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| | #1 |
| Slate Pro Audio / Slate Digital Joined: Sep 2009
Posts: 1,686
Thread Starter | Steven Slate debuts The RAVEN X1 Production Console ![]() ![]() ![]() Anaheim, CA NAMM 2012 Hall A #6921 In 2011, Slate Digital released the Virtual Console Collection, a DSP plugin that authentically recreates the sound of five legendary vintage analog consoles. Using this plugin, audio engineers can finally have the warm, fat, and rich sound of a classic mixing desk in their DAW. However, as much as the Virtual Console Collection can recreate the sound of a vintage desk, it cannot recreate the workflow or tactile control that a physical desk provides. Enter the Slate Pro Audio RAVEN X1 Production Console The RAVEN X1 Production Console is made for the new age of audio production, with innovative features that meet the needs of the modern audio engineer in the modern DAW-based recording studio. Whether it’s tracking, overdubbing, composing, mixing, or mastering a 5.1 DVD, the Raven X1 is equally capable in all aspects of production. Features At the heart of the Raven X1, we put the three most important elements of the modern DAW studio: The Display, the Mouse, and the Keyboard. But this is just the beginning. The center console of the RAVEN X1 provides every necessity for the modern studio, such as a full-featured analog monitoring controller, three 6-channel dedicated artist cue sends, 8 stereo sources including an iPod dock right on the desk, 5 speaker outputs, talkback with multiple sources, engineer's headphone section with multiple sources, 4 VU meters, 2 LED meter pairs, USB ports for portable drives and memory sticks, 5.1 surround monitoring, built in “Betty” laptop-style monitors, and more. All the circuitry in the Raven X1 console was designed by master design engineer Tim Caswell, and therefore the signal path is made to pristine specs for the most critical audio work. FULL FEATURE LIST: Integration Seamlessly integrates the most essential components and functions of the modern studio Increases efficiency and workflow by placing the DAW front and center Clear Path™ pristine analog circuitry All analog components selected for transparency and fast response circuitry Full Monitor Control the most feature-rich analog monitor controller 8 stereo source selections, including digital inputs and iPod 5 stereo speaker outputs, including studio and on-board laptop-style speakers 5.1 surround monitoring Comprehensive source to output routing iPod / iPhone Dock with AES digital output Hear and play along with demos on your iPhone or iPod Digitally stream iPhone / iPod content to your DAW Eliminate cheap headphone jack converter loss Capture ideas from your smartphone's music creation apps in full digital quality for use in your productions Hear your portable music library at full resolution High-speed USB ports on console surface Easy access to iLoks, flash drives, smart keys, and hard drives Console-top location and under keyboard tray iPad access/power Three - My Mix™ 6-channel, stereo artist headphone cue mixers Easily and instantly create three separate, multi-source, 6-channel headphone mixes for musicians in the studio Route any monitor source to headphones within custom 6-channel mix Replaces or works in concert with stand-alone cue mix systems Artists can play along with multiple sources such as main mix, 2 track, and iPod / iPhone iPad integration for Neyrinck V-Control Pro, tactile plugin control iPad USB powerpoint on console front Dedicated space on console for the smartest, most advanced plugin controller Mix Focus™ Metering Comprehensive VU and LED metering LEDs scaleable to display 60dB range or only the critical last 10dB during mixdown mode Auto Talk™ talkback mode Talkback mic automatically turns on when playback stops for effortless, hands-free studio communication Traditional talkback mode selectable Talkback to cue, to studio, and to slate Remote Talkback option Activate the talkback mic from anywhere in the room with a small remote Direct line of site not required Engineer's Headphone center Powerful, on-board headphone amp with standard 1/4” jack and 1/8th” earbud jack Betty™ Built-in laptop style speakers for consumer playback reference 32 Channel, automated, touch-sensitive fader control surface EuCon Protocol – the fastest, best integrated virtual DAW control system 100mm long-throw faders and 32 high resolution rotary encoders Automation mode select, mute, and solo Industry-standard Avid fader packs for performance, reliability and support Outboard bays Integrated rack bays for outboard gear, converters, interfaces, preamps... Slate Digital Virtual Console Collection plugin included Brings the sound of 5 legendary analog consoles to your DAW Models all characteristics of both the channels and the analog summing Eliminates the need for analog summing PRESS CONFERENCE at 1PM #6921
__________________ Steven Slate www.slatedigital.com www.stevenslatedrums.com www.slateproaudio.com www.slatedigital.com/support Follow us @ www.twitter.com/slateproaudio |
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| | #2 |
| Lives for gear Joined: Jan 2011 Location: Ireland
Posts: 1,361
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Craaazzy!
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| | #3 |
| Gear nut Joined: Jun 2009
Posts: 121
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wow!!! awesome!
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| | #4 |
| Gear maniac Joined: Sep 2009 Location: Atlanta
Posts: 250
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Holy crap. Did not see that coming...
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| | #5 |
| Gear addict | ![]() With love. |
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| | #6 |
| Lives for gear Joined: May 2003 Location: Cambridge MA USA
Posts: 1,113
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Let me be the first to complain about the lack of a "Dragon Ink" surface texture. Steve, no guts no glory! ![]() Seriously, I love it. Nice job! ![]() -Casey
__________________ cdowdell@bricasti.com www.bricasti.com My love shall hear the music of my hounds. - Shakespeare |
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| | #7 |
| Lives for gear Joined: Oct 2007
Posts: 2,059
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It looks kinda cool but there's a lot of wasted space.. |
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| | #8 |
| Gear nut Joined: Jan 2004 Location: Germany
Posts: 127
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Superb features |
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| | #9 |
| Lives for gear Joined: Sep 2008 Location: Omaha Nebraska
Posts: 690
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Price?
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| | #10 |
| Lives for gear Joined: Oct 2008
Posts: 630
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WOW! Price?
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| | #11 |
| Moderator Joined: Jun 2003 Location: Sweden
Posts: 2,453
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Does it come with the Euphonix faders, or is that optional? Yeah- price? |
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| | #12 |
| Gear maniac Joined: Sep 2009 Location: Atlanta
Posts: 250
| Alright...let's take bets. I'm going with 10k or even under. I know that seems low but here's why: when it comes down to it, you've got a keyboard, mouse, monitor, audio monitoring section, headphone amp, the chassis, rack spaces, meters, and 24 fader controllers. That puts it in the same functionality range as the C24 and other products like that which all come in right around the 10k mark. Now here's 3 reasons I think it will be significantly less: first, there don't appear to be any pres. The C24 has 16 pres and 2 DI's (granted not the most awesome, but they're there) at the 10k price, as do other similar control surfaces. Second, being a small company and having to compete with the big boys (even though his product may be/is better) they've got to have a lower price point to get somebody to consider coming away from an established brand and over to a new, young company. And third, I think they've heard enough of the complaints about other people's control surfaces just being giant expensive mice. And while what they have here is certainly more innovative, it will still get lumped in with their competitors products. That, coupled with the two previous reasons is going to force a lower price point. Ok, my guess....7k. Anybody else want to wager?
__________________ 60% of the time, I use bass every time. |
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| | #13 |
| Gear maniac |
I really like the concept bbut price will be crucial.
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| | #14 | |
| Gear addict Joined: Nov 2006 Location: Paris - France
Posts: 385
| Quote:
__________________ Nietzche : "God is dead." God : "Nietzche is dead." | |
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| | #15 | |
| Gear maniac Joined: Sep 2009 Location: Atlanta
Posts: 250
| Quote:
Like I said, I could be totally off, but that's what I see in it. What features are you thinking are going to drive the price up? | |
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| | #16 | |
| Gear addict Joined: Nov 2006 Location: Paris - France
Posts: 385
| Quote:
My guess is it's gonna be in the 15-20k range but I sure hope I'm wrong | |
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| | #17 |
| Gear addict Joined: Nov 2002 Location: Melbourne, Australia
Posts: 415
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Comparisons with the C24 aren't fair. That's a dedicated Pro Tools only controller which will kill this as a Pro Tools controller but the Raven being Eucon will then act as a controller for Logic and others as well which makes it more versatile. Certainly sounds INTERESTING. Is that 6 Dragons in the photo? They're not included obviously or you're at $7K+ before you add anything else! |
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| | #18 |
| Gear maniac Joined: Sep 2009 Location: Atlanta
Posts: 250
| Yeah, I agree on the monitor section, but all the other prices I quoted (like for the argosy desk and Euphonix controllers) were street price, so I doubt the individual components are going to cost street price when you're buying "in bulk" so to speak. I think that would give enough wiggle room in the price to get a monitor section in there. Like I said, I think it could hit 10k, but I'd be a little surprised if it goes over.
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| | #19 | |
| Gear maniac Joined: Sep 2009 Location: Atlanta
Posts: 250
| Quote:
And I think that's actually Dragons and FOX pre's! (in the render at least, not in the photo) So yeah....that'll cost a little bit haha | |
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| | #20 |
| Gear addict Joined: Nov 2002 Location: Melbourne, Australia
Posts: 415
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| | #21 |
| Gear maniac Joined: Sep 2009 Location: Atlanta
Posts: 250
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| | #22 |
| Lives for gear Joined: Feb 2005 Location: UK
Posts: 3,514
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What's with all the dead space?
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| | #23 |
| Lives for gear Joined: Jul 2003 Location: Netherlands
Posts: 1,722
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Extremely cool. Exactly all the funtionality that made me want an analoge console is covered here. Finally looks like ITB mixing and analog console workflow are married in the right way. Now, let's hope the price is right and this could be a winner. Regards, Dirk PS I would assume the Artist mix controls are optional - I would not need 4, 2 is enough.
__________________ -progress takes away what forever took to find- Dave Matthews |
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| | #24 |
| Gear nut Joined: Apr 2010 Location: Perth, Australia
Posts: 134
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Oh wow, this is amazing! I would love one of these.
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| | #25 |
| Gear Head Joined: May 2011 Location: Bay area
Posts: 40
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That looks sexy.
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| | #26 |
| Lives for gear Joined: Feb 2011 Location: Houston
Posts: 511
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Slate, The iPod dock is a home run. Slam ****ing dunk, sir |
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| | #27 |
| Gear addict Joined: May 2006 Location: Sydney
Posts: 310
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.... i don't get it? If you are going to make a bespoke package with a bunch of (almost all) ready made components, wouldn't you just do it yourself to make the perfect custom console? And off the back of that, if you are going to make a monitoring system (which does look impressive on paper) why bundle it down with a whole bunch of things people may or may not need?
__________________ Matt Perrott Sound Designer - Sydney / London |
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| | #28 | |
| Lives for gear Joined: Feb 2009
Posts: 2,708
| Quote:
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| | #29 |
| Lives for gear |
I made something like this myself allready. But I can see this being a great item. Steinberg came out with these tiny controller items. So if Argosy and Steinberg would team up they could beat this being more configureable. Wich I assume is a keyword here. If you're a lawyer you spend top dollar on an impressive room. And the furniture in that room could easily be over 40.000. Now an audio engineer (topclass) should settle for 11.000.... Wich is easily a smaller market...
__________________ I use BAGEND SPEAKERS. you should hear em too. http://www.myspace.com/a-muze#!/556701704 |
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| | #30 |
| Lives for gear Joined: Jul 2006
Posts: 896
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Only thing missing are salt and pepper shakers ![]() |
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