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Delays & Mixing Without Reverb
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Old 19th September 2005   #1
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Delays & Mixing Without Reverb

Hey - long time no see, hope you're doing well!

I've seen a few questions about how you use reverb, but I've also heard mixes you've done that had none, but didn't sound dry. I've tried experimenting with that a bit, but I've always ended up with at least one or two going.

Can you describe how you use delays when you're mixing withour reverb? When you do that, are you exclusively using your tape delays? What about repeats and feedback and the panning of the returns?

Can you suggest a set up to use as a string point for a mid temo slightly ambient rock tune? For instance, how many delays and what combinations of times and feedback?

I remember hearing you solo the return of one on the snare that sounded like it was 50-60ms with 6-8 repeats.

Also, do you usually have the high end rolled off? Obviously the tapes are a little darker. Maybe the better question is are frequent times when you keep the return bright?

-Mike
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Old 20th September 2005   #2
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I love mixing with only delays when it’s appropriate.

I can see that I’m going to start getting on people’s nerves here with this answer but, you’re asking me to give you details about something that I don’t think about. I’m not thinking about times or amount of repeats or feedback levels. I just tweak until I like what I’m hearing and of course every song is different so there is no starting point. Anything I give you could sound like total D.S. because it doesn’t apply to your song. That snare delay just happened because I was missing something in the feel so I started adding a delay and that’s what I ended up with. I probably haven’t done that since because nothing else has come along that needed the help.

There is simply no science to mixing. It’s all spontaneous and I rarely remember how I get a sound because it’s unimportant to me in the big picture. The same applies to EQ’ing of tape delays; If it sounds right , I leave it alone, if it sounds better with some midrange, up goes the midrange.

I’m not a technician. I play the desk how someone plays an instrument and I don’t think much about the technique in getting the mix sounding right. I may have great technique but it’s only because I’m good at getting my ideas across. I hope this makes some sense.
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