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| | #1 |
| Lives for gear Joined: Mar 2007 Location: S.California
Posts: 901
Thread Starter | knowing when "it's done" when mixing
Thanks Tchad! I realize every artist will vary when it comes to this...but...Budget aside...With the seemingly endless options we have in the rec studio these days,It's easy to keep working on something till it's overbaked.When mixing,How or when do you come to the point where you say"this is done"...especially if like Peter Gabriel is down the hall after recording something over a 10 year period.Not an easy task to say"yeah,here it is Pete"...or mabie it is!Is there a specific sound you like to arrive at that you have in mind or is your approach to mixing more trial and error before you go back to things you know that have worked for you in the past.Is there a final inspection you go through before inviting everyone in to listen or sending a mix off.Do you put the mix on your ipod/earbuds and go for a bike ride?Or..(joking here)do you just say to the artist I didn't use the the other 96 tracks of ideas because they really compete that killer vocal" or.....and finally...what is the most time you've spent mixing a song?-Sorry if this got more involved! |
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| | #2 | |
| mongrell mixer Joined: Feb 2007
Posts: 401
| mix time Quote:
When the artist is present, I feel freer to experiment. That said, with the PT's/DigiDelivery mixing in the box thing, it's easy to have five songs going at once so if the artist can't be there it's easy to back and forth with changes. Longest mix time, Five days running, not counting two recalls, is the longest I've ever spent on a mix, but it included re-arranging and recording new parts. Just purely mixing, three days. A binaural mix done for Sam Phillips record Martinis and Bikinis, track was 'Black Sky'. All sounds were sent through 10-12 different guitar amps or p.a.'s set up around the room and recorded through a Neuman Head direct to two track. A lot of the balancing was done by physicaly moving the amps (some were in metal trash cans) around the room. That was fun. I won't say it's a great mix, but it was fun.
__________________ tb | |
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| | #3 | |
| Gear maniac Joined: May 2004 Location: Chicago
Posts: 184
| Quote:
Thanks so much for your insight here! I've been a HUGE fan for many years. Tim
__________________ Tim Reisig | |
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| | #4 |
| mongrell mixer Joined: Feb 2007
Posts: 401
| in box Anything outboard is recorded into the box so there's no set up time when recalling.
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| | #5 |
| Gear addict Joined: Sep 2005 Location: Bern/Berlin
Posts: 439
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how do you deal with D/A A/D delay when processing OTB? (I think Tchad has PTHD which has Auto Delay Compensation built in - Jules) |
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| | #6 |
| mongrell mixer Joined: Feb 2007
Posts: 401
| latentcy |
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| | #7 |
| Gearslutz.com admin |
Are you completely happy with the performance of the compensation? Thanks. |
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| | #8 | |
| Lives for gear Joined: Jan 2003 Location: LA
Posts: 1,456
| Quote:
Don't sell yourself short -- 'Black Sky' is a great mix, and I would bet the first of it's kind, if not the only one of its kind! In headphones it is quite incredible, and even as a stereo mix through speakers it sounds cool. I listened to that record a few days ago for the first time in ages. There are a lot of great things on it, Tchad. One of my favorites of yours... Cheers and have fun! John | |
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| | #9 | |
| mongrell mixer Joined: Feb 2007
Posts: 401
| Quote:
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| | #10 |
| mongrell mixer Joined: Feb 2007
Posts: 401
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| | #11 |
| Lives for gear Joined: Jan 2003 Location: LA
Posts: 1,456
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