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| Thread | Thread Starter | Forum | Replies | Last Post |
| Any tips to process a boxy vocal trac? | ryst | So much gear, so little time! | 31 | 1st March 2007 06:05 AM |
| whats this suble vocal effect? (clip attached) | beatzz | Music computers | 4 | 14th February 2006 02:48 AM |
| My Chemical Romance vocal processing (with clip!) | i51423 | So much gear, so little time! | 5 | 12th February 2006 02:06 AM |
| vocal how to itb? (clip attached) | beatzz | Music computers | 6 | 13th January 2006 10:28 AM |
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| | #1 |
| Gear nut Join Date: Dec 2005 Location: PA - 724
Posts: 135
| Process this vocal clip... I need some help... I'm having a hard time getting a good sound. If any of you have the time, take a listen to this clip and point out its problem areas. Also, I would love to hear someone process this clip using their chain and explain what was done and why... It's a vocal take in raw form, recorded with a AT4060 into a UA M610. I thank you all in advance for your time. |
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| | #2 |
| Gear nut Join Date: Dec 2005 Location: PA - 724
Posts: 135
| Any help...? |
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| | #3 |
| Gear interested Join Date: Mar 2007 Location: Brooklyn, NY
Posts: 12
| There's a really sick audio engineer on this forum named e-cue, he should be able to help you with that. To do what I think you want to do is just a bit of Parallel Compression and some EQ work. Don't take my word for it dawg, I ain't no sound engineer. ![]() |
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| | #4 |
| Lives for gear Join Date: Aug 2005 Location: Paris, FRANCE / L.A, USA
Posts: 665
| The attack of your compressor is way too short, and overall it sounds too boxy (was it on purpose ?). I think the mic was a bot too close to the rapper. - I Eq'ed dynamically the Highs with Waves C4 - I Eq'ed the mids with 2 instances of Waves Renaissance Eq 4 - I cut most of the attacks with Waves TransX Wide - Couldn't do anything with the weird artefacts in the extreme highs (Mp3 related I guess). But I could've handled it with a deNoiser (didn't have the time). All in all, I tryied to make it sound "wider" without touching the lows (that seems to be well managed by the AT4060 for this voice). My version might have less presence than yours, depending on your instrumental. To boost the presence, try the middle (magic) button of the URS BLT Eq... HTH
__________________ ::: Zacchino ::: |
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| | #5 |
| Gear nut Join Date: Dec 2005 Location: PA - 724
Posts: 135
| Thanks Zacchino... And to be more clear about this, I'm not just looking for free handouts. This is actually me taking a stab at rapping. I'm more comfortable behind the boards, but occasionaly someone wants me to do some voice over work, or add a verse to a song and I can never seem to work with my own voice. The only compression on the track is by a DBX 163X on the way in, and it is set to take off an occasional peak. Its barely there. |
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| | #6 |
| Gear nut Join Date: Dec 2005 Location: PA - 724
Posts: 135
| Should I ditch the DBX for something else on the way in? |
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| | #7 |
| Lives for gear Join Date: Jun 2006 Location: Brooklyn, NY
Posts: 882
| Ouch! I can see why you're unhappy. Maybe that Mic/pre combo just doesn't sound good on you. Watch your gain staging. It sounds like you're recording much hotter than your outboard analog was built to handle. It sounds like you're eating the mic, AND it sounds telephoney at the same time. A hard combination to get! Your room is also part of the equation. Bring down your levels, and don't get into the bad habit of normalizing that seems to be so prevalent among amateur hip-hop engineers. Try another mic, try different distances from the mic, try setting the 610 differently. It's easy to get a good sound out of it, but it's unfortunately also fairly easy to make it sound grainy and distorted. That's why so many people here hate it. (I'm one of the lovers)
__________________ Justin Colletti Audio Engineer |
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| | #8 | |
| Lives for gear Join Date: Jun 2006 Location: Brooklyn, NY
Posts: 882
| Quote:
That middle knob on the BLT is LEVEL. (Bass Level Treble) It sounds like magic because you're turning up the volume! It's pretty much straight-up clean level if I remember the sound of it........
__________________ Justin Colletti Audio Engineer | |
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| | #9 | |
| Gear Head Join Date: Feb 2006
Posts: 42
| Quote:
RVOX waves DEesser waves linEQ CRS room Ross | |
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| | #10 |
| Gear maniac Join Date: Feb 2006
Posts: 162
| Here's a 2 minute job. I can fix it up some more but I'm in the middle of a few projects taking a break. :) |
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| | #11 |
| Gear nut Join Date: Dec 2005 Location: PA - 724
Posts: 135
| The recording space is the biggest problem. I went with some bad advice to build a small 4x4 booth lined with Auralex that I have been unable to get a good sound from. I suppose this is my main problem. I'm about to tear apart the booth and go with an open recording area/semi booth made with with OC703 and acoustical cotton. (We live and we learn) I probably should have waited to do that before posting a clip. Now we're fighting two beasts. I'm going to ditch the booth, ditch the DBX, and I know I need a better convertor, but thats a different subject... Any other input is well welcomed. |
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| | #12 | |
| Lives for gear Join Date: Aug 2005 Location: Paris, FRANCE / L.A, USA
Posts: 665
| Quote:
Damn I really need to stop processing vocals, and just make shure it's synced.
__________________ ::: Zacchino ::: | |
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| | #13 |
| Gear addict Join Date: Jan 2007 Location: bartow florida
Posts: 408
| yes i used the dbx 266xl and trace at masterlab in orlando could tell what brand of compression i was using,he said it had that dbx sound,and told me tom get something more highend that would treat my sound with more care and when pushed hard it did give that kind of in the can sound,so now i just use it on drums and for the great limiter section,not to nock dbx its good at what its good at,hell who knows in the future it might be here on highend as one of those have to have throw back peices. ![]() |
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