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| | #1 |
| Lives for gear Joined: Oct 2002 Location: Control Room
Posts: 1,949
Thread Starter | Obstacle-Busting Work-Arounds For The Processor/System Challenged
Running Digi001 PTLE on an antiquated Mac 350Mhz G3 makes creating mixes that will compete with "pro" systems a CONSTANT excercise in improvising work-arounds. Many if not most (or perhaps even all) of us have run into barriers imposed by the inherent limitations of our respective DAW systems. But understand this: When you hit a wall, there's ALWAYS a way to get beyond it. Through it, around it, above, below it... Where there is a will, there is a way. And there is ALWAYS a f*cking way. So let us share the ways. When you run out of: > Processing power > Track counts > Time > $$$ > Whatever else... ...and you STILL make it happen, how do you do it? |
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| | #2 | |
| Lives for gear | Re: Obstacle-Busting Work-Arounds For The Processor/System Challenged Quote:
If I hit "the wall". Audiosuite, rendering and playlists. For example, instead of the typical 4 or 5 versions of lead vocal tracks, each with its own 3 or 4 plugs. If need be, Ill do 4 or 5 playlists, on one track. Ill put up a dynamic/eq plug chain in real time, on the channel, get what I want, and "save as" on the plugs in question. Then select the entire track on that particular playist, call up the same plug in Audiosuite, recall the "saved as" setting, and render that playlist. and so on, until my 4 or 5 tracks/playlists are complete. During the mix, ill toggle between the playlists choosing which "Track" i want at the that particular time, cobbling those pieces together, on fresh playlist. Hopefully that made sense It IS a pain in the ass, [ but you asked for work arounds], but it has helped me when doing mixes in folks home studios. best Sean
__________________ Sean McDonald Sofa King Music Services Website http://www.seanmcdonald.com http://www.facebook.com/SeanMcDonald...gMusicServices | |
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| | #3 |
| Gear addict Joined: Oct 2002 Location: Adelaide, Australia
Posts: 377
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Also obvious but I often submix and print stuff I am happy with. If it was extensive then I will duplicate the session at that point leaving the old one with the fx/plugs intact so at any point I could go back make a change and import it to the current session.
__________________ Cheers Brenton |
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| | #4 |
| Lives for gear Joined: Oct 2002 Location: Control Room
Posts: 1,949
Thread Starter |
The Playlists thing is something we need to explore. I've toyed with it, but I have to admit the whole concept of making playlists happen still goes over my head a bit at this point. What's clear though, is that in order for us processor-challenged folks to compete with the big rigs, we must be willing to, unabashedly, and with glee: • Print effects with Audiosuite • Sum tracks (Bounce To Disk)... ...to the point of ping-ponging stereo mixes back and forth. Example: I've gotten into a routine of developing tracks with minimal drums. Then when I need to enhance the drum/percussion/rhythm section, I'll ... > Mute all the existing drum tracks in the session, > Bounce To Disk a stereo file named SansDrums, > Re-import that file into a new session > Use the 22 remaining tracks to build a symphony of drum samples/loops/etc. around that arrangement, and when done, > Mute the "SansDrums" stereo track on that session, and bounce that drum mix to disk with a tastefully applied compressor plugin on the mixbus, naming that file "DrmBounc1"... > Import that drum mix back into the original session, > Then mix to taste, adding whatever else is necessary. The whole point is to emulate the mix structure of a large console IE: SSL, et al, while simultaneously utilizing the flexibility of the DAW to achieve what it physically cannot do in realtime. Naturally, a lot of back-tracking is involved. You may bounce the drums and re-import them into your session, only to find the hihat is too loud or whatever, and then you're back into the drum mix session, tweaking. But with "Save Session As," you can save each stage of each submix, and keep them all organized within the song file. As Sofa King so adequately put, it is a "pain in the ass." But if it's a labor of love, you can develop a system, time-consuming as it may be, which will ultimately yield some killer results. Bob Olhsson has this great proverb: "There is fast, there is good, and there is cheap...And you can only have two of those at once." What we are discussing here falls into the realm of good and cheap. Not fast. |
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| | #5 | |
| Gear addict Joined: Oct 2002 Location: Adelaide, Australia
Posts: 377
| Quote:
Still when I started, I did everything on an 8 track analog. Track drums and bass then mix and bounce down to two tracks and erase the originals. At least now we can go back to them when we realize the HiHat is too loud. | |
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| | #6 | |
| FX smörgåsbord user Joined: Oct 2002 Location: Hollywood, FL
Posts: 881
| Quote:
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| | #7 |
| Lives for gear |
well when my computer can't handle anymore tracks, plugs or whatever i just push that magical function that samplitude has implemented in its latest incarnation which is the 'freeze function' its a god send. Logic, Nuendo(i think), do as well
__________________ "I hate it when they tell us how far we came to be, as if our people's history started with slavery...." Immortal Technique www.sicbeats.com |
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| | #8 | |
| Gear addict Joined: Oct 2003 Location: Montreal
Posts: 326
| Quote:
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| | #9 | |
| Lives for gear Joined: Oct 2002 Location: Control Room
Posts: 1,949
Thread Starter | Quote:
I give up. What DOES that mean? | |
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| | #10 |
| Lives for gear Joined: Jun 2002 Location: London UK
Posts: 1,777
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Hi Eric Hope you don't mind a slight veer off topic. I'm curious why you stay with PT LE and don't cross over to Logic (or other). I personally wouldn't choose PT LE if I had to make an all-native choice. Thanks Rene |
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| | #11 |
| Moderator Joined: Sep 2003 Location: Belgium
Posts: 4,347
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Reason to stick with PTLE is the plugin support. Most interesting native plugins come as RTAS but not as AU. I hope this will change tho as i use both PTLE and Logic myself, and would like to be able to use all plugins in both programs.
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| | #12 |
| Gear maniac | Audio Suite
When processing a track with an audiosuite plugin, is there any latency? Do I need to nugde the track after the file is rendered? Thanks! Brian |
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| | #13 |
| Moderator Joined: Sep 2003 Location: Belgium
Posts: 4,347
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No, there won't be any latency when you process a track with AS. You already gave your computer the opportinuty to take his time for the calculations during the processing. The resulting file will be spot on.
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| | #14 |
| Lives for gear Joined: Nov 2002 Location: BELGICA, THE FLANDERS, VENICE OF THE NORTH !
Posts: 996
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what about recording the busses and AS these? keep the drums in and instead of using the 2 stereo busses on them ful of plugins, just record them to stereo tracks and mute or delete the 2 busses. Audiosuite these to taste. the current mix im working has 30 tracks and my cpu gets down when using +-10 plug ins, but have to work thru it to afford a new daw, so A real pain in the butt but it works.
__________________ Everybody knows that's what aliens sound like - Dr. Bob Moog |
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| | #15 | |
| Lives for gear Joined: Oct 2002 Location: Control Room
Posts: 1,949
Thread Starter | Quote:
Interesting question. I wasn't aware there were so many advantages Logic/DP/et al might have over PT, besides track counts and MIDI support, neither of which is really burning me right now. But I guess it wouldn't hurt to have one of those programs in addition to PT. There's lots of things about PT that I REALLY dig. So its limitations don't bug me. It's kinda fun actually, coming up with funky-assed ghetto workarounds in PTLE. I really love the sound I get with this stuff. But if someone wants to send me a cracked version of Logic I'll be happy to try it out. | |
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