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| | #1 |
| Lives for gear Join Date: Apr 2006 Location: Haarlem, Holland
Posts: 785
| The Roots- The Seed Hi Russel, great to have you here, thanks for doing this. I have a question about The Seed by The Roots, i really love that track and used to spin it a lot in dj sets as a bridge between rock and hip hop. Everybody seems to love it. You guys somehow managed to achieve to get both a vintage rock sound and at the same time create a banging hiphop track, that's amazing. My question is how did you do it? Did you listen to both genres as a reference or did it just turn out like this? Sorry for the bit vague question but i'm just really interested in the production process of this track. Cheers!
__________________ " Innovation will come from the folks who focus on creating great experiences for their listeners with the tools at hand. " -> Bob Ohlsson Tommy |
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| | #2 | |
| Gear maniac Join Date: Oct 2006 Location: The Netherlands
Posts: 164
| Quote:
I like the drums and guitars on this song.
__________________ The Score Studio The Netherlands Visit www.thescorestudio.com or www.myspace.com/thescorestudio Stuff: Logic Pro 7, SSL Duende, Focustrite Octopre Lite, Behringer ADA 8000, MPC 1000, Korg Triton Extreme 88, Korg K 700 1968, Mackie Big Knob, Rubicon 8 A and KRK ST8 monitors, Mackie Control Universal mixer, PowerMac G 5 Dual 1.8 3ghz, Patchbay and lots of AU (legal!!) and a great studio! | |
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| | #3 |
| Gear maniac | That song impressed the hxxx out of me when i first heard it. What a sound! Please tell me more! /Toby
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| | #4 |
| Gear maniac Join Date: Sep 2006 Location: NYC
Posts: 195
| greetings toby, DWINC and tommy, this song was written by cody chestnut. one of the few songs that i mixed for the roots where i didn't personally record the drums. the credits on the album say that i recorded it but actually it was recorded by a good friend of mine. "Tony Rambo" did an amazing job tracking it. he didn't get his credit on the album so i want to set the record staight here. he assisted me on a few albums when i was doing a lot of work in LA and is a great engineer. so the kick was tuned really open without much stuffing inside. ahmir told me that he wanted this to sound like a garage band but yet he wanted it to sound huge as well. so i just kept that in my head as i mixed. i was thinking john bonham/eddie kramer style drums with lots of compression and lots of room. there's distortion from re-amping, heavy compression and slap in combination with the original dry signal. it was a little trickey getting just the right balance of lo-fi and hi-fi. i think i used a mooger fooger low pass filter on the bass. but i can't remember how i treated the guitars but i do remember i was thinking kind of rock-a-billy. we were definitely going for the marriage of the two genres. i'm starting my next thread right after this one called "the roots mixologies..." cheers and many thanks
__________________ russ elevado |
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| | #5 | ||
| Lives for gear Join Date: Apr 2006 Location: Haarlem, Holland
Posts: 785
| Quote:
Quote:
Cheers!
__________________ " Innovation will come from the folks who focus on creating great experiences for their listeners with the tools at hand. " -> Bob Ohlsson Tommy | ||
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| | #6 |
| Gear addict Join Date: Feb 2004 Location: Easy Bay, California
Posts: 473
| Is the break a recording of a pool(billiards) break? I think it is, but wanted to confirm. |
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