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| | #1 |
| Gear interested Join Date: Jan 2007
Posts: 18
| Standard Royalties What is a standard royalty rate for a producer in the hip hop industry? Say I do a bunch of beats for a guy and charge no money up front. However, I make him sign a contract stating that I retain all rights and that I receive royalties on each track sold. What is fair percentage? |
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| | #2 |
| Lives for gear Join Date: Mar 2005 Location: New York, NY
Posts: 1,610
| You really need to get a music biz lawyer. Its worth the money and you will make more money in the long run. Its really nothing you want to try to negotiate yourself. In the meantime, check this link.... What are the main deal points in a music producer's agreement? |
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| | #3 |
| Gear nut Join Date: Dec 2006 Location: Maryland
Posts: 142
| 3-4% is pretty standard ..
__________________ B Knot 4 bars is hip hop, no need for more if it's a hit!! Trunks poppin'... B Knot hits.." Boss Recordings on SoundClick http://www.jamwave.com/bossrecordings |
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| | #4 | |
| Lives for gear Join Date: Aug 2006 Location: Phila, PA/Upstate MA
Posts: 2,353
| Quote:
__________________ www.myspace.com/stitchproductions "Half shark, half man, skin like alligator...carrying a dead walrus..." "I think this sheet metal that says NEVE on it can be made into a mic pre. It already sounds better than anything else I own." -D.W. | |
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| | #5 |
| Gear nut Join Date: May 2007 Location: Souf of Philly
Posts: 125
| There really is no standard. A lot of cats just sell their beats for a flat rate because 95% of what gets recorded, especially for the major lables, never hits the streets. Unless you are selling to an established artist asking for points will most likely backfire on you and get you little or nothing. You also have to worry about collecting from them and looking at their books, etc. Also unless you are established a percentage point is pronbably out of the question. If you are established its all about how much you can negotiate. You have to argue exactly how much of what you did is part of the song (beat 50%, hook 50% lyrics 50-100% of the 200% pie). So some producers that write the beat and the lyrics to the hook cop an easy 75% (150% of the 200% pie) of the publishing royalties based on that arguement. A good book to get you started in your publishing knowlege is "The Recording Industry by: Geoffrey P. Hull" |
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