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Old 4th July 2008, 07:34 PM   #1
Sirocco
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Share Your Distressor Settings!!!

Here is mine:

"Foul Ass 808"

DAW Input Gain: -3
DAW Output Gain: +6

Ratio: NUKE
Detect: HP+LINK
Audio: HP+Dist 3
Input: 04
Attack: 6.5
Brit: ON
Release: 10.5
Output: 10

This is for hip hop and urban music. What about you?!?
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Old 4th July 2008, 07:39 PM   #2
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Most kick sounds that I use the Distressor for use the high-pass on the sidechain, and often Dist 3. The ratio depends very highly on the dynamics of the player, particularly when using low ratios, as 2:1 and 3:1 are both soft-knee and attack the program much differently.

As for specific values, that's tough as it depends highly on the program and the way I wanna shape it.

Bass often gets the 10:1 ratio (which has a nice, opto-like release that is fast for the first few dB of recovery, then tapers to a much slower release), but again, attack and release times vary with the player.
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Vanity (and porn) built the web, and it reached its hideous apex on myspace.com...
In the can/on the horizon:
Jules Shear, Dresden Dolls, Steve Smith, Solace, Dixie Witch, Aerosmith, Jim Jones, Mike Stern, Tony Furtado, Smif n Wessun, James Montgomery, DJ Kurrupt, Dave Weckyl, A Thousand Knives of Fire, Dipset, The Skatalites, Roadsaw, Ironweed, Never Got Caught (Clutch and Tree), JR Writer, Humankind, The Indefinite Article, Elisabeth Whithers, etc, etc, et ceteraaaa...
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Old 4th July 2008, 07:58 PM   #3
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What settings (relative to the current sound ur using) do you find exhibits the most breathing, or tape sound?
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Old 4th July 2008, 08:13 PM   #4
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Quote:
Originally Posted by Sirocco View Post
What settings (relative to the current sound ur using) do you find exhibits the most breathing, or tape sound?
Breathing and tape sound are, for me at least, two different things. Tape compression essentially has an attack and release time of 0 and a soft knee. Breathing (which I guess I read as "pumping") requires a harder knee and *some* release to cause the sucking sound. I guess using 2:1 or 3:1 (both soft-knee curves) on the Distressor with very quick attack and release times, with VERY little gain reduction would simulate tape to some degree. But - and I don't mean to be a snot when I say this - when I want "tape sound", I use tape. The funny thing about the "tape sound" that everyone is (or thinks they are) after isn't always about compression. In fact, most of the old school analog-heads I know and learned from actually DON'T hit tape very hard; certainly not hard enough to cause much audible compression (especially with drums, which I know is your specialty, Sirocco). I mean, you REALLY hafta slam GP9 pretty hard to hear it compressing; there's a lot of head room. Most engineers prefer to preserve most of the transient, meaning the VU meters are showing 0dB *AT MOST* peaks, more often the peaks are at -3 to -6 or so. Depending on the ballistics of the meter, the transients are hitting between +3 and +10, meaning only the loudest transients are being compressed by the tape to any measurable degree. That's not to say the tape sound isn't audible, I just think it's more of a coloration than a compression in most cases.

To that end, you could also try using the Dist settings, with a ratio of 1:1, and experiment with driving the Distressor to varying degrees. That can yield very pleasing coloration with no gain reduction, which may be closest to the tape sound you're looking for.
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Vanity (and porn) built the web, and it reached its hideous apex on myspace.com...
In the can/on the horizon:
Jules Shear, Dresden Dolls, Steve Smith, Solace, Dixie Witch, Aerosmith, Jim Jones, Mike Stern, Tony Furtado, Smif n Wessun, James Montgomery, DJ Kurrupt, Dave Weckyl, A Thousand Knives of Fire, Dipset, The Skatalites, Roadsaw, Ironweed, Never Got Caught (Clutch and Tree), JR Writer, Humankind, The Indefinite Article, Elisabeth Whithers, etc, etc, et ceteraaaa...
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Old 4th July 2008, 08:15 PM   #5
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I agree completely. I do several passes of high input/low output and it works wonders. noise it not a problem if you have waves z-noise. flowing the signal through a manley slam! (which im renting) is just breathtaking.
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Old 4th July 2008, 11:42 PM   #6
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I never understand these 'what settings do you use' threads... i mean doesnt it depend on the sound???
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Old 5th July 2008, 12:20 AM   #7
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While we on the subject of Empirical Labs does anyone on whats happened to there website? it seems to have shut down..............

The only distressor i own is a emulation on my LM DSP, i have always intended to purchase a pair a some point but maybe the lack of internet presence means they are no longer trading???? so the new stocks will most likey run out over the next year or so???

Anyone know is Empirical are still trading?
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Old 5th July 2008, 04:09 AM   #8
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Quote:
Originally Posted by terrytee View Post
While we on the subject of Empirical Labs does anyone on whats happened to there website? it seems to have shut down..............

The only distressor i own is a emulation on my LM DSP, i have always intended to purchase a pair a some point but maybe the lack of internet presence means they are no longer trading???? so the new stocks will most likey run out over the next year or so???

Anyone know is Empirical are still trading?
they are still alive and kicking - forgetting to renew domains are common - it even happened to microsoft!!
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Old 5th July 2008, 04:54 AM   #9
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more NUKE on every song.
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Old 5th July 2008, 04:55 AM   #10
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Quote:
Originally Posted by filterayok View Post
I never understand these 'what settings do you use' threads... i mean doesnt it depend on the sound???
sure but it can be good to share tips and tricks on how to 'milk' the unit for the most colorization etc
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Old 5th July 2008, 09:09 AM   #11
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Quote:
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forgetting to renew domains are common - it even happened to microsoft!!
WORD!

Thx Sirocco
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Old 5th July 2008, 09:44 AM   #12
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why do u have that movie w/ JZ?
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Old 5th July 2008, 01:55 PM   #13
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Quote:
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why do u have that movie w/ JZ?
i laugh everytime i see it..
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Old 5th July 2008, 04:51 PM   #14
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Quote:
Originally Posted by Sirocco View Post
Here is mine:

"Foul Ass 808"

DAW Input Gain: -3
DAW Output Gain: +6

Ratio: NUKE
Detect: HP+LINK
Audio: HP+Dist 3
Input: 04
Attack: 6.5
Brit: ON
Release: 10.5
Output: 10

This is for hip hop and urban music. What about you?!?
Hi Sirocco,

Always looking out for your threads

When you mention

DAW Input Gain: -3 , meaning it hits the DAW with a peak of -3 i suppose? What do you mean by DAW output gain?

When i leave the output of my distressor at 10 it just clips, isnt it too loud?

My chain currently, MPC > 512C > distressor > Fireface.
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Old 6th July 2008, 08:55 AM   #15
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Quote:
Originally Posted by Dopamine View Post
why do u have that movie w/ JZ?
Answer = Purely for the novelty factor.

BTW, Am starting to wish i had a dollar for every time someone asks that question
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Old 6th July 2008, 01:47 PM   #16
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(The following post is completly irrelevant)

Does everybody know the story behind this "Jay-z movie/gif"?



It really starts to drive me nuts: all of a sudden everybody had it in its signature but nobody can tell where it comes from!

I - somehow - dig the oversized glasses and the coat. But...

A- Why is he bobbin his head like that while the white guy who looks a little bit like Dave Pensado tries to follow the rythm but still is off-beat ?
B- Was the movie shot in the VIP part of an open-air concert ?
C- What is Jay-z looking at when he turns his head? Snipers (lol) ?

Somebody please shead some light on this so that we don't have to bring the subject up each and every time
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Old 6th July 2008, 02:26 PM   #17
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"Coldplay"

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Old 6th July 2008, 04:32 PM   #18
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dont know who the white girl is but the white guy is ricky gervais, original creator of "the office". he doesnt have to be on beat, he's rich now.
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Old 6th July 2008, 05:36 PM   #19
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Quote:
Originally Posted by nukmusic View Post
"Coldplay"


Very true, thats what happens to a rapper at a coldplay concert...... yes thats right you start wearing glass's like Kayne west.
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Old 6th July 2008, 06:04 PM   #20
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Quote:
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dont know who the white girl is but the white guy is ricky gervais, original creator of "the office". he doesnt have to be on beat, he's rich now.

Oh shit. Ricky Gervais... the guy in GTA IV..
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Old 6th July 2008, 06:19 PM   #21
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Quote:
Originally Posted by Lehkz View Post
Oh shit. Ricky Gervais... the guy in GTA IV..
The creators of GTA are a UK programing group from leeds & Ricky Gervais is the star of the office a short lived UK TV series.....He plays a complete twat Check out the dance.....Flashdance / mc hammer shit. Kind of a legend over here.




BTW i think am gonna have to remove the Jay Gif soon as it seems to be side-trackiing all the serious issues
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Old 6th July 2008, 06:28 PM   #22
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Quote:
Originally Posted by terrytee View Post
Answer = Purely for the novelty factor.

BTW, Am starting to wish i had a dollar for every time someone asks that question
I'll give you a dollar if you remove it from your signature.

D
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Old 6th July 2008, 06:31 PM   #23
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Quote:
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I'll give you a dollar if you remove it from your signature.

D
OH dear i have just realized that the dollar isn't worth shit anymore, Plus you have just encouraged me to keep it as my signature for another week.
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Old 10th July 2008, 06:57 PM   #24
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BUMP. da bump...

I finally ordered a Distressor!!!

Anyone care to share some starting point setting for recording rappers?
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Old 10th July 2008, 07:06 PM   #25
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It DOES always depend on the signal/material BUT good starting places are:

Everything in the middle: In=5 Attack=5 Release=5 Out=5

Or the 1176 emulation: Attack=Min Release=Max

Use your ears and have fun!
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Old 10th July 2008, 07:11 PM   #26
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Quote:
Originally Posted by Dopamine View Post
BUMP. da bump...

I finally ordered a Distressor!!!

Anyone care to share some starting point setting for recording rappers?
Twist the knobs till it sounds good.

Kidding. Sorta.

Depends on the rapper's flow, the tempo of the song, and a dozen other variables. Usually when I'm teaching interns or assistants to track rap vocals, I use the Distressor, so here's some points I go over with them:
- don't overdo it; err on the side of undercompression
- faster flows and/or faster tempos typically require faster release times, otherwise you may end up losing a syllable or five following a loud peak
- set the compressor differently for each rapper, on each song; there's no one-size-fits-all setting
- if the rapper is spitty or really punches certain syllables (like that one dude from Slum Village), higher ratios work well
- if the rapper is smooth (like, um...remember that dude Mase? hee hee), lower ratios are good
- lower ratios (2:1, 3:1) on the Distressor are soft-knee curves
- LISTEN closely when setting the attack time; you don't wanna suck the life out of vocal
- if you give a shit about the performer/performance, stop them if they punch a syllable too hard or move in too close or get way off axis and cause some weird pumping or other change in level. It'll take 30 seconds to punch the line in, and it'll save you a headache. Plus then the emcee will trust you, which is huge
- last: READ THE ****ING MANUAL!!! This is huge, especially with the Distressor. That manual is one of the best dissertations on compression ever, period. Plus, the Distressor has a lot of interesting and somewhat hidden features. For example, different ratios have different gain reduction, attack, and release envelopes. Knowing that shit comes in handy.

Good luck, and congrats on the buy!
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Quote:
Originally Posted by peeder View Post
Vanity (and porn) built the web, and it reached its hideous apex on myspace.com...
In the can/on the horizon:
Jules Shear, Dresden Dolls, Steve Smith, Solace, Dixie Witch, Aerosmith, Jim Jones, Mike Stern, Tony Furtado, Smif n Wessun, James Montgomery, DJ Kurrupt, Dave Weckyl, A Thousand Knives of Fire, Dipset, The Skatalites, Roadsaw, Ironweed, Never Got Caught (Clutch and Tree), JR Writer, Humankind, The Indefinite Article, Elisabeth Whithers, etc, etc, et ceteraaaa...
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Old 10th July 2008, 07:18 PM   #27
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Quote:
Originally Posted by Autotune Prophet View Post


The moment i saw this on GS i threw it on myspace avatar. sh|ts wacky.... look it jayz face.. so worried...lol and the white dude.... even mo funny

but changed it a lil ehe
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Old 10th July 2008, 10:30 PM   #28
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Quote:
Originally Posted by bgrotto View Post
Twist the knobs till it sounds good.

Kidding. Sorta.

Depends on the rapper's flow, the tempo of the song, and a dozen other variables. Usually when I'm teaching interns or assistants to track rap vocals, I use the Distressor, so here's some points I go over with them:
- don't overdo it; err on the side of undercompression
- faster flows and/or faster tempos typically require faster release times, otherwise you may end up losing a syllable or five following a loud peak
- set the compressor differently for each rapper, on each song; there's no one-size-fits-all setting
- if the rapper is spitty or really punches certain syllables (like that one dude from Slum Village), higher ratios work well
- if the rapper is smooth (like, um...remember that dude Mase? hee hee), lower ratios are good
- lower ratios (2:1, 3:1) on the Distressor are soft-knee curves
- LISTEN closely when setting the attack time; you don't wanna suck the life out of vocal
- if you give a shit about the performer/performance, stop them if they punch a syllable too hard or move in too close or get way off axis and cause some weird pumping or other change in level. It'll take 30 seconds to punch the line in, and it'll save you a headache. Plus then the emcee will trust you, which is huge
- last: READ THE ****ING MANUAL!!! This is huge, especially with the Distressor. That manual is one of the best dissertations on compression ever, period. Plus, the Distressor has a lot of interesting and somewhat hidden features. For example, different ratios have different gain reduction, attack, and release envelopes. Knowing that shit comes in handy.

Good luck, and congrats on the buy!
I'm taking notes, although I don't own a distressor! Each tool is unique, but concepts (guidelines) are universal.

Thanks.

Quote:
Originally Posted by irthwirm
Genius.

I really really like that idea... so much - in fact - that I might just steal it... na jk :)
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"As a professional I think "man thats a dumb a** question" but then I realize hey if everyone was like me then the competition would be nuts. lol.. Jk."
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Old 10th July 2008, 10:51 PM   #29
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By the way: here's a thread some of you lucky owners of a distressor unit might find very interesting:

Dedicated DISTRESSOR settings thread... Share your tried and proven settings!!!

(distressor settings, july 2007)
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"When I'm doing more indie tracks, I use a mic with less fidelity to match the musical production value..."

"As a professional I think "man thats a dumb a** question" but then I realize hey if everyone was like me then the competition would be nuts. lol.. Jk."