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| Gear interested Join Date: Jun 2009
Posts: 5
Thread Starter | Spooner and Fire Town Way before Nevermind and Garbage, you and Duke Erikson were in two cult-Midwestern bands, and along with Steve Marker engineering or as soundman, and released a number of records at the beginning of your production career. I began to check out Spooner and Fire Town material over the last few years, after only being aware of The Good Life from the video (YouTube - Fire Town "The Good Life" for anyone who doesn't know it) and was pleasantly surprised by how melodic and listenable they were 25 years down the line. I must've had some other idea in my head what they would sound like. I'm particularly fond of "Walking with an Angel" ![]() I was wondering how your production techniques and knowledge from self-producing those records have influenced your later career and how you look back on those records now. I know that there was a Fire Town re-issue last year, is there plans for a re-issue of the three Spooner albums? |
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| | #2 | |
| Gear maniac Join Date: Dec 2008
Posts: 289
| Quote:
Fire Town was also cool. We wanted to make a jangly midwestern pop record, and we recorded the first album at Smart on my 8 track, released it on Boat (our Madison indie label), and when MTVs 120 minutes played our home-made video of Carry The Torch, all the labels came a calling. We signed with Atlantic after never having played a single gig together, and after we made the second album it all went downhill. The A&R guy who signed us left and we had no one at the label to look after us...this was in the days of hair metal, and Skid Row, White Lion, and Twisted Sister were all the rage, there was no room for a little jangly pop band from the midwest. But I learned a lot about recording making that second album with producer Michael Frondelli in NYC, and the day after I flew back to Madison, I started work on Killdozers "12 Point Buck" which we did in 6 days. After hearing it 6 months later, Smashing Pumpkins and Nirvana called.... | |
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