Originally Posted by frase89
one of my top 3 albums for 2008 so firstly, congratulations on a great record!
hoping you can shed some light on the recording process...more specifically
1: drums. love the drum sound, particularly on 'burst' and 'always tomorrow.' how were the room mic's treated? their seems to be a fair bit of ambience to the kit but its still manages to punch through the wall of guitar.
2: guitars. i've only ever seen billy using vox amps, AC30's and various heads...he obviously uses pedals live but where there any other amps used on the album? things like the riff from 'shake shake' are just single note lines but still sound massive, how much doubling was done on the record?
apologies, this is more along the lines of engineering than producing but any info you can share on the session would be much appreciated
Hi - Don't know which song you're referring to as 'burst' but on always tomorrow the drums were a Pork Pie kit with a 60's Ludwig Acrolyte snare. Recorded at Conway "C".
(thanks to mike fasano for taking copious notes!)
close room mics were coles, far rooms were Telefunken 251's - no real processing going on during the tracking. The room just sounds that good!
I think a big part of the drums being able to cut through the guitars is due to the band - they have an amazing organic thing going. The way they each play really complements each other and they manage to have a lot going on without stepping on each other.
Guitars were mostly a Gibson ESTD, a Diezel VH4 and a Matchless DC30. Royer 121 and PR30 mics, Germanium preamps. A lot of the sounds had some sort of pedal involved - we really geeked out on the pedal front and sometimes we had 4-5 stomp boxes going at once.
Rhythms were doubled, sometimes quadrupled with a different guitar sound.
They were great to work with and it's amazing how much easier it is when everyone in the band can really play AND they know their parts inside and out. It was a fun record to make!