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| | #91 | |
| Lives for gear Joined: Aug 2006
Posts: 665
| Quote:
No, it's the the quality I'm talking about. If you've been listening to a lot of the Dre tracks that have dropped in the last couple years, the sonic quality is different than some of the others made relatively recently. Some of my favorite tracks are the ones on the Big Bang... They have a lot of vibe, color, character, warmth. That album is loud as hell. I've heard a number of tracks that were equally or less squashed, but just didn't have that kind of feel to them. Now, if you think you can get a beat that sounds like Cocaina totally ITB, then maybe it's just your time to take over the industry from your computer keyboard :D But to me, the tracks like that carry the sound of hardware. | |
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| | #92 | |
| Gear interested Joined: Jun 2007
Posts: 25
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| | #93 | |
| Lives for gear Joined: Aug 2006
Posts: 665
| Quote:
But if you are mainly composing your own stuff and using synths and romplers and whatnot, that's a totally different ballgame. You need something to breathe some life into your stuff or it ends up being sterile/harsh. That means it either needs to be tracked through something OTB, or mixed with the help of something OTB... But you don't just load up a bunch of softsynths and rewire it to Protools with plugins and end up with a track that sounds like Takeover or The Ruler's Back or even something synthy like Dirt off ya Shoulder. And in the case of Just Blaze specifically, the *record* or the live musicians and the gear they tracked through are providing him with a sound. Thus there is a major OTB component already, no matter how you mix the beat. My point is no matter what, there is some major OTB component going into the sound of those beats. Whether it's in recording, tracking, mixing, or sampling something that's been recorded/tracked/mixed, it is *there* and it's crucial to the sound. However, if you want to make Lip Gloss, be my guest and produce/track/mix entirely ITB. No one is going to care for that style of track... | |
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| | #94 | |
| Lives for gear Joined: May 2007
Posts: 2,366
| Quote:
Cant forget about Goldmine too man, that one was also sounding heavy. Overall im gonna have to say it, but my favourite track on there was "You Cant Hold The Torch", just hearing Q-Tip and Busta together on the track, reminded me of the good old music from way back. Plus it basically talks and is directed towards the "wack MCs" coming up claiming to be bigging up the game when they really aren't. Thats what true hip hop ppl do, when they have a problem with something thats going on in this world, they express their views of these things over a beat and make it hit. | |
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| | #95 | |
| Guest
Posts: n/a
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It goes deeper than age. I know a bunch of rappers who are on majors personally and some of them KNOW they are not great rappers and they've always known it (though they wouldn't publicly say it). I know some others who have skills but don't feel challenged by the other guys out there | |
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| | #96 | |
| Guest
Posts: n/a
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I think it's pointless to say you'd track the record well. Why would working itb change that? I'd track a certain way no matter what I was tracking to. | |
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| | #97 |
| Gear addict Joined: Nov 2006 Location: Tampa, FL
Posts: 391
| I read this entire post and was about to say that exact same thing... We all obviously suck lol
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| | #98 | ||||
| Lives for gear Joined: May 2007
Posts: 2,366
| Quote:
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Who here said that they use nothing but pure synths anyway. Quote:
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I was refering to mixing ITB to mixing OTB; same source of sounds, recorded, vinyl, watever.... If you are an experienced PRO, that is use to mixing a track on a SSL, can you skip the SSL and still achieve the same desired results that you need.... The answer has been proven by more than one source, in more than one genre as being a yes. What you believe is perfectly fine, and your points are acceptable to a certain point, but they still dont invalidate that one point right there. | ||||
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| | #99 |
| Gear maniac Joined: Apr 2007
Posts: 173
| Great question. I see none of the gatekeepers answered
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| | #100 |
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| | #101 |
| Lives for gear Joined: Nov 2005
Posts: 695
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Booooooooooooooooooooooooooooooooooooooooooooooooooooooo I thought this site was for people about improving the quality of production. Saying that the ITB solutions is the new phase is like saying no one needs consoles anymore. O wait they just sold out Sony studio's, and the hit factory in NYC. damn yall win! Long live bathroom studios! I give up! |
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| | #102 | |
| Gear maniac Joined: Oct 2006 Location: Las Vegas
Posts: 246
| Quote:
I don't see where anything like that is being said. I'll be the first to say my music more than likely sucks...to someone... Thats why this thread started...no ssl yet is disappointed with todays production compared to back in the day, whether it be techniques, passion, skills, or lack thereof, he feels its changed to some degree, which is his position, and he asked if anyone else felt the same way. I feel the same way, but production as whole(if thats not what he meant)I think shit is so corny, shitty cheesy fake phony redundant crap, BUT a lot of it does get the club packed(sadly)BUT those productions are geared toward the club goer, so you have to keep that in mind. what upsets me the most is how many independent cds i've picked up to support they're cause, as well as mine(karma)only to be blown away with the crap thats on there. I don't want to offend ANYONE on this site because I don't know whos who, BUT I picked up a cd and had a song ABC 123...with a guest artist on it...tell me WHY the track had 2 people say the abc's and then one of them count to 100...to a beat... thats what "rappers" are recording these days, once I get my network back up on my computer, i'll post it if its allowable. but its a sad day when I hear SHIT like that. | |
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| | #103 |
| Gear addict Joined: Apr 2007 Location: ATL
Posts: 339
| Why can't any of us read? Hello all. This whole question of ITB vs OTB has been hashed and re hashed all over this board. If anyone thinks to be considered a pros, one must mix all OTB to get the best sound you obviously have not read the Q&A section of GS. In this section you will read multi-platinum engineers and producers who use ITB or OTB or a combo to make beautiful records. So why must we continue this dead issue. Rap and Hip Hop is just different now. Its not better or worse just different. One of the most beautiful productions I have ever from a production stand point came out this year with take over by danja. I don't remember anything from the 80's or 90's that musical. But hey I'm only one man what do I know.
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| | #104 | |
| New School Boom Bap | Quote:
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| | #105 | |
| New School Boom Bap | Quote:
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| | #106 | |
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| | #107 | |
| New School Boom Bap | Quote:
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| | #108 | |
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| | #109 | |
| Lives for gear | Quote:
__________________ Ace'Lowww.myspace.com/acelo www.twitter.com/acelo www.openlabs.com/acelo Protools HD2 Accel PCI & HD2 Accel PCIe, Mac Pro 8 core Intel, Command 8, Apple G5 1.8 single processor, Avalon 737sp, DBX 160X, Open Labs NEKO(with four 500gb internal harddrives), Akai MPC 3000 & 2000, Emu Sp-1200, Roland XP80, Yamaha Motif Rack, all the Emu modules, Korg MS2000, HEDD 192, Mac Book dual 2.4 with 4gigs of ram, Logic Studio 8, Axiom 25, Protools LE(Mbox Mini) and lyrics and beats 4 da streets!! | |
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| | #110 | |
| Lives for gear | Quote:
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| | #111 |
| New School Boom Bap | good music is good music i dont care so much about genre. if that was the case id never make hip hop i started out wanting to do pop and rnb but enjoyed hip hop all the same
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| | #112 |
| Lives for gear Joined: May 2007
Posts: 2,366
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| | #113 | |
| Guest
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(Hope I'm not going to hell for that one.) | |
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| | #114 | |
| Lives for gear Joined: Sep 2005
Posts: 2,017
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| | #115 |
| New School Boom Bap | |
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