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| | #1 |
| Gear Head Join Date: Mar 2008
Posts: 58
Thread Starter | Lil Wayne voice effect on Lollipop, more than just autotune? Im trying to recreate that effect on two bars of a particular 16 bar verse because it fits the context of what is being said and I am having serious trouble achieving it. It seems to me that once the artist is rapping (although stretching the words) the normal t-pain autotune effects are not as effective as they are on rnb vocals. However when Lil Wayne does it while he is rapping it comes out fine, is he using more than autotune or are my settings off? I just followed one of the million tutorials on the net. I really want the effect to stand out, as its only on two bars, I need the listener to know what it is straight away. |
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| | #2 |
| Gear maniac Join Date: May 2007
Posts: 278
| Its probably a talk box. |
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| | #3 |
| Lives for gear | i just did a mixtape for some and they used this track. i got the sound with just autotune 5... just gotta set the settings right
__________________ DivineMusic 2-23-07 ppl wanna praise protools like its the best thing since pu$$y fuuck |
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| | #4 |
| Lives for gear | Just Autotunes I guess. |
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| | #5 | |
| Lives for gear Join Date: Mar 2008 Location: Arlington, TX
Posts: 1,487
| Quote:
For some strange reason, ppl are not realizing that Lil Wayne is actually SINGING on this track (or at least putting his best effort into it). He's not rapping at all. Auto-tune reacts best to "musical" pitch change. If there is no "musical" pitch change then there's nothing to react to. If you simply record yourself talking and slap Auto-tune on it, you'll get an effect, but not what you're looking for. Just sing the words. Simple as that... NOTE: you have to at least be in the right key AND be in the ballpark of the right notes. Auto-tune (set to automatic) will simply correct your pitch to the nearest note which may or may not be the note you want.
__________________ Tokyo Lover - New Song by Trell Blaze http://soundcloud.com/trell-blaze/tokyo-lover Single, Victim - Available for download on iTunes... http://itunes.apple.com/us/album/vic...le/id449659216 ------------------------------------------------ Trell Blaze Beat, Trell Blaze Production ------------------------------------------------ Song from Trell Blaze's album, Victim http://soundcloud.com/trell-blaze/victim-by-trell-blaze email: coopdevillian@gmail.com | |
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| | #6 | |
| Lives for gear Join Date: Oct 2005 Location: ATL
Posts: 515
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| | #7 |
| Gear nut Join Date: Dec 2006
Posts: 92
| I think for Autotune to sound *right* (the radio sound) you need to be singing through it in realtime as opposed to playing a standard prerecorded vocal track through it and expecting the vocal to turn into TPain's or Weezy's style. Using Autotune in realtime, the vocalist can practice all of the fluctuations and intonations to get the effect right. Not only is Weezy singing, his singing is specifically performed for Autotune (TPain's too). IOW, that same vocal track without Autotune would probably sound weird as hell. |
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| | #8 |
| Lives for gear Join Date: May 2007
Posts: 2,280
| You dont necessairly need to do it in realtime if you know HOW you have to sing in order to get it bending the way you want it. In other words, you gotta know how to actually hit some notes and/or know something about singing in order to use the plug to its fullest potential. Using it in realtime may be able to help teach you how to sing with it through trial and error though. Either way some you will be in for some practice and learning to get things sounding right. In order for a note to bend it has to be off to a certain degree. How off it is, and how you tweak the settings will determine how it bends. Pretty simple. |
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| | #9 | |
| Lives for gear Join Date: May 2007
Posts: 2,280
| Quote:
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| | #10 | |
| Gear maniac Join Date: Aug 2005 Location: Melbourne, Australia (Formally Europe and Los Angeles)
Posts: 288
| Quote:
Ive heard a couple tracks where Wayne is rapping and just stretching his words (a la Tupac "Dear Maaaaaama") with a similar effect on it but I think he is actually using a flanger. | |
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| | #11 | |
| Lives for gear Join Date: May 2007
Posts: 2,280
| Quote:
The key to doing what T-Pain does with Autotune is knowing just how off you have to be in order to get it sounding the way you want at a particular moment, so not everything can be off key. You still have to have good control over your voice to manipulate it properly and on demand, at least from my usage and experience with implementing Autotune. Bad singers have little to no control over their voice what so ever. If you actually had enough experience using the Plugin in this way you would know all this already, but its all cool, it doesnt really matter, its an over used effect by now anyway. | |
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| | #12 |
| Lives for gear Join Date: May 2007
Posts: 2,280
| He probably does have some flange on his voice as well, but if so its definitely not flange alone. |
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| | #13 |
| Lives for gear Join Date: Oct 2004
Posts: 1,665
| sounds like logic's voice transformer plug inserted after pitch corrector. Theres some other ones, maybe throat plug or something?
__________________ ------------------------------------------------------------------------ Base Jase Illynoise Music www.basejase.com |
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| | #14 |
| Gear maniac Join Date: Aug 2005 Location: Melbourne, Australia (Formally Europe and Los Angeles)
Posts: 288
| Which Flange plug in would you guys recommend? Id like to play around with this effect in Pro Tools for fun and see what I can come up with. Im in a strange experimenting mood lately. ![]() |
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| | #15 |
| Gear interested Join Date: Apr 2008 Location: Los Angeles
Posts: 5
| effect try to run it through a guitar effect plug in like amp farm. |
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| | #16 | |
| Lives for gear Join Date: May 2007
Posts: 2,280
| Quote:
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| | #17 | |
| Lives for gear Join Date: Jan 2008 Location: The City Of Brotherly Love And Sisterly Affection
Posts: 8,141
| Quote:
Put Autotune on an aux input,, adjust the formant and amplitude, set in to '0" ,bus it to an audio track and VOILA
__________________ More Bass In All Frequencies | |
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| | #18 | ||
| Lives for gear Join Date: Mar 2008 Location: Arlington, TX
Posts: 1,487
| Quote:
Quote:
And I can't emphasise enough how important it is to at LEAST be in the ballpark with your singing. Wayne is no "sanger" but he's definately not the worst vocalist I've heard. "...now gone getcha money little duffle bag boy!" There was no Auto-tune on that song... | ||
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| | #19 |
| Gear interested | wow |
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| | #20 |
| Lives for gear Join Date: Oct 2005 Location: ATL
Posts: 515
| chill with that buddy, you'll get the thread shut down talking bout selling plugs etc |
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| | #21 | |
| Lives for gear Join Date: Oct 2005 Location: ATL
Posts: 515
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| | #22 | |
| Gear maniac Join Date: Aug 2005 Location: Melbourne, Australia (Formally Europe and Los Angeles)
Posts: 288
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| | #23 | |
| Lives for gear Join Date: Mar 2008 Location: Arlington, TX
Posts: 1,487
| Quote:
Then there's that group of ppl who think "well I feel like if I had a million dollar studio then I'd sound just like any other super-artist out there cause that's the only reason they sound that way. they put that 'computer' on their voices to make 'em sound good..." Question tho. How did you handle the clients who were obviously dissappointed when they heard how terrible they sounded after recording? | |
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| | #24 | |
| Lives for gear Join Date: Oct 2005 Location: ATL
Posts: 515
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| | #25 | |
| Lives for gear Join Date: Mar 2008 Location: Arlington, TX
Posts: 1,487
| Quote:
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| | #26 |
| Gear maniac Join Date: Aug 2005 Location: Melbourne, Australia (Formally Europe and Los Angeles)
Posts: 288
| Im a rapper first and foremost, I dont produce, but I learned to engineer and mix for my own needs. But locally word soon spread of my shit and when people asked who did the mixing and I said me they'd want to pay for me to mix em. So I used to make some extra change doing it and still do every now and then. Anyway, one time I had this RNB chick ask me to record and mix her shit and because I was feeling her (hadnt heard her music at this point understand) I said Id do it at a discount, she said no problem. So we got to mine and did a track, shes no Alicia Keyes but shes alright. We banged it out, then kicked it. Mixed the track in a couple days and it came out pretty good. So the next couple days I get a call asking to mix down another couple tracks she recorded elsewhere, she just wanted me to mix them and add my "magic and touch" as she put it. But when I got the sessions, fu.ck, whoever tracked it did the WORST job ever! I did the best I could, really, but it turned out bad. I sent her the tracks and the next day got a voice mail cussing me out saying I put no effort into these ones because Id gotten what I wanted the other time blah blah blah. Total f'ing mess. "I never wanna see you again"s like I had just cheated on her with her best friend or sister! Girl has talent, but whoever tracked it should have his gear taken, really. I offered to rerecord the tracks for her for free sometime but it never eventuated. She's a check out chick at a grocery store now. Random rant I know, but I mean, she was accusing me of shit like "you didnt want to waste your plugins on this verse" blah blah blah like they were some one use type deals that I short changed her with this time around or something. And ****ed up thing is I learned how to use melodyne for this bitch, Id never used it on my own shit. /end rant |
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| | #27 | |
| Lives for gear Join Date: Mar 2008 Location: Arlington, TX
Posts: 1,487
| Quote:
They always say to be very careful mixing business with pleasure...actually they say not to do it at all...tutt ![]() | |
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| | #28 | |
| Lives for gear Join Date: Jan 2008 Location: The City Of Brotherly Love And Sisterly Affection
Posts: 8,141
| Quote:
Tru dat..fo rill yo | |
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| | #29 |
| Lives for gear Join Date: Feb 2005 Location: on the couch
Posts: 1,636
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| | #30 |
| Lives for gear Join Date: Mar 2008 Location: Arlington, TX
Posts: 1,487
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