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| | #1 |
| Gear addict Join Date: Feb 2003 Location: Nashville, TN
Posts: 427
| How (and why) is the key of the song influencing your mix decisions If I read you correctly in the bass/d.i./amp post, you wrote that EQ moves to the bass guitar track are made with the key of the song as a variable. Why is that?
__________________ "It's an exciting thing, saying: 'Come and join our show. Listen to us. We're a great band'" - Sir George Martin describing the title track of Sgt. Pepper's Lonely Hearts Club Band. My Blog My SoundClick Page |
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| | #2 |
| engineer / producer / mixer Join Date: Jan 2007
Posts: 312
| All instruments have a "sweet range" and once out of that it may require the musician to approach the part differenty, say on a different part of the neck. Well applying the same eq to all bass parts just does not take into account all of these varaibles. Just like how a singers voice changes in timbre relative to a key. Am I explaining myself? ![]() |
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| | #3 |
| Gear maniac Join Date: Jan 2005 Location: South Surrey
Posts: 188
| Wow Sweet tip Kevin, thanks again. |
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| | #4 |
| Gear addict Join Date: Feb 2003 Location: Nashville, TN
Posts: 427
| How soon into the session/mix are you before this becomes a priority? Do you ride the drum kit as a whole during the song?
__________________ "It's an exciting thing, saying: 'Come and join our show. Listen to us. We're a great band'" - Sir George Martin describing the title track of Sgt. Pepper's Lonely Hearts Club Band. My Blog My SoundClick Page |
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| | #5 |
| engineer / producer / mixer Join Date: Jan 2007
Posts: 312
| Depending on the material I may ride the kit, cetainly I will look at fills and transitions in and out of sections to see if a little lift will help. KK |
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