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| Thread | Thread Starter | Forum | Replies | Last Post |
| Limiter for the mix buss | Ciozzi | So much gear, so little time! | 18 | 8th July 2007 12:53 AM |
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| best mix buss comp for 2k or less | vtone | So much gear, so little time! | 16 | 22nd November 2004 08:37 PM |
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| Mix buss comp | mac black | High end | 10 | 19th October 2003 02:21 AM |
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| | #1 |
| Gear addict Join Date: Nov 2006 Location: Copenhagen
Posts: 479
| Which mix buss comp/limiter? What do you guys have on your mix buss? Hardware? Software? Or do you mix without a mix buss comp? |
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| | #2 |
| Lives for gear Join Date: May 2007
Posts: 1,705
| Like always it depends. Today I mixed a track with just a Waves SSL Comp on the stereo buss. For tomorrows mix session Im going to try switching it up and mixing with a loudness maximizer, and maybe some mix/tape saturation on the stereo buss and see how things flow. I'd say get funky with what you do and see what you can discover...... just dont shitty up the mix while doing it, especially if your client is on the clock. |
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| | #3 |
| Gear maniac Join Date: May 2007
Posts: 213
| ive heard all the hype about the G quad comp. ive tried it many times. It just makes my mix sound small. so ive given up on mix buss compression. |
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| | #4 | |
| Lives for gear Join Date: May 2007
Posts: 1,705
| Quote:
Dont just add it onto the stereo buss because you see other ppl doing it, or because you think it will improve your mixing. Sadly enough, it really wont improve anything about your sound if you dont know what type of outcome you are going for and how that compressor will help you achieve it. There is no hype over the G comp, it does what it does if setup properly. It also helps if you add it onto your mix in the early stages of the mix, thus forcing you to mix into it. Then you can create your mix to sound as big as you want it to sound and it will still keep everything tightly held together. | |
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| | #5 |
| Moderator Join Date: Feb 2004 Location: Boston,MA Providence,RI
Posts: 10,150
| I have an Aurora Audio GTC2 on my mix buss and it's been there for months now. ![]() |
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| | #6 |
| Lives for gear Join Date: Aug 2005 Location: san jose, califas
Posts: 1,953
| every time this topic comes up i say.......FATSO |
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| | #7 |
| Gear addict Join Date: Nov 2006 Location: Copenhagen
Posts: 479
| I haven't really worked that much with mix buss compression when mixing, but I've come to realize that I think it is an important part of mixing hiphop. Do you agree or disagree with this? Of course it is possible to make good mixes without a mix buss compressor, but I actually think it might be a help when mixing hiphop. In genres like hiphop, where the kick and snare are high in the mix, it can be a help to see and hear how the drums hit the 2 buss. This way you might be better prepared for mastering... |
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| | #8 |
| Gear maniac Join Date: Sep 2007
Posts: 225
| I use the Waves R-Comp and Massey Tape Head on the mix buss. Works for me. If it's not going off for mastering I'll also use the Waves C4 and Massey Mastering Limiter. |
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| | #9 |
| Lives for gear Join Date: Feb 2007 Location: Georgia
Posts: 586
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| | #10 |
| Lives for gear Join Date: Aug 2005 Location: London UK
Posts: 880
| How would you say the 2 compare in your opinion, do you make choice between whether to go hard or soft? (sorry!) and if you do why?
__________________ "This is what I love about mixing though ...it's never the same twice"! |
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| | #11 |
| Lives for gear Join Date: Jul 2004 Location: Philly
Posts: 970
| alan smart and or FATSO |
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| | #12 |
| Gear nut Join Date: May 2006 Location: Stockholm,Sweden
Posts: 118
| None! ![]() I let the mastering dude of choice do all that squeezing of the 2mix...1/4" tape @ 15ips Peace, T |
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| | #13 |
| Lives for gear Join Date: Sep 2005
Posts: 1,308
| The truth is i dont like what the waves ssl buss comp does to the overall mix, but it is the shyt as a drum buss comp! The Renn comp is great for a lot of apps IMHO. |
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| | #14 |
| Lives for gear Join Date: Aug 2007
Posts: 997
| waves ssl on drum buss only. save rest for mastering |
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| | #15 |
| Lives for gear Join Date: Mar 2005 Location: New York, NY
Posts: 1,610
| The McDsp ML4000 has been a really good friend as of late. Its the best mastering/limiter plugin I have ever heard. I have also been really loving the new digi Reel Tape plugin. The massey mastering and tape plugs are also pretty cool. |
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| | #16 |
| Lives for gear Join Date: Dec 2006 Location: Foxboro, MA
Posts: 1,899
| Tony, your making me want to buy that thing, please STOP!! Hahaaa, I run my mixes through the DI of my GTQ. It can make the mix sound smooth as glass, without subtracting any punch or fatness I have going on. I love using digital EQ, but HATE using digital dynamics! You can stay away from digital zero with the 2-buss and drive the output of the line device harder to color the signal and increase the amplitude without introducing digital distortion. peace mixwell
__________________ Adam Brass Mercenary Audio adam@mercenary.com ________________ "Any opinions expressed above are worth exactly what you paid for them." Anonymous "Nothing can stop the man with the right mental attitude from achieving his goal; nothing on earth can help the man with the wrong mental attitude." Thomas Jefferson "If I find 10,000 ways something won't work, I haven't failed. I am not discouraged, because every wrong attempt discarded is another step forward. Thomas Edison |
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| | #17 | |
| Moderator Join Date: Feb 2004 Location: Boston,MA Providence,RI
Posts: 10,150
| Quote:
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| | #18 |
| Lives for gear Join Date: Aug 2006 Location: Phila, PA/Upstate MA
Posts: 2,353
| 9098 is a good piece for the job
__________________ www.myspace.com/stitchproductions "Half shark, half man, skin like alligator...carrying a dead walrus..." "I think this sheet metal that says NEVE on it can be made into a mic pre. It already sounds better than anything else I own." -D.W. |
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| | #19 |
| Gear nut Join Date: Dec 2003 Location: No Coast Region, USA
Posts: 129
| Lately for me it has been a bit of waves ssl comp and a little mixsaturator. I am not reducing gain more than a couple db overall. I think it sounds pretty good. I have also used the mixpressor on my 2buss, but sometimes it can be a bit much placed on the 2 buss. later btw- just received my navy blue gearslutz t-shirt yesterday and it is niiiiiicccces. Where is the best place you have sported it?
__________________ http://www.myspace.com/sirbergersworth Last edited by iceberg; 13th October 2007 at 07:37 PM.. Reason: t-shirt addition |
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| | #20 |
| Lives for gear Join Date: May 2007
Posts: 1,705
| If I decide to use some, then I might deal with some Rcomp or SSLcomp, mixsaturator (but not too often), and voxengo tape. |
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| | #21 |
| Lives for gear Join Date: Aug 2005 Location: London UK
Posts: 880
| Hows that Voxengo Tape working out on the bus?
__________________ "This is what I love about mixing though ...it's never the same twice"! |
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| | #22 |
| Gear maniac Join Date: Dec 2006
Posts: 239
| I use Izotope Ozone 3 (only using a few things on it) and Sony Oxford Limiter on the mix buss for all my demo cd's. But when its taken to the studio i track everything out seperately and put nothing on the mix bus. Then everything else is in the engineer's hands. |
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| | #23 |
| Gear addict Join Date: May 2005
Posts: 413
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| | #24 |
| Gear Head Join Date: Feb 2006 Location: Oslo, Norway
Posts: 32
| Mixbus-chain: UAD Cambridge (low end cuts) - TLA 5052 for light tube-drive, EQ and light comp (VST insert) - UAD Maximizer (really nice!) - UAD Limiter (barely active). For a finalized prod - NONE. Let the pros do it on outboard. |
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