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| | #1 |
| Banned Joined: Jun 2007
Posts: 269
Thread Starter | since i've been reading posts here i've come to the conclusion
that it seems like the engineers do more as far as creating the sound and vibe than most of the producers do
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| | #2 |
| Lives for gear | Not in most genres of music, and not when we're working with real, professional producers.
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| | #3 | |
| Lives for gear | Quote:
But I see where he's going with his statement. It just depends on the level of talent you're working with. As far as gear choices and recording techniques..yes you can say that! The recording engineer might also make small suggestions to the producer if they have that type of relationship. But as bgrotto said, when you have an experienced producer or musician they WILL tell you what (& sometimes "how") they need things recorded. You can pretty much just sit back and do what you're told. | |
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| | #4 |
| Banned Joined: Jun 2007
Posts: 269
Thread Starter |
it seems like bob power was the genius behind atcq beats or possibly mike dean for kanye |
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| | #5 | |
| Lives for gear | Quote:
Well... na you have to step back and understand what's going on. there are engineers that only have knowledge of engineering. Be it recording, mixing, or both. there are engineers are also producers and/or musicians. there are engineers(and producers) that think they know a little bit of both but really need to stick to one or the other...OR need to quit both all together ![]() just depends | |
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| | #6 |
| Lives for gear Joined: Jan 2008 Location: Brooklyn
Posts: 2,655
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i've come to the conclusion lately that when it comes time for the album credits etc, things start to get smeared as far as what people think they actually did. i've had to start drawing the lines out front. just because you where in the studio when the track was produced/mixed doesn't mean you were co-anything! i've been in some interesting situations lately on some pretty big records.
__________________ DL
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| | #7 |
| Lives for gear Joined: Apr 2004 Location: San Francisco, CA
Posts: 1,639
| From what I've read Q-Tip is responsible for the majority of the Tribe sound since he did all of the sequencing. Bob P just fine tuned it. D |
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| | #8 | |
| Lives for gear Joined: Sep 2004 Location: Washington, DC
Posts: 7,209
| Quote:
All hail Tip and Power --- I have the highest respect for both of these guys --- but, I mean, come on... it was a collaboration! That's what made it magic! - c | |
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| | #9 | |
| New School Boom Bap | Quote:
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| | #10 |
| Lives for gear Joined: Oct 2005
Posts: 1,465
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| | #11 |
| Lives for gear Joined: Apr 2004 Location: San Francisco, CA
Posts: 1,639
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| | #12 |
| New School Boom Bap | |
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| | #13 |
| Gear addict Joined: Nov 2006 Location: Central PA
Posts: 365
| ummm.... Cause it's music? I mean, I thought that was ubiquitous in this business.
__________________ When your horse dies, get off it... |
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| | #14 | |
| Lives for gear Joined: Mar 2005 Location: New York, NY
Posts: 2,845
| Quote:
I think the entire engineer credit blurring sucks but its up to the engineer to realize they are the engineer/mixer and not the producer. The guys that make it in the biz aren't trying to change the records creatively and for the most part kind of play dumb in a way. i personally don't let certain parts of my brain come on when I mix or engineer. For example, I was melodyning something the other day and the harmonies were awful. I could have easily changed them to show the producer some other options and to make things sound better to me, but I didn't because its not my job to think like that. It also keeps me from getting screwed. If you make the greatest suggestion ever and the record goes to the next level, you can count on not getting any production credit. On the other hand i do not like it when someone comes up to me and says "do a bunch of hot shit to the track" I think the producer should be responsible for drops, throws, extreme EQ, effects, intro, breakdowns, etc... If they leave all that stuff up to you, don't do it because thats his job. If they want to give you a point or something thats a whole different story.
__________________ http://www.myspace.com/polishedproductions MacPro 2.66 quad, Macbook Pro 13" 2.4, Protools 8 LE 003, Logic 8, McDsp, Sonnox, API 512c, GR NV500, Buzz Essence, Focusrite Solo, DBX 160A, Telefunken AK47, AKG 414eb Adam A7 Sub 8, Laney, Fender, Martin, Musicman, Marshall. | |
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