #6 |
| Gear nut Join Date: Sep 2006 Location: New Jersey
Posts: 107
| buy a new watch. this is the hip hop forum right? |
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| | #7 |
| Lives for gear Join Date: Jan 2008 Location: The City Of Brotherly Love And Sisterly Affection
Posts: 2,773
| Before you go out and buy gear more gear,ask yourself whether or not you have hit songs. Otherwise,all the great gear in the world does not make a hit song..
__________________ "Professionals Built The Titanic,But Amateurs Built The Ark" |
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| | #8 |
| Lives for gear | Yeah I wouldnt spend 15-20k on equipment unless your future work will pay it off and then some. Might want to include some standard outboard for hip-hop like a distressor or two. |
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| | #9 |
| Gear Head Join Date: Jan 2007 Location: Maryland
Posts: 45
| Did that make you feel better? Pure ignorance.
__________________ http://www.myspace.com/oneupisthefuture |
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| | #10 | |
| Gear Head Join Date: Jan 2007 Location: Maryland
Posts: 45
| Quote:
Definatly going to pick up a couple Distressors.
__________________ http://www.myspace.com/oneupisthefuture | |
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| | #11 | |
| Gear Head Join Date: Jan 2007 Location: Maryland
Posts: 45
| Quote:
What do you think of the SSL XLogic channel strip?
__________________ http://www.myspace.com/oneupisthefuture | |
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| | #12 | |
| Lives for gear Join Date: Aug 2006 Location: Phila, PA/Upstate MA
Posts: 2,353
| Quote:
You looking for an all-in-one channel instead? API 7600 is a great piece of kit. Cheers, mang!
__________________ www.myspace.com/stitchproductions "Half shark, half man, skin like alligator...carrying a dead walrus..." "I think this sheet metal that says NEVE on it can be made into a mic pre. It already sounds better than anything else I own." -D.W. | |
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| | #13 |
| Gear interested | The rosetta 800 is nice to get those extra 8 crispy I/O's The SSL 19" rack has not gotten much burn. The API's are good. I myself would look into the neve 8801 channel strip. I would look into getting some Good main monitors. Although, If your mastering guy is getting a good end product to work with, then i guess you are OK. When i get a budge to work with i sit on it for a little while and I find that the things I need will make themselves known. I hit you up on the myspace by the way. MySpace.com - Solo Sound Labs - AMHERST, Massachusetts - Hip Hop / R&B / Reggae - www.myspace.com/onlinesolo
__________________ When words fail, Music Speaks... Solo Sound Labs www.myspace.com/onlinesolo www.savoymusicgroup.com |
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| | #14 |
| Gear maniac | I'd spent it on room treatment first b4 you go buckwild on "gear".
__________________ Design Music |
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| | #15 |
| Lives for gear Join Date: May 2008 Location: Michigan
Posts: 1,051
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__________________ Those who make peaceful revolution impossible will make violent revolution inevitable http://www.myspace.com/jarrydee |
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| | #16 |
| Lives for gear | i would definitely look at getting a smart research C2 or similar bus compressor... |
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| | #17 |
| Gear maniac Join Date: May 2006 Location: Los Angeles CA /NY, NY
Posts: 252
| Breitling Emergency's are going for a good rate $$$... I'm looking at one, but have a hard time justifying it still... No diamond bezel tho... Some better D/A's and A/D's might help... 737 works well, not my fav, but PLENTY of hit records have been made with them. You have great mics... good plugs... room and monitors would be next on my list.. |
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| | #18 |
| Lives for gear Join Date: Jan 2008 Location: The City Of Brotherly Love And Sisterly Affection
Posts: 2,773
| If your company sold over 20 million records, then 15-20 stacks is just chump change.
__________________ "Professionals Built The Titanic,But Amateurs Built The Ark" |
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| | #19 | ||
| Lives for gear | Quote:
then put the rest fo you money under you mattress. Shit's about to hit the fan ![]()
__________________ . Quote:
www.nukmusic.com Practice Makes Progress | ||
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| | #20 | |
| Lives for gear Join Date: Aug 2006 Location: Phila, PA/Upstate MA
Posts: 2,353
| Quote:
__________________ www.myspace.com/stitchproductions "Half shark, half man, skin like alligator...carrying a dead walrus..." "I think this sheet metal that says NEVE on it can be made into a mic pre. It already sounds better than anything else I own." -D.W. | |
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| | #21 |
| Lives for gear Join Date: Apr 2005 Location: nyc
Posts: 2,824
| studio time |
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| | #22 | |
| Gear interested Join Date: Sep 2007 Location: Austria
Posts: 28
| Quote:
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| | #23 |
| Gear nut Join Date: Aug 2008
Posts: 85
| Second that.
__________________ http://www.myspace.com/danielhindemcclurg |
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| | #24 |
| Gear addict Join Date: Feb 2007 Location: Chicago, Chicago
Posts: 303
| +1 studio time. Tracking vital elements (or mixing) in a wicked studio will DRAMATICALLY improve what you're doing. Also As everyone says here, if you don't have broadband absorbers are and mixing in a non treated room with questionable monitors, nothing in the world is going to improve your mixes. Also invest in some books like Bob Katz' Mastering Audio. See I just saved you 15 grand. This sort of practical advice will do more for your tracks than any gear under the sun. Besides good compressors. |
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