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| | #1 |
| Lives for gear Join Date: Mar 2004 Location: The Land Behind The Zion Curtain
Posts: 1,031
| Eno/Lanois Treatments Kevin, Could you describe the "Treatments" section of the console that you have referenced in other threads? What kind of effects were always up and how did you go about chaining things together? Was it on console sends or patching things to make them feed into each other? Was there any set formula or was it all spur of the moment, seat of the pants kind of experimenting? Thanks, Michael Greene |
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| | #2 |
| engineer / producer / mixer Join Date: Jan 2007
Posts: 312
| Michael On those records it was the AMS 1580 AMS RMX16 LEXICON PRIME TIME LEXICON 224 SONY DRE 1000 (?) PCM 42 DELTA LAB DELAY DIMENSION D TAPE DELAY QUANTEC ROOM SIMULATOR Usually sent from the aux sends. Spur off the moment. Occassionally an outboard compressor or eq across the whole thing and print to tape. KK |
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| | #3 | |
| Lives for gear Join Date: Mar 2004 Location: The Land Behind The Zion Curtain
Posts: 1,031
| Quote:
Thanks, Michael Greene | |
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| | #4 |
| engineer / producer / mixer Join Date: Jan 2007
Posts: 312
| Michael, Ver deep, especially whenit starts recirculationg and feeding back. WATCH OUT KK |
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