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| Thread | Thread Starter | Forum | Replies | Last Post |
| Mixing to MP3? | Chapiro | So much gear, so little time! | 12 | 25th September 2007 06:01 PM |
| Mixing for MP3 - This is what we have been reduced to! | Resonant Alien | So much gear, so little time! | 0 | 12th July 2007 03:19 PM |
| Mixing to the MP3 | SoulSpace | So much gear, so little time! | 6 | 1st October 2006 12:24 AM |
| Mixing for .mp3 | RadioMoo | Mastering forum | 5 | 7th August 2006 01:16 AM |
| Mixing for mp3 output | john caldwell | So much gear, so little time! | 1 | 4th January 2006 02:12 AM |
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| | #1 |
| Gear addict Join Date: Jun 2005
Posts: 334
| Mixing for MP3 in your interview from 2006 in electronic musician you said that you will start to mix specifically for mp3; what are your findings since this time till now? |
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| | #2 |
| Guest Moderator - September 08 Join Date: Aug 2004 Location: los angeles
Posts: 125
| I wish I could report that I have made great progress, but I just can't find the time. If you guys have some insights, please share them with us. To start let's list our favorite MP3 makers (conversion software). I just do it in PT, bounce to disk and export as an MP3. I gotta figure this out. Thanks for the question. |
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| | #3 |
| Gear interested Join Date: Sep 2008
Posts: 6
| I mix on a pc using cubase, (one of the few I would imagine). I don't hate the MP3 compression straight out of cubase, but I do notice the difference when using LAME, At the mo I'm using WinLAME as it is a very easy to use and sounds great. :-) As far as mixing for a MP3 format, knowing the MP3's will be sold online and played in clubs, personally I try to keep the highends as detailed in the mix, pulling a bit more high end out of pads and strings giving this area space for percussive transients (house music at the mo has a huge amount of transient click on percussion, TransX, Transient Designer aided). I think as MP3 causes a bit more blending to occour you just need to mix with a bit more space (so easy to say, so hard to do, haha) Well that's what i have found on it. :-) O The Scientist |
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| | #4 |
| Gear Head Join Date: Oct 2004 Location: Chicago
Posts: 38
| I have noticed that different bitrates can effect the overall mix, reducing or accentuating the bass and/or treble in the mix. I can't imagine mixing differently,except corrective EQ at or post mastering to compensate. Scott Alger Parkside Studio, Chicago |
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| | #5 |
| Gear maniac | I found out if you filter out everything above 18k or so and don't do any stereo widening and other spatial things, you don't get nearly as much of the garble. I also dip around 50hz about a db and half. Obviously I print normal mixes first and then do this.
__________________ "Technological progress is like an axe in the hands of a pathological criminal." http://www.JohnBohnAudio.comhttp://www.myspace.com/johnbohnaudio http://www.AudioEngineerMag.com |
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| | #6 |
| Gear nut Join Date: Mar 2005 Location: London
Posts: 139
| I find LAME mp3 encoding sounds best. |
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| | #7 |
| Lives for gear Join Date: Sep 2003 Location: Cleveland, OH
Posts: 2,398
| Hey Dave, If you haven't already done so, check out this software called Barbabatch from Audio Ease. You can download the LAME codec for MP3 purposes for free and the software is really good. Here's a link to all the specifics: BarbaBatch I've been using it for all my conversion and I have to say, I really think it sounds better than any other software conversion (including PT|HD in Tweakhead mode) that I've tried.
__________________ Joshua Aaron President/Chief Engineer AudioLot/AudioLot Studios High End Pro Audio Sales & Consulting Recording/Music Production/Mixing http://www.audiolot.com |
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| | #8 |
| Gear addict Join Date: Jun 2006 Location: Not working on music, which is were I SHOULD be.
Posts: 314
| Wouldn't this be like saying "I've got all this great gear and high resolution, I'm going to mix specifically for cassette tape." MP3 as a format is designed to shave off what the encoder considers unnecessary frequencies, and how can you mix for something that degrades your audio? I feel that if you have great mixes to begin with, and encode at a high kbps rate (320 for example), your MP3s will sound close to the original mix, almost as good. This is what I've learned on my own, but I may be wrong and there may be a trick to making better mixes for a format that degrades your audio, I don't know. |
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| | #9 |
| Gear maniac Join Date: Oct 2006 Location: boston
Posts: 171
| I prefer Sample Manager for all file conversion, bit-rate, and sample-rate conversion. Audiofile Engineering - Sample Manager Check it out!
__________________ http://duckyboard.com |
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| | #10 |
| Gear nut Join Date: May 2007 Location: North Hollywood, CA
Posts: 79
| Great Plugin Idea That gives me a great idea. A plugin that emulates the sound of MP3 conversions!!! The "MP3-erizer" Copyright, ME!!!
__________________ I'm really happy to be working with music as a living. |
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| | #11 |
| Lives for gear Join Date: Jun 2005 Location: Miami FL
Posts: 6,828
| I use a program called Snapper to convert MP3s. It uses the LAME encoder, which from all accounts I've read seems to be the best one going. I think iTunes is probably one of the worst.
__________________ www.rbmixing.com |
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| | #12 |
| Gear maniac Join Date: Mar 2008 Location: 'da Pitts, PA
Posts: 267
| I do almost the same thing. I read in an audio mastering handbook that the higher frequencies is what is harder to encode and translate when transferring mp3's over the internet. For that reason, I use a low pass filter and shelf off everything above 18.5 cycles. It seems to do the trick. I dunno, anyone else? Peace |
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| | #13 | |
| Gear interested | Quote:
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| | #14 | |
| Gear maniac Join Date: Jul 2007 Location: New Zealand
Posts: 192
| Quote:
Don't want to disable filtering at lower bitrates though, you'll lose clarity in other sections of audio due to less audible frequencies consuming more of your available mp3 bandwidth... With MP3 a bit of high end always gets lost or smudged, however you encode it though. So if your mix is sounding a little bright, congrats - it'll get fixed in the encoding phase - Hope this is useful to someone. Matt
__________________ http://www.soulstudios.co.nz | |
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| | #15 |
| Lives for gear Join Date: Sep 2006
Posts: 2,528
| i've been pretty sucessful with the newest lame codec... either in wavelab or mp3converter PRO, which is very parctical too... |
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| | #16 |
| Lives for gear Join Date: Jul 2007 Location: USA
Posts: 531
| Jimmy Douglass was saying he has started mixing in 88.2 for this reason. He felt that his mixes translated better from 88.2 to mp3. |
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| | #17 |
| Lives for gear Join Date: Mar 2006
Posts: 684
| I've found using wavelab with the "Fraunhofer" codec produces good results. |
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| | #18 |
| Lives for gear Join Date: Jul 2006
Posts: 1,888
| i really really like aac, i find it to be musical, and the best relatively of course, i havent the time to really get into the flacs/ogg vorbis/apple lossless yet... but 192 aac seems to be a very very good compromise, of quality... |
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| | #19 |
| Gear nut | I have had good results with wave lab conversion, on a mac I use Itunes |
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| | #20 |
| Gear addict Join Date: Aug 2003 Location: Milwaukee, WI
Posts: 343
| I think a better question is: How do I optimize mixes for Myspace compression? Some tracks on Myspace just slam other do not sound as well. I don't believe its totally the all out quality of the recordings either. Both of these seem to be questions that would be better off addressed by Mastering engineers though. I don't know if we necessarily have to change our mixes for MP3 or Myspace, they may need to be mastered differently with that intent though. Like if you're doing an LP and CD release the masters would probably emphasize certain aspects to maximize both mediums. Bobby Peru Milwaukee, WI |
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| | #21 |
| Gear maniac Join Date: Dec 2007 Location: Scarborough, Ontario, Canada
Posts: 164
| David Ben gave a lecture at my school where he was talking about focusing on mixing for mp3 and showed us some pretty decent work. I don't remember what software he said he used unfortunately. I think he still mixes analog for the mp3 stuff as well.
__________________ "Making music is like Cooking" |
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| | #22 |
| Lives for gear Join Date: Dec 2007 Location: Vegas
Posts: 862
| I usually use the one in Cubase SX it has been good for sending test mixes to clients. There are also 2 or 3 in Nero, I use them at times and they are really good. Choices are a great thing!
__________________ Beyersound Protools is great for Corporate America, the rest of us want real choices!!!! ""Musicians should learn...the fundamentals, just like a baseball player. Run, hit, throw. And if you don't know that stuff, you'll never be a major leaguer. It's an old fashioned, cranky way of thinking, but I'm sorry, there's no easy way. You can go on American Idol and scream your head off, but if you can't play an axe, I'm not going to respect you." --Billy Joel www.myspace.com/beyeraudio |
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| | #23 |
| Gear nut Join Date: Mar 2007 Location: NYC
Posts: 144
| for nice sounding mp3's at any bitrate, but especially low rez like 128 Kbps, you just can't beat the LAME mp3 encoder. it's magic. Read about it here: LAME MP3 Encoder Find links to software that uses it here: LAME MP3 Encoder :: Related Links My fav app for it that works in Itunes: LAME MP3 Encoder :: Related Links
__________________ Peace http://www.discogs.com/artist/Brian+Scibinico http://www.imdb.com/name/nm1717240/ |
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| | #24 |
| Gear Head Join Date: Sep 2007
Posts: 42
| one simple trick for me (not having the digidesign plugin) - it you export your track to 48khz instead of 41 (cd quality) then convert to mp3, it sounds noticeably better. |
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| | #25 |
| Gear maniac Join Date: Nov 2005
Posts: 199
| I'm no expert but on Beatport they use LAME which they say is the best Mp3 conversion software...I would like to know also which is the best..haven't tried LAME but if anyone has please comment... |
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| | #26 |
| Gear nut Join Date: Apr 2008 Location: NYC
Posts: 89
| I've used the MP3 conversion in Logic Pro, it seems to sound as good as an MP3 can sound... ![]() I've gotten good results by trying to compensate for what the MP3 algorithm favors. These may be very general statements, but I think most mp3 codecs select for the mid-range frequencies preferentially over the lows and highs, resulting, to my ears, in a very mid-heavy sound. (Vocals suddenly jump out, maybe the snare drum gets louder, etc.) I put an EQ on the 2-buss and gently scoop btw 1-5 kHz (with a low Q) and slightly boost the high frequencies. Doing this (and adjusting through a few EQ/bounce attempts) I've managed to get some mp3s sounding very close to the wav files, at least in terms of overall frequency balance. Anyone else find themselves doing this? (pre-emphasis od deemphasis of freqs before mp3 conversion?) |
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