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| | #1 |
| Gear interested Joined: Nov 2006
Posts: 15
Thread Starter | thru mpc 60 / sampling to 60
i was just wondering how much does it differ if i record the sound going thru my mpc 60 as opposed to sampling the sound to the 60 and then recording it. i've been a/b:ing the sounds and seems to me that there's not much of a difference between these two. anybody know better? |
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| | #2 |
| Lives for gear Joined: May 2005 Location: Kent, UK
Posts: 1,264
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I've done this too, it isn't completely the same but tis similar. bb |
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| | #3 |
| Gear addict Joined: Jun 2006 Location: Northeast Corridor
Posts: 463
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totally different. thru the 60 there is no conversion. the sound of the 60 is mainly the 12 bit crunch.
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| | #4 |
| Gear interested Joined: Nov 2006
Posts: 15
Thread Starter | yep, thats what i thought too. although there's gotta be something happening when i sample thru, since i've tried it with hihats, and a/bing the original and the recorded one dosen't sound the same...
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| | #5 |
| Gear Head Joined: Apr 2007
Posts: 30
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I read somewhere that the old MPCs actually have 16 bit AD/DAs, but the samples are saved in a special 12-bit format. So thru and sample wouldn't be the same.
__________________ www.myspace.com/funkfromthesun |
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| | #6 |
| Gear Head Joined: Jun 2005 Location: Montreal
Posts: 65
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I think that the fun is when you start tuning down the sample to get more grain which you cannot do in record mode.. jf |
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| | #7 | |
| Lives for gear Joined: Jan 2007 Location: New Zealand
Posts: 696
| Quote:
They used Pre-emphasis.... boosting the treble before sampling and then cutting it on playback. This is why the 60 sounds the way it does... Can't beat a 60 for making punchy, warm drum samples... IMHO Regards Hugo | |
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