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| | #1 |
| Lives for gear Joined: Jul 2005 Location: Mar Vista, CA
Posts: 740
Thread Starter | Do you guys ever use normalization?
I've got some old tracks I'd like to revisit but everything was recorded way too soft (didn't really know what the hell I was doing at the time) I seem to recall my music tech advisor in college treating 'normalization' as a dirty word of sorts. I realize that if there's any noise or other garbage in the source file that that will be amplified as well... any other pitfalls to normalization? I just, for better or worse, have really never reached for the normalize button before.... curious how commonly its used, if at all, by most? and a postscript - I've learned my lesson and I'm MUCH more mindful of levels as I track now, but thats neither here nor there
__________________ Composers shouldn't think too much - it interferes with their plagiarism. - Howard Dietz Art for art's sake is a philosophy of the well-fed. - Frank Lloyd Wright |
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| | #2 |
| Lives for gear Joined: May 2005 Location: Hillsboro, OR
Posts: 986
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There's nothing wrong with using normalization, it just turns the volume up to so the file peaks at 0db. People calling it a bad thing are just talking about people using it as a method or matching levels based on peak levels rather than RMS. If two files are normalized to 0db, they might have the same peak level, but they are not necessarily the same average level, i.e. one will most likely sound louder than the other. If you have files that are quiet, you can turn them manually, or normalize them. It's just a change in volume. So yes, the signal will be amplified, noise and all.
__________________ "When life gives you lemons, just say f@*k the lemons and bail" http://www.myspace.com/mattdistad http://www.myspace.com/froghollowdaycamp |
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| | #3 |
| Lives for gear Joined: Jul 2005 Location: Mar Vista, CA
Posts: 740
Thread Starter |
Cool, thanks man. Hey, nice cat by the way. I'm thinkin about getting myself one soon, do you let him in the studio? Just curious cuz my bedroom is my studio so I'm hoping he doesn't take to dfegad on the MIDI controller or anything like that... wow, quick way to derail my own post... |
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| | #4 |
| Lives for gear Joined: May 2005 Location: Hillsboro, OR
Posts: 986
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Thanks, yes, the cat comes in the studio, loves to sit on top of the monitors. The only problem she gives me is trying to jump on top of my acoustic cloud hanging 6 inches from the ceiling. She balances on the monitor then makes a flying leap onto the cloud. If a cat pissed on any of my stuff, they would probably be out in the cold...or at least locked in the bathroom.
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| | #5 |
| Lives for gear Joined: Dec 2004
Posts: 1,069
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I usually dont normalize above 95%.. Back in the day, like 2000, with Pro Tools, there was some distortion associated wth taking it to 100%... Also, in PT, make sure under prefs you turn of audiosuite dither or you'll be inadvertantly adding that to the audio file.. |
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| | #6 | |
| Gear maniac Joined: Feb 2006
Posts: 193
| Quote:
so your adding definitily degradation to your signal..i would try never to normalize a 16bit file... | |
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| | #7 |
| Lives for gear Joined: Mar 2005 Location: East Coast, U.S.A.
Posts: 1,799
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Not saying it's good or bad. Here are a few links to some good information: http://digido.com/modules.php?name=N...=article&sid=8 Dithering, db levels, and normalizing?
__________________ ~8^) The enemy isn't liberalism or conservatism, the enemy is bullshit -- Lars-Erik Nelson Now, when there's no longer surface noise and you actually have the ability to have the most extraordinary dynamic range, people aren't using it -- T-Bone Burnett The problems that exist in the world today cannot be solved by the level of thinking that created them -- Albert Einstein I'm not black, but there's a whole lot of times I wish I could say I'm not white -- Frank Zappa |
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| | #8 | |
| Lives for gear Joined: May 2005 Location: Hillsboro, OR
Posts: 986
| Quote:
technically yes, but my point was that normalization is no MORE degrading than a volume change, because that's exactly what it is. | |
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| | #9 |
| Lives for gear Joined: Aug 2006
Posts: 665
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well it is, becuase what he's saying is that if you drag a volume fader in a DAW with high-bit internal precision or whatever, the volume change happens in a "virtual" way and all the info is preserved, but if you take a sound editor and find a file and click "normalize", it has to be immediately crushed down to the bit depth of the audio file itself and thus you destructively lose resolution of the audio. When you are mixing it seems better to save truncation until the last possible minute and do the whole file, instead of hammering all of tracks individually this way and then summing the result of all the degradation together (and then doing it yet again when you bounce the mix to the target resolution). This is the type of picky stuff Bob Katz talks about in his Mastering Audio book. |
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| | #10 |
| Lives for gear |
Well, I never use it. Besides the points already explanied, I could never find a reason to use it. If you need volumen, crank the speakers. Just my 2 cents |
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| | #11 |
| Lives for gear |
luckily mr katz doesnt roam around these parts |
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| | #12 |
| Lives for gear Joined: Sep 2006 Location: Yay Area
Posts: 522
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Wasn't this just discussed here a week or two ago? Run a search on "normalization" for the reasons why you shouldn't use it. |
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| | #13 | |
| Gear addict Joined: Sep 2006 Location: Netherlands.
Posts: 387
| Quote:
And yes, noise will also be amplified as well. Oh, i wouldn't normalize a ballad and a loud guitar song to the same maximal level on 1 disc. And do please use normalization only when all other things failed. | |
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| | #14 | |
| Gear maniac Joined: Oct 2006 Location: The Netherlands
Posts: 164
| Quote:
So basicly my story is: get the highest quality, sample it in high quality, and if you have a shitty sample that needs to boost up anyway, see if normalization is the right choice for you at that very moment. No situation is equal to the other
__________________ The Score Studio The Netherlands Visit www.thescorestudio.com or www.myspace.com/thescorestudio Stuff: Logic Pro 7, SSL Duende, Focustrite Octopre Lite, Behringer ADA 8000, MPC 1000, Korg Triton Extreme 88, Korg K 700 1968, Mackie Big Knob, Rubicon 8 A and KRK ST8 monitors, Mackie Control Universal mixer, PowerMac G 5 Dual 1.8 3ghz, Patchbay and lots of AU (legal!!) and a great studio! | |
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| | #15 |
| Gearslutz.com admin |
Never use it... Bad voodoo... Leave well alone... tutt
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| | #16 |
| Lives for gear Joined: Aug 2006 Location: Phila, PA/Upstate MA
Posts: 3,432
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If you think you gonna normalize, use a limiter instead
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| | #17 |
| Gear addict Joined: Sep 2006 Location: Netherlands.
Posts: 387
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| | #18 |
| Lives for gear Joined: Aug 2006 Location: Phila, PA/Upstate MA
Posts: 3,432
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| | #19 |
| Gear addict Joined: Sep 2006 Location: Netherlands.
Posts: 387
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| | #20 |
| Lives for gear Joined: Aug 2006 Location: Phila, PA/Upstate MA
Posts: 3,432
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| | #21 |
| Gear addict Joined: Sep 2006 Location: Netherlands.
Posts: 387
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| | #22 |
| Lives for gear |
use something thats non-destructive at least |
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| | #23 |
| Lives for gear Joined: Jul 2005 Location: Mar Vista, CA
Posts: 740
Thread Starter | |
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| | #24 |
| Lives for gear |
any tool u beleive will give u equal results..be it riding the levels of the un-bounced mixed...or using a compressora on a bus to them. it just makes it more intuitive being able fine tweak ur results.
__________________ SonicSpecialists - Drums created for, and used by, top producers across the globe. URBAN FIRE 6 OUT NOW!!! Check our website, and the billboard charts. |
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| | #25 |
| Lives for gear Joined: Jul 2005 Location: Mar Vista, CA
Posts: 740
Thread Starter | |
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| | #26 |
| Lives for gear Joined: Aug 2006
Posts: 665
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Just move the fader up in the DAW...
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| | #27 |
| Lives for gear Joined: May 2006 Location: Kansas City, Missouri
Posts: 680
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