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Studio monitoring through a DJ mixer?

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Old 14th February 2008   #1
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Studio monitoring through a DJ mixer?

hey guys, i got a question regarding sound quality with my setup revolving around my DJ mixer. it is a quality mixer however, the Rane TTM-56.

the centerpiece of my setup is the Rane TTM 56. I have my KRK RP5's coming from the main outs of that mixer. I do my mixing down in Pro Tools, which I am using the MBox 1 for. The outputs of the MBox is going to the line inputs of my Rane TTM 56. When mixing in headphones, I often use the headphone outs of my Rane as well.

my concern is, does going through this Rane mixer impede sound quality? Would I be better off connecting my monitors to the outputs of the MBox directly, as well as my headphones through the MBox directly as well? I'm sure this also depends on the quality of the mixer; does anybody know how good the Rane TTM 56 is in terms of sound quality?

Now i also know that, the more things connected in the chain, the more the sound degrades, thus resulting in lower sound quality. but how much of this degradation is actually coming from the use of the hardware itself (the Rane mixer)?

Thank you!
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Old 1st February 2012   #2
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Quote:
Originally Posted by songa View Post
hey guys, i got a question regarding sound quality with my setup revolving around my DJ mixer. it is a quality mixer however, the Rane TTM-56.

the centerpiece of my setup is the Rane TTM 56. I have my KRK RP5's coming from the main outs of that mixer. I do my mixing down in Pro Tools, which I am using the MBox 1 for. The outputs of the MBox is going to the line inputs of my Rane TTM 56. When mixing in headphones, I often use the headphone outs of my Rane as well.

my concern is, does going through this Rane mixer impede sound quality? Would I be better off connecting my monitors to the outputs of the MBox directly, as well as my headphones through the MBox directly as well? I'm sure this also depends on the quality of the mixer; does anybody know how good the Rane TTM 56 is in terms of sound quality?

Now i also know that, the more things connected in the chain, the more the sound degrades, thus resulting in lower sound quality. but how much of this degradation is actually coming from the use of the hardware itself (the Rane mixer)?

Thank you!
same to me here..i want my xone 92 for studio monitoring as i do everything in the box and my hardware devices are directly inserted in the daw with an i/o plugin.
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Old 1st February 2012   #3
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these boards make people worry about way too much extraneous crap. the rane is a good, clean mixer. if you had a perfectly treated room with state of the art gear, this kind of thing might be worth thinking about, but you wouldn't be monitoring through your dj mixer in that case anyway.

just make sure you have the appropriate channel fader all the way up, the gain trim down as low as it can go, and use only the master volume to control the levels you hear from your monitors.
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Old 1st February 2012   #4
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I think the eqs of some dj mixers even when at zero/null still eq the sound abit. I have read this about the AH xone mixers
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Old 1st February 2012   #5
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Just ask Ethan...
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Old 1st February 2012   #6
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The term studio gets used far too often.
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Old 1st February 2012   #7
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If me, which I am, I would connect mbox to the speakers. Run rane into the mbox.

Just a un needed gain stage. It will work fine if set up correctly.

If you have a fixed level/non variable in & outs on your gear... Use em. They are not there on accident.


****another example of sorts

002's have the 4 mic/line in with a variable pot & 4 fixed gain line in.

If using an external mic pre, it's better "I think" to go into the fixed in rather than the variable in.
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Old 2nd February 2012   #8
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Quote:
Originally Posted by LeoLeoLeo View Post
If me, which I am, I would connect mbox to the speakers. Run rane into the mbox.

Just a un needed gain stage. It will work fine if set up correctly.

If you have a fixed level/non variable in & outs on your gear... Use em. They are not there on accident.


****another example of sorts

002's have the 4 mic/line in with a variable pot & 4 fixed gain line in.

If using an external mic pre, it's better "I think" to go into the fixed in rather than the variable in.
^^ this
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