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| Thread | Thread Starter | Forum | Replies | Last Post |
| pitfalls to avoid in post | JSt0rm | Post Production forum! | 2 | 30th June 2007 05:07 PM |
| UK GS AVOID UPS!!! | toolskid | So much gear, so little time! | 11 | 21st January 2006 01:50 AM |
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| | #1 |
| Lives for gear Join Date: Aug 2006 Location: EUtopia, Stockholm
Posts: 687
| .. picking sounds for modern sounding hip hop, r&b productions etc. I am currently working with a young female singer, that compalin about my production sounding 80:s/90:s. Sometimes it is the playing but more often the selection of sounds. Eg when I show her loops in Stylus RMX, she can pin point what sounds old school & what sounds new. But I am mostly guessing. ![]() I have managed to squeeze 7-8 song through her filtering, with some major re-arrangements. The results sound really cool. But I still have 15 song that she dont like all that much. It is a steap learning threshold, but eventually I might find my concepts. ![]() ![]() |
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| | #2 | |
| Gear maniac Join Date: May 2005 Location: Stockholm / Sweden
Posts: 259
| Thereīs no real question in your post but Quote:
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| | #3 |
| Gear maniac Join Date: Sep 2007
Posts: 225
| I feel your situation.... My passion is the older Hip Hop sound, such as the records I grew up listening too however I'm also making a lot of beats for young cats who know nothing of this sound and who don't care about it or want to sound that way. The best advice I could give would be to really listen to how the artists sounds, get in their mind and vibe, then make beats accordingly. This usually works for me and I end up with music far removed from what I would make of my own accord and 9 times out of ten the artists feel it. With regards to what sounds to use.... ANY! Stay away from your favourite libraries and imagine their vocal sound in your head. Listen to what else is around but bare in mind that what's released now was often made some time ago, don't be afraid to try something different. |
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| | #4 |
| Gear maniac Join Date: Mar 2007 Location: Mannheim/Germany
Posts: 260
| There aint no such thing as "avoiding certain sounds" imo. What you should avoid is people who try to tell you how YOUR music should sound like! If the "golden era" drumsounds is part of your sound, and if YOU like that, then by any means, stick to whateva you feel is right. Also, you canīt say avoid for ex. Motif, 808 or xxx machine sounds. If you keep those stock sounds like they are, thatīs one thing, but if you freak those sounds to make em sound new and different, thatīs somethin else. Me personally, I love the golden era type drumsound, even tho I stay open, and use many so called modern sounds too. I think whatīs most important is that you use the right sounds at the right time. Make the drumsounds fit the music. Try out new things, be open minded and DONT avoid anything. You might really like a certain sound that somebody else did not like at all and told you to avoid that. Music is not to be fit in a lil box, there aint no doīs and dontīs in being creative. Think outside the box and do whateva you feel is right. You might also consider recording a few sounds yourself. That always brings out good ideas for new drum sounds, at least for me.
__________________ Aiko "ReaLsoN" Rohd Infrarohd Ent. / Mannheim, Germany www.myspace.com/realson www.pmpworldwide.com/realson |
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| | #5 | |
| Lives for gear Join Date: Aug 2006 Location: EUtopia, Stockholm
Posts: 687
| Quote:
and listen to what sound they are using. But it can be tricky because sometimes their songs are not compatible with the ones I make. ![]() Thax for the reply. | |
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| | #6 | |
| Lives for gear Join Date: Aug 2006 Location: EUtopia, Stockholm
Posts: 687
| Quote:
It becomes a struggle, like eg painting a picture and only being allowed to use the colors yellow and brown. Think I have located some of the sounds that she does not like, brass/wah/pads doing chords/most of the synth bass sounds in Trilogy/hard lead sounds/echo sounds/drum beats that sounds slick/arpeggios just to mention a few. *pew* At the same time it is a very good experience for me as I found the insight and must perform better than I expected from the start. I also work with another singer that really digs all the stuff I make. So I am not all that depressed. ![]() Thanx for the good advice | |
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| | #7 | |
| Lives for gear Join Date: Feb 2006
Posts: 1,382
| Quote:
I always thought that it's not the ingredients but what the chief decided to create with the ingredients ![]() | |
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| | #8 | |
| Lives for gear Join Date: Aug 2006 Location: EUtopia, Stockholm
Posts: 687
| Quote:
But in this case I have allowed her to interfere, because she is the front figure of this project. And I mostly work with the concept that the important thing is that the song gets good and the producers job is to do the job. Even if it means sacrificing my own intial arrangement. Thanx for the reply. ![]() | |
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| | #9 |
| Lives for gear Join Date: Feb 2006
Posts: 1,382
| Hi Bob, you shouldn't avoid any sound it's how you use it in the arrangement you want to work on, there is lots of dated sounding stuff being used in HipHop it's just how it's being used that makes it sound fresh , remember 808's have been around a long time and nobody say's that sounds dated if you choose to use it ..... More than anything listen to how things are put together , you might be thinking to musical for example and all you need is some catchy line riding the track with a few extra elements and thats it .... |
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| | #10 | |
| Lives for gear Join Date: Aug 2006 Location: EUtopia, Stockholm
Posts: 687
| Quote:
So that I play more modern in the style. Thanx | |
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| | #11 | |
| Lives for gear | true Quote:
__________________ Nothing beats a whiff off fresh poo wedged ever so lightly under your finger nail after some broken toilet paper www.myspace.com/feedbackproductions | |
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| | #12 |
| Gear Head | stylus & trilogy those might be part of the problem. I find that the loops in stylus RMX are not suitable for hiphop/modern R&B. They are canned loops and a true urban music affictionado is usually allergix to them (consciously or not). Very useful in my pop work tho' Its better to program your own patterns with other drum libraries for more ginuwin modern urban stuff. Also I had to use Trilogy a few times (when I was away from my beloved Moog Voyager) and had problem finding usable bass sounds for urban music, and when I did I had to twek em a lot and then pass it thru some quality pre + comp hope this helps Sonny |
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| | #13 | |
| Lives for gear Join Date: Aug 2006 Location: EUtopia, Stockholm
Posts: 687
| Quote:
lifeless. I mostly tweak & edit/combine different loops/mute parts inside the loops same goes for Trilogy mostly have to tweak the sounds until they fit the concept together with the beat & other stuff & often use more instances than one in a song. Stylus RMX is excellent to get a lot of songs made in a short period of time though. Thanx for the reply. | |
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| | #14 | |
| Gear maniac Join Date: May 2005 Location: Stockholm / Sweden
Posts: 259
| Quote:
style.And i still dont know what the question is ? What to use , What not to use ? And why even ask that question , you might as well ask us to do your tracks for you. | |
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| | #15 | |
| Lives for gear | Quote:
but what sounds are she talking about specifically?
__________________ "I hate it when they tell us how far we came to be, as if our people's history started with slavery...." Immortal Technique www.sicbeats.com | |
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| | #16 |
| Gear nut Join Date: Dec 2005 Location: Brooklyn, NY
Posts: 96
| not every artist clicks with every producer ... forcing the music does nobody any good.... that being said your job as a producer is to make the artist shine. ... 90% of producers use the same damn keyboards and programs as everyone else so it aint what ur using. Staying current or ahead of the curve is part of the fun of producing. Listening to whats out there, incorporating bits of it into your own work while still maintaining your own style and indentity.
__________________ www.myspace.com/smashbrothersmusic |
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| | #17 |
| Lives for gear Join Date: Nov 2005 Location: North of Toronto
Posts: 821
| avoid presets |
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| | #18 |
| Gear addict Join Date: Oct 2005
Posts: 451
| Interesting topic. You might want to find a beatmaster. Altenatively you can check out together online sample grooves. Do good research, ask her her favourites a listen to them carefully. |
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| | #19 |
| Lives for gear Join Date: Aug 2006 Location: EUtopia, Stockholm
Posts: 687
| Hiya guys Thanx for all the replies. I think my brain finally have come up with what is wrong, with the process. I need to simplify my arrangements when I present the songs to her initially. I think complex things confuses her to much. Got to get down to the roots more of the beat & bass and slowly build up the arrangements during the process. And use basic sounds that fits the style, better. ![]() |
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| | #20 |
| Lives for gear Join Date: Apr 2004 Location: Emeryville, CA
Posts: 1,294
| Use an apple loop and call it a day D |
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| | #21 |
| Gear maniac Join Date: Feb 2006 Location: Denmark
Posts: 164
| Hah, yea - and why not start out with the "Vintage Funk Kit 03"! She will love it, I guarantee!! |
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| | #22 |
| Gear maniac Join Date: Jun 2007
Posts: 265
| don't you guys make your own sounds and loops? plus the problem with artists and listeners is when they hear sumthin new they want it to sound similar to sumthin else like a dre style beat or a primo style beat, and then they like it if it's something new and different, it'll take a while to catch on but most artists don't want to go that route plus i try to emulate my favorite producers but all combined into one style kinda how you can see that eminem as a rapper was a combination of redman, masta ace, az, canibus, and proof |
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| | #23 | |
| Lives for gear Join Date: May 2007
Posts: 1,705
| Quote:
straight up! | |
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| | #24 |
| Lives for gear Join Date: May 2007
Posts: 1,705
| I remember when one of my friends was in engineering school and a bunch of us guys went down one night to the school's studio after some clubbing and made a whole mixtape off a bunch of chopped up apple loops..... Those were really the days man.....lol ![]() |
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