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| Lives for gear | Monitors in the walls of the hit factory hey gs.......What are the names of those big monitors in the hit factory, i will post a pic of what im talking about.....
__________________ SOUNDS ACOUSTIC BLENDS 2 NOW AVAILABLE Mobile:Asus Laptop,Focusrite Saffire 6, Cubase 6 Beats by Dre, NI Maschine, M-Audio Axiom 61. Home: Mac desktop, Studio Logic SL-990XP, Ensoniq ASR10 Maxed Out, Pioneer Monitor 10s NI Maschine, Cubase 6, Mackie mr5, Presonus Firebox, Peavy Millineum BXP Bass, Fender Squier. Danja, Pharrell, Timbaland. ![]() http://www.soundcloud.com/keyflo http://www.captainkeyz.tumblr.com |
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| | #2 |
| Lives for gear | |
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| | #3 |
| Lives for gear Join Date: Apr 2005 Location: Virginia Beach
Posts: 2,238
| Augspurgers |
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| | #4 |
| Lives for gear | |
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| | #5 | |
| Gear addict Join Date: Jul 2006 Location: The Netherlands
Posts: 467
| Quote:
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| | #6 |
| Gear addict Join Date: Apr 2007 Location: ATL
Posts: 339
| Look Hot? How about under the conditions they are designed for in a room such as hit factory tha wall of sound comming from them is second to none. They are mains used for tracking/mixing and playback. |
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| | #7 |
| Lives for gear Join Date: Jul 2004
Posts: 1,059
| Alot people like to use them while getting drum sounds. Playback for musicians is good to. mixing when you want to check that real real bottom. Also it is like referencing club speakers. Those are usually built by the studio designer and tuned specifically by the Acoustician with drivers and amps to fit the room. Oh usually some white EQs too. |
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| | #8 | |
| Lives for gear Join Date: Apr 2005 Location: Virginia Beach
Posts: 2,238
| Quote:
There's a bit of an enigma: They are designed to be loud, but also ACCURATE! If you're doing hip-hop and see those big speakers, you might assume CLUB, but you really don't get out of them what you would hear in a club. They are usually tuned to have a flatter frequency response than the scooped EQ you would hear in a club. So, if you make the bass rattle in the control room for the hype, you'll wind up with way too much for the club or the trunk. In LA, many of the top studios had these same speakers and had them tuned by the same guy, so that there would be continuity from room to room. Later, studios started installing systems with subs and changed the curves for more hype. I remember seeing a Cerwin Vega system in he studio where Dre did his early work. Whenever you see the "big speakers", you'd better find out if they are tuned for hype or for accuracy.
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| | #9 |
| Lives for gear Join Date: Apr 2004 Location: San Francisco, CA
Posts: 1,611
| Don't they go for $20k + ? Most studios don't have them so I'd say they aren't "essential". D
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| | #10 |
| Lives for gear Join Date: Aug 2007
Posts: 1,613
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| | #11 |
| Lives for gear Join Date: Apr 2007
Posts: 827
| I know KRK do make some mains that are not that expensive |
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| | #12 |
| Gear maniac Join Date: May 2007
Posts: 294
| man those are way more than 20k. from what i know i think they're at least 25-30k per monitor if not more, paying for delivery isn't cheap either. krk does make mains but they sure don't sound like custom augspurgers
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| | #13 |
| Lives for gear Join Date: Apr 2007
Posts: 827
| well, they sure don't. But they are big, and prolly sound diferent from your nearfields. ![]() M2-18 KRK's Ultimate Mains System Anybody tried these? |
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| | #14 | |
| Moderator Join Date: Feb 2004 Location: Boston,MA Providence,RI
Posts: 15,753
| Quote:
We sell them for about $20k a pair including amps, drivers, etc.. | |
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| | #15 |
| Gear Guru Join Date: Jun 2005 Location: Miami FL
Posts: 10,055
| i've been listening on some ATC mains for a little while now, amazing speakers. virtually no harmonic distortion. unbelievably detailed for a mains speaker. |
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