30th October 2012
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#2 | | Lives for gear
Joined: Apr 2005 Location: UK
Posts: 1,165
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Pulse Width Modulated...
Pye or Trakker/STC-8 territory?
Looks well featured. Dan is clever.
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30th October 2012
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#3 | | Gear maniac
Joined: May 2010
Posts: 264
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Anyone has a better picture of the comp?
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31st October 2012
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#4 | | Lives for gear
Joined: May 2003 Location: Bowmanville,Ontario
Posts: 2,428
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Whoa!!! Anybody hear this?
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31st October 2012
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#5 | | Lives for gear
Joined: Jul 2002 Location: Inver Grove MN
Posts: 530
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Hi Guys,
Just got back home from San Francisco, I'll get some better pictures for you.
The compressor is a new design, although I've been working on it for a few years. It is
not like anything else out there.
It's in the beginnings of production, watch for it soon.
__________________
Dan Kennedy
Great River Electronics
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31st October 2012
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#6 | | Gear interested
Joined: Oct 2009 Location: San Francisco
Posts: 22
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Variable control between feed-back and feed-forward compression... such a clever idea!
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1st November 2012
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#7 | | Lives for gear
Joined: May 2009 Location: London
Posts: 1,066
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The 500 series is getting relentless. WOW!
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1st November 2012
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#8 | | Gear Head
Joined: Sep 2012
Posts: 45
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Awsum stuff
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1st November 2012
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#9 | | Lives for gear
Joined: Mar 2007 Location: West Coast
Posts: 1,940
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I'm sort of confused (it's me most likely) but the new comp is definitely styled - knobs, coloring, etc. - like the Harrison 32 eq next to it as opposed to the Great River mic pre but I don't think it's a "harrison"...
Looking forward to trying it out!
__________________ - "You only have a certain amount of headroom with Pro Tools... if you start pushing it a little bit too hard it's starts squawking like a chicken, if you go too low, it starts squawkin', you have to work within a certain realm otherwise you get zapped either way!" - Tad Donley (2006) - |
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1st November 2012
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#10 | | Gear maniac
Joined: Apr 2009 Location: Los Angeles, CA |
Want. Need. TIA. |
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2nd November 2012
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#12 | | Telling it like it is
Joined: May 2010 Location: Queens, NY
Posts: 3,033
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I'm curious about the pulse width mod. How does that affect the compressor?
Regards,
Frank
__________________
My equipment: A Commodore 64, 2 1541 Disk Drives, Dr T's Music Studio and a Casiotone CT-460. www.frankperri.com
Never listen to opinions regarding gear. For every 50 nobodies on Gearslutz that say a piece of gear doesn't sound good enough to cut it, I know at least one somebody who is cutting it in NYC with that piece of gear. ... www.diehipster.com |
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2nd November 2012
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#13 | | Lives for gear
Joined: Jul 2002 Location: Inver Grove MN
Posts: 530
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Still in tradeshow recovery mode, but the PWM is the gain control element, as opposed to FET, VCA or opto.
It's fast, clean and has a unique character.
The FB/FF control has a remarkable influence on the sound, hard to describe, but it mostly makes the unit go from super smooth to aggressive, without changing other things too much. It's a fun knob.
They'll be available soon, check them out.
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2nd November 2012
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#14 | | Telling it like it is
Joined: May 2010 Location: Queens, NY
Posts: 3,033
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Definitely. Thanks for the explanation.
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2nd November 2012
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#15 | | Lives for gear
Joined: Jan 2006 Location: Vancouver BC, Canada
Posts: 1,512
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Excited to hear this! |
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4th November 2012
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#16 | | Enjoys Food too.
Joined: Mar 2008
Posts: 364
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Oh snap! This might change everything for my tracking comp plans! Excited. Can't to hear examples of this one.
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Aaron.
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7th November 2012
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#17 | | Lives for gear
Joined: Dec 2008 Location: Toronto, Canada
Posts: 809
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Dan,
Just a random question, so don't look in to it more than you need to ...
But why the decision to design the aesthetics of you new compressor like the Harrison EQ, rather than your 500NV? Neither here nor there really, but I for one LOVE the look of your 500NV and other Great River 19" rack gear. Figure it might do a better job of "brand blocking" a 500 series rack as well with the Great River theme instead of the Harrison theme ...
Anyways, just curious is all. Looking forward to hearing your new creation!
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7th November 2012
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#18 | | Gear addict
Joined: May 2009 Location: new york
Posts: 301
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Avening,
As a proud owner of two GR mic pre/eq rack units, I agree that besides their incredible sound they also look much better than the Harrison 500 series. It's marketing 101 to have your premium signature line have a similar look, and keep the Harrison look for Harrison products.
Anyhow, I can't wait to try this new creation! Dan makes amazing and unique products that help me make better sounding music. I only have the highest praise. Can't wait!
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7th November 2012
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#19 | | Lives for gear
Joined: Sep 2005
Posts: 4,345
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Price ?
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8th November 2012
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#20 | | Gear nut
Joined: Jun 2009 Location: St. Paul
Posts: 83
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Originally Posted by henge Whoa!!! Anybody hear this? | I haven't had a chance to use the PWM 501's yet, but i've been using Dan's prototype compressor for a while now. It's essentially the same compressor as the 500 version minus the HP filter and variable FF/FB control. This has a five position FF/FB switch instead.
So, how does the prototype sound? I would say it's smooth, full, and clear. With a compression action that can go from gently taming/smoothing to a full on audio assault.
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8th November 2012
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#21 | | Enjoys Food too.
Joined: Mar 2008
Posts: 364
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The only samples of a PWM compressor I heard seemed incredibly forgiving on the top end. As in most compressors really seem to shave off the sparkle on things like cymbals and hats, but not the PWM comp I heard. It was smooth all across the board and no damage to the sparkle up top. In your experience do you think this GR comp fits that sort of description?
I have high hopes on this.
Price?!
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11th April 2013
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#22 | | Lives for gear
Joined: Sep 2006 Location: Minneapolis |
I thought I would post a picture of what I have been using on some mixes this week. These are serial #'s 1 & 2! They sound really really great and I'm very excited to have them. Thus the reason for posting the picture.
So far I have used them on drums, bass, acoustic guitar and vocals. They are very flexible with a very nice tone. A few things I have noticed they stand out on.
1. You can see in the photo of the one on the right. I have it set to be a peak limiter. I'm using that one on a peaky acoustic guitar just grabbing some of the peaks. Works like a charm.
2. Another stand out for me has been how you can control the groove/length of the bass and drums. The PWM 501's do this better than any of my other compressors I have. I love this about them, so much so that I haven't used them on other things as much as I should have by now!
3. Because of how flexible these are they work really well in series with another compressor. So if you are trying to do the classic 1176 into a LA 2a and don't have one or the other. These would work really well filling in either type of gap. I personally do series compression a lot instead of one compressor doing all the heavy lifting.
Once I get done with these current mixes I will test them out on the mix buss. I'm sure the variable HPF will be extremely handy on the mix buss.
As far as the tone goes, I honestly wasn't sure what to expect when I first heard them. The PWM compressors I have heard have a wide range in tone. The Pye comps are very colored (love them) and the Cranesong STC-8 is very transparent (love it). I would say the tone of the PWM 501 isn't overly colored or transparent (kind of like the GR Harriosn EQ, just right). These are gonna become work horses around here.
Oh, the variable feed forward and feedback is a cool tonal shaping feature. I actually forget about it sometimes and need to play with it more than I have but so far it has been a quick and easy adjustment. I like features like that!
Another great product from Great River.
__________________
Dan Deurloo Credits Some of the music I have been part of. Risen Drums Custom drum company I co-own. I wont pimp our drums here unless you ask. |
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11th April 2013
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#23 | | Enjoys Food too.
Joined: Mar 2008
Posts: 364
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Sweet!!!
Thanks for the mini review. Can't wait to hear more.
I wonder how much these are going to to for when available. Any word on that yet?
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11th April 2013
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#24 | | Gear Guru
Joined: Jul 2006 Location: So Cal
Posts: 13,873
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Nice!!! The 500 series just got a huge boost. Look forward to hearing these bad boys!!
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11th April 2013
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#25 | | Lives for gear
Joined: May 2003 Location: Bowmanville,Ontario
Posts: 2,428
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I want this...BIGTIME |
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11th April 2013
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#26 | | Telling it like it is
Joined: May 2010 Location: Queens, NY
Posts: 3,033
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Thanks for waking this back up, Dan. I had completely forgotten about this (and I posted in this thread back in November! haha) but now that you reminded me, I can't wait to check these out and hear more.
One question - what does the PWM knob do? Does that affect the compression element somehow?
Thanks,
Frank
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11th April 2013
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#27 | | Jai guru deva om
Joined: Feb 2003 Location: South Carolina
Posts: 12,902
| Quote:
Originally Posted by drBill Nice!!! The 500 series just got a huge boost. Look forward to hearing these bad boys!! | I look forward to receiving them too, let us know when we can get some Dan!
War |
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11th April 2013
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#28 | | Lives for gear
Joined: Sep 2006 Location: Minneapolis | Quote:
Originally Posted by ionian Thanks for waking this back up, Dan. I had completely forgotten about this (and I posted in this thread back in November! haha) but now that you reminded me, I can't wait to check these out and hear more.
One question - what does the PWM knob do? Does that affect the compression element somehow?
Thanks,
Frank | The Red Knob is the makeup gain. The PWM is part of the name PWM 501.
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11th April 2013
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#29 | | Lives for gear
Joined: May 2003 Location: Bowmanville,Ontario
Posts: 2,428
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Actually I'll wait for the 19 incher. No 500's here and I don't want to start a lunchbox because I'll be broke in a month!!LOL
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11th April 2013
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#30 | | Telling it like it is
Joined: May 2010 Location: Queens, NY
Posts: 3,033
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Originally Posted by dandeurloo The Red Knob is the makeup gain. The PWM is part of the name PWM 501. | Ah! Ok, I see it now! lol...I thought the words, "Output level" was for the meter!
Thanks again,
Frank
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