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| | #1 |
| Lives for gear Joined: Apr 2006
Posts: 521
Thread Starter | Vocal compressor for Rappers / R&B singers (1176)
We are looking to get a good compressor for tracking vocals. Right now we are just using the one in the 737-- then adding Renaissance Vox. I know the 1176 is very popular for rock, but will it work well w/ rappers and R&B singers? Have any of you tried the Purple MC-77 on rappers? |
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| | #2 |
| Gear maniac Joined: Mar 2006
Posts: 262
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I wouldn't suggest a 1176 especially if it's the first compressor you are buying. Check out a LA2A, DBX160X, Allen Smart, or even the summit. I love the summit for Hip hop.... |
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| | #3 |
| Lives for gear Joined: Apr 2006
Posts: 521
Thread Starter |
<< I wouldn't suggest a 1176 especially if it's the first compressor you are buying. << How come? which model Summit? Thanks! |
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| | #4 |
| Lives for gear Joined: Apr 2006
Posts: 521
Thread Starter |
Do they still make that model of the DBX?
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| | #5 |
| Gear maniac Joined: Mar 2006
Posts: 262
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Summit TLA-100 The 1176 is a tough compressor to get your ears around. It's not variable meaning you only have so many options with it. The other compressors I suggested can be used in many situations. edit: when talking about the 1176 I'm talking about the ratio settings..... |
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| | #6 |
| Gear maniac Joined: Mar 2006
Posts: 262
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| | #7 |
| Lives for gear Joined: Jul 2002 Location: Brooklyn, NY
Posts: 3,856
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I think an 1176 is sweet on almost any vocals, but that's just me.
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| | #8 |
| Lives for gear |
I've been using the Dynax on 99% on my vocal revordings. And it works like a chamr. Its really flexible (can go for Xtream to fost) I love the 1176, but only if I'm looking for something really agressive. just my 2 cents Cheers |
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| | #9 |
| Lives for gear | |
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| | #10 |
| Lives for gear Joined: Apr 2006
Posts: 521
Thread Starter |
>> I think an 1176 is sweet on almost any vocals >> So have you had good luck using one with rappers? |
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| | #11 |
| Lives for gear Joined: Jul 2002 Location: Brooklyn, NY
Posts: 3,856
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| | #12 |
| Lives for gear | |
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| | #13 |
| Lives for gear Joined: Apr 2006
Posts: 521
Thread Starter |
Cool! So you think we will be straight with the Purple MC77?
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| | #14 |
| Lives for gear Joined: Jul 2002 Location: Brooklyn, NY
Posts: 3,856
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| | #15 |
| Gear nut Joined: Nov 2005 Location: West Chester, PA
Posts: 114
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RE: 1176 Remember that it's a very fast compressor, even at it's slowest setting (fully CCW). Sometimes in tracking vocals I prefer something slower/more gentle... like an LA3A (more or less a solidstate LA2)... I always prefered an 1176 during mixdown. But either way, it's a killer piece. |
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| | #16 |
| Gear maniac |
you´re talking about the 1176 as a hardware-comp, right? what about using the pre of the yamaha i88x going clean into daw and inserting uad 1176 as the comp? which levels would you drive the i88x for the clean signal and which the 1176?
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| | #17 | |
| Gear nut Joined: Nov 2005 Location: West Chester, PA
Posts: 114
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Never used a UAD1176, but I'm guessing it operates similar to the HW. Just turn the input up until you're getting the right amount of GR. | |
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| | #18 | |
| Lives for gear Joined: Dec 2006 Location: Nashville
Posts: 1,137
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I wish I could hear my plugins when I was tracking.
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| | #19 |
| Lives for gear Joined: Jan 2005 Location: Sydney, Australia
Posts: 1,525
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I've been using a Buzz Audio soc 1.1 for tracking rappers all last year, it is a superb box for vocal tracking, very smooth and quite transparent and it's an absolute killer on bass too. If you've got a lunchbox try out a Buzz essence comp, great on vox and bass too, almost the same as the soc but has transformer balanced inputs and outputs for some colour.
__________________ If you don't like it don't do it, its like banging your head into a brick wall, you always feel better once you stop. http://au.myspace.com/mandalatheband http://www.myspace.com/lizard42c http://www.myspace.com/eggshellrecords http://www.underworldmusicproductions.com http://www.myspace.com/poetlaureatte http://www.myspace.com/thanorthernlightscrew http://www.myspace.com/originaldrzeus |
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