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| | #61 |
| Lives for gear | Chasing when zoomed in isn't working right or at all
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| | #62 |
| Lives for gear Joined: Aug 2007
Posts: 2,600
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| | #63 |
| Gear nut Joined: Apr 2006
Posts: 86
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Something to be aware of - I am in the middle of a project where I tried to get the editor to load some sessions in progress I'd used the previous plug in on. This version changes the sound significantly, I even printed it and did a null test and they are not even close! I wouldn't like to say which is better for working on new material yet but I really didn't like how DNA changed the sound of existing sessions. I've gone back to the old version until I can get everything printed for mixing.
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| | #64 |
| Lives for gear Joined: Dec 2005
Posts: 880
| It's in the official press release: "... with their totally new technical infrastructure, both the plug-in and stand-alone implementations of Melodyne editor boast numerous improvements over previous editions of Melodyne, including ... in the note detection process and sound quality, and much else besides."
__________________ Available for remote work and/or in Berlin. Do you need a Webmaster / IT Consultant / Social Networks manager / CMS editor / E-commerce solutions? PM me and let's talk... -- AudioNewsRoom: Reviews, interviews - On:Twitter - On:FacebookNow on ANR: |
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| | #65 | |
| Lives for gear Joined: Sep 2004 Location: Washington, DC
Posts: 7,209
| Quote:
![]() It sounds SO MUCH BETTER to me now. That slight synthetic android haze is gone. But this shows how sound perception is subjective, I guess. - c
__________________ now chirping at twitter.com/beautypill www.soundcloud.com/beautypill | |
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| | #66 |
| Registered User Joined: Nov 2008
Posts: 1,084
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I tried it is usuable ... and it sounds like $hit |
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| | #67 | |
| Lives for gear Joined: Aug 2007
Posts: 2,600
| Quote:
EDIT: That's strange... I just saw this on Celemony's website: ricstudioc wrote: As I understand it, installing the editor will overwrite my existing plugin - gone, goodbye, sayonara - correct? Claudio wrote: Yes, this is correct. | |
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| | #68 |
| Gear maniac Joined: Sep 2006 Location: Baltimore, MD USA
Posts: 255
| Simple Melodyne test
Granted this was not pushing the envelope because the bad guitar note was almost in the clear, but ..... I just uploaded a before and after tracks to my server so you can what a one note push sounds like in the stand alone version. I'll try to screw up worse in the near future, not that I'll have to try that heard, to see if I can make Melodyne sweat. MobileMe - iDisk Regards, Ty Ford |
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| | #69 |
| Gear maniac Joined: Sep 2006 Location: Baltimore, MD USA
Posts: 255
| Oops I did it again...Melodyne to the rescue
OK, a more serious screw up this time. Check out the Oops! files There are three bass notes ringing out under my three note screw up. I separated the section in PTLE, exported it, imported it into Melodyne, slid the three top notes up a fret, saved it, exported it, imported it into PTLE and plopped it back in the track. Slicker than snake shit on a door knob! MobileMe - iDisk Regards, Ty Ford |
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| | #70 |
| Lives for gear Joined: Feb 2007 Location: Long Beach Ca,
Posts: 563
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Did anyone download the demo version of editor?.I did and it is whack all over the place buggy.It works.... then it doesn't.Many of the functions when it "does" work uhhh don't work..is it just me?? ![]() BP |
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| | #71 |
| Lives for gear Joined: Mar 2009 Location: London
Posts: 553
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Just giving some feedback; I tested it and I am not very impressed personally. That's just me though. I tried on brass and strings. Does it work for you? |
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| | #72 | |
| Lives for gear Joined: Feb 2007 Location: Long Beach Ca,
Posts: 563
| Quote:
There are also functions like resizeing the window,cycling, moving the playhead that don't work in the demo (at least for me!!). Over all from what little I've been able to do I think its great.I tried it on some rendered Apple loops of pedal steel and fiddle and it did just what I hoped it would do!!I'm definitely going to get it ASAP. BP | |
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| | #73 |
| Gear nut Joined: Dec 2008
Posts: 101
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| | #74 | |
| Gear maniac Joined: Sep 2006 Location: Baltimore, MD USA
Posts: 255
| Quote:
I was pretty impressed by my last test in the polyphonic mode on acoustic guitar. I also see additional uses of the MIDI export. I'm working on a production now in which I have exported the MIDI from a finger-picked acoustic guitar part to "play" a string section and other instruments. Regards, Ty Ford | |
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| | #75 |
| Lives for gear Joined: Mar 2009 Location: London
Posts: 553
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| | #76 | |
| Gear maniac Joined: Sep 2006 Location: Baltimore, MD USA
Posts: 255
| Quote:
I'm just guessing here, but I'm sure there are limitations to the polyphonic capability. I'm pretty amazed by what I can get it to do so far. | |
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| | #77 | |
| Gear maniac Joined: Nov 2006 Location: Örebro
Posts: 190
| Quote:
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| | #78 | ||
| Lives for gear Joined: Aug 2005 Location: North Mylon
Posts: 657
| Quote:
Quote:
G | ||
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| | #79 |
| Gear maniac Joined: Sep 2006 Location: Baltimore, MD USA
Posts: 255
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| | #80 |
| Lives for gear Joined: Jul 2005 Location: São Paulo/NYC
Posts: 1,204
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right now i'm in the middle of tuning the G string on a rhythm guitar track. it's a bit of work, but i am so stoked to be able to do this and had to share back to work...
__________________ http://www.myspace.com/victorrice http://youtube.com/bassie417 YMMV - Your Money May Vanish |
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| | #81 |
| Gear nut Joined: Aug 2008 Location: Los Angeles
Posts: 143
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This program is the best thing to happen to sampling since the fairlight |
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| | #82 |
| Lives for gear Joined: Sep 2004 Location: Washington, DC
Posts: 7,209
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| | #83 |
| Lives for gear Joined: Dec 2003 Location: Ft. Lauderdale, FL
Posts: 7,941
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What kind of stuff are you guys doing with it that can't be done with anything else?
__________________ What the wise man does in the beginning, fools do in the end. --Warren Buffett The four most expensive words in the English language are: "This time it's different." --John Marks Templeton |
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| | #84 | |
| Lives for gear Joined: Sep 2004 Location: Washington, DC
Posts: 7,209
| Quote:
So you can adapt a sample to wrap around the contours of your existing musical context. I kinda don't want to get myself in trouble. But hypothetically, this would mean you could grab the gorgeous opening string section of Etta James' "At Last" and... contort it harmonically, transforming it to be nearly unrecognizable. Then you could use those tones in new and creative ways within the context of your own music. ...Not that I would ever do that, of course... 'Cause that would be wrong. So wrong. - c | |
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| | #85 |
| Gear nut Joined: Aug 2007 Location: Washington, DC
Posts: 146
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I've used it for tuning string quartets and a live recording where two singers ( both out of tune) decided to share one mic for most of the song... --- Thomas Johansen Record Producer |
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